For our debut release, Permahigh record’s very own Mike Drones traverses the world of multi-dimensional sonics and sines with a mesmerising three track EP, whilst raising some important questions:

Is Bernard a robot? How Gully is the girl? And will we really blend till the end?

The answers aren’t important, but the journey through the elasticated synthesis and belly-bound frequencies make the intrigue in thought all the more enveloping.
Constantly slinging you forward and pulling you back in, the landscapes Mike paints over the course of the EP are filled with serotonin inducing feats of aural science, leaving you with no choice to be fully submerged in the world he has created.

Video: https://youtu.be/AEjV5ngvYoU

Mike Drones - Bernards A Robot

在FINAL有你從來沒有聽過的音樂，也有你耳熟能詳的音樂，充滿實驗性但又不失趣味。 

At Final, there is the familiar and the unexpected; the entertaining and the experimental. 

這裡是每一個躁動不安靈魂的歸屬。 

At Final, there is a home for all the restless. 

在音樂上我們嘗試不同的可能性，試著打破類型限制與規則，很多時候我們會搞砸，但每當我們完美抓到平衡的時候，是世上最美的事情之一。 

At Final, we strive to create new possibilities. While we screw up sometimes, when we get it right, it's pure magic. 

它帶給了我們希望與絕望，賦予痛苦與喜樂，但能因此碰到很多志同道合的朋友，人生本不就如此？ 

This pursuit brings us a lot of hope, pain, and joy. But in this struggle, we are able to meet many like-minded friends and build a community. 

張合輯收錄了五位跟我們有著緊密關係的音樂人，代表FINAL的聲音，獻給台北。 

This compilation is dedicated to Taipei. Inside is the work of five artists who are very dear to us, and who represent the sound of Final. 

「這裡是我們的故鄉，活得沒法不自在，祖祖輩輩根就扎在這片土地上，用不著你遠道再來尋找」—高行健。 

"This is our hometown, it's impossible to live uncomfortably here. Our ancestors have been rooted in this land for generations, you don't need to come all the way to find home." - Gao Xingjian.

Mastering: Enyang Urbiks 
Cover: Tea Strazicic 
Rebels of the Neon God mixed by jondu

04 Meuko! Meuko! - Rebels Of The Neon God

We have some lacerating, avant-club abstraction as @corinmusic returns to Lee Gamble’s @uiqmusic label.

Back on UIQ following 2021’s 'Enantiodromia' release. Where that explored ideas of machine learning, specifically memory retention in AI, ‘Lux Aeterna’ imagines sound as sentient across a suite of tracks indebted to sci-fi soundtracks and baroque-era beauty. It’s a fierce and forward investigation into texture through the prism of granular synthesis and club-focused concerns. 

Our premiere, ‘extasis’, finds the multidisciplinary artist marrying spectral trance and industrial maelstrom to exhilarating effect.

'Lux Aeterna' is out July 14th on UIQ.

Pre-order: uiqmusic.bandcamp.com/album/lux-aeterna

Lux Aeterna

Discover More

Premiere: CORIN - extasis [UIQ]

Plasma Sources is proud to present nosync’s Soundsystem Music, an EP which provides a fresh perspective on the high-fidelity and sci-fi influenced electronic music the imprint is known for.  

nosync’s (https://soundcloud.com/user-775234683) work sits in a truly unique space in the sound system/club music-o-sphere. This in large part is due to his heavy deployment of progressive metal instrumentation, from chugging walls of overdriven guitars to relentless double-time kick patterns. On paper, utilising this palette in a club-music context may seem like an impossible task. However, where others might see a chasm of disparity, nosync has deftly identified the bridge connecting these two genres, seeing in these two landscapes the same desired emotional state - despite the different methodologies used to achieve this.  

“This record attempts to make the case that the essence of what makes these sounds so obsessively loved are one and the same. Gripping dramatism and intensity are the overlapping themes that I have attempted to bring out here, through the record’s sound design and film-like structure.” 

