Name: Blood, Bank (The Middle East & Bon Iver Cover) by Linying
Duration: 4 min 2 s
Description: that secret that you know, that you don't know how to tell

wonderful tone you have in your voice… it is so very expressive!

that secret that you know, that you don't know how to tell

Blood, Bank (The Middle East & Bon Iver Cover)

Download HERE:
http://bit.ly/1vJ4flz

In spite of all that is wrong in the person you desire, in spite of all the flashing lights that tell you to run from the situation, you remain to soldier through all that is bad for you.

'Soldiers' is produced by John Castle, and is the lead single off Swim Season's debut EP 'Cascades', to be released in early November 2015.

Mixed & Produced by John Castle
Mastered by Andrew Edgson, Studios 301 Sydney
Original Artwork by Shane Harmon (www.vague-space.com)


LYRICS:

Your love, 
A black hole
You’re an odd soul
And you are the reason that
I’m old,
You’re a temple,
As far as I know
My colour it fades
And you’re built monumental
A stronghold like an animal
Made for one soul, so mechanical
I’m here but still so cold

So call in your soldiers and their arms
They can shoot me down,
They can shoot me down
And crumble just like everybody else
You still run this town,
You