Indeed Soundsystem Music as a whole feels wildly cinematic and is as much an exercise in atmosphere creation as music for sound systems, with nosync citing the video game Dead Space and its sequel as key influences for this body of work. From the claustrophobic, elasticated wind chamber of ‘Traced’ to the broken choir voices and FiS-esque ambient abyss of ‘Dead Land’, nosync has expertly matched the pace and atmosphere of these hugely iconic and utterly terrifying video games and channeled them into a purely sonic experience.  

The metal influences nosync brings to the table slice through the entire corpus of Soundsystem Music, although the linkage is perhaps at its most clear on ‘Airlock’, which features a full-on death-metal guitar chugging through the first half. In perhaps the most surprising switch-up of the entire EP, things suddenly twist into a guttural underwater club track a third of the way through.  

nosync’s love for the vast ecosystem of club/soundsystem music also comes through loud and clear on this release, from the grime-inflected leads and hyper-detailed polyrhythmic noise workouts of ‘Unregistered Hypercam’ to the reverberated metal clangs of ‘Kauket’s Arena’ which feels like witch-house on steroids - the soundtrack to some final boss battle with some type of nightmare-demon-entity.  

nosync has achieved something unique with Soundsystem Music. By drawing together a hugely disparate corpus of influences and pummelling them into a noise-fuelled apocalyptic aberration, he has created a sound which feels consistent, fully his own, and in many places, utterly dread-inducing. 
credits
releases February 13, 2024 

Written, Produced & Mixed by Nikolas Babić 
Mastered by Hypna 
Artwork by Joh000 // Jose Hernández 


© & ℗ 2023 Plasma Sources.

Soundsystem Music

unearth - Aberrations

Free Download: https://bonebrokk.bandcamp.com/track/tdoa004-shatterdive

''tell me, tell tell me''


Written, produced, mixed and mastered by Marios Naris.

Free Download

[TDOA004] bonebrokk - Shatterdive

SWINE WORLD 003

third compilation of @swine-daily-blog based on collaboration and exploration of new sounds. 25 artists from 14 cities for 11 songs with many different styles and approaches. This is the style of Swine Daily in the year 2024. A postcard from now to the future

Cover SIDA100 (www.instagram.com/sida100/)
Mastering Viktor Jenčuš
www.swinedaily.com

SWINE WORLD 003

Bungalovv + Candie + Griigg - Anamara

@patarlab @vinerrrrr

Music Video: https://www.youtube.com/watch?v=S4ehGk52g3E
-----------------------------------------------------------
Death is certain, life is not. And both are available at our supermarket. 

With everything that’s happening in the world, one must wonder if there’s breaking free from it all or should they just stop trying to make sense of it. It’s a choice and it isn’t — depending on the circumstances one finds themselves in. What seemed senseless beginning to take form and what had always been solid shatters into pieces: home, family, plans, love, identity, freedom, sex, philosophy, technology, making-it, bank account, self, traumas, patterns, overcoming them, residence, conscience, morals, vodka, values, vulnerability — they have equal chances to serve as safe place or jail, wake or deliverance, life or death — go figure.

In its first release, Patar flips the table — and the cards, and the chips with it. No stake is too high to even mention it. One track and 7 versions of it, as an attempt to transgress from confusion to clarity — or maybe the other way around. Here’s an artistic experiment for you: do not brief, do not declare, do not obey, and do not fight — or do. And see what comes out of it. 

Qurgōn is a pit grave. There are dead horses in it, dead people, dead weapons, and vessels. It stinks and it’s scary. It’s a place where nothing will ever be born, or will it? It requires nothing, silently craving admiration. It only ever serves a collective memory of all the heroes and the blood-thirsty freaks alike. They are one, after all. It only is to be unbothered, looked at in awe and disgust; to be a break out on the smooth surface of the steppe’s ass.  

One artist made a call, seven responded — to dig to the bottom of that pit or touch upon its stony texture.

In order of appearance:

Viner [France, Marseille]
Şüräle [Kazakhstan, Almaty] 
Wulffluw XCIV [Moldova, Chișinău]
yutani [Armenia, Yerevan]
Sha Gen [Tajikistan, Dushanbe]
Aunt Zazà [Spain, Barcelona]
Hayk Karoyi [Armenia, Yerevan]
A.Fruit  [Spain, Barcelona]

Here’s another experiment for you: renounce all styles and genres and go with it. Who cares, anyway? Gloomy and epic, repetitive and bass-y — oh, always bass-y. Percussion-thick, yelling, obnoxious, rich. The sound of dying, finding peace, losing it again, and returning back to the hassle. The all-penetrating sound of a baby’s cry and the last exhale of a fighter knocked out for good. Ferocious sirens needling through the layers and layers of dead horses and weapons, clanking, squelching — resonating. With the horrors and hope. With memories and fantasies. With clinging to what seems to be it — and letting go. 

Nothing is certain anymore, yet everything is clear. 

p.s. The locations are mentioned to help gig providers locate the artists and, maybe, give an idea of their background and current state of mind, but not really and not necessarily.

* Qurgōn [Uzbek], commonly unknown as Kurgan [Turkic] or Курган [Russian]  a circular burial mound constructed over a mass burial site of warriors; originally in use in the Russian Steppes, Caucasus, and Central Asia, but later spreading into eastern, central, and northern Europe in the third millennium b.c.

text by Nastassja Popova
mixing & mastering by A.Fruit
cover by Timur Zima

Qurgōn (WULFFLUW XCIV Remix)

Exploited Body - Helix / Unravel

Exploited Body takes it back to the club with their latest two-track offering 'Helix / Unravel' - a pairing, that meshes the intensity you've come to expect, with newfound high-speed break experimentations.

'Helix' is a spiralling fever dream, with drums of tungsten skitter through the blaring sirens and posessed screeches, showing no signs of slowing down. 'Unravel' is deliverance, release. Incorporeal voices echo through the cracks of the ferocious drums, eventually submitting to the soaring, euphoric synths signalling the escape from the cycle.

’Helix / Unravel’ is out now via Changeless!

Written, produced, mixed & mastered by Nori Kin.
Artwork by Jesse Draxler & Nori Kin.

@exploitedbody


Exploited Body -  Helix

AWAKEN EP

Energy

Rauschii - ESX-Style

Functory 03 is the third compilation from FunctionLab will be released on August 5, 2019.

After the practice and introspection of the “localization of the vanguard scene” in the past two years, we proudly started from Hangzhou and have extended our tentacles to a farther geographical space; Collecting music from all over the world and converging into functionlab's own "smell”, self-centred yet separated from self-expression.

Functory 03 contains 12 tracks produced by Akito/ bela/ GG Lobster/ GUAN/ Kieran Loftus/ Laughing Ears/ Mice/ Mr.Pena/ XHANKONKON/ XOXO Miro/ Yikii/ Zean

The cover and MV are made by Hangzhou artists Zhou Yilun and Martin Goya Business & Cheng Ran respectively.

Tracklist/

Mr.Pena - X-Akii12 @mr-pena
GUAN - I Only Open My Mouth for Reading Disc @boyang-guan
bela - 玄武 Black Tortoise @6314
GG Lobster – Rivaldo Top 10 Goals @gglobster
Zean - Eyes @zeanmusic
Akito - Drown My Demons @akeytoe
XOXO Miro – 鼓一 Drum Studies 1 @xoxomiro
Kieran Loftus - Avoid as Teammate @iamahoe
Yikii - 蚀变 Alteration @yikii
Mice - 过肠 Intestinal Passer @inq7b4qx57vq
XHANKONKON - XXXME @xhankonkon
Laughing Ears - Polymorphic Reality @laughingears

Release Date 2019/8/5
Mastered by GUAN
Music Video by Martin Goya Business & Cheng Ran
Artwork by Zhou Yilun
Released by FunctionLab

©️all rights reserved

Released by:
FunctionLab
Release date:
5 August 2019

Akito - Drown My Demons

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Mike Drones - Bernards A Robot

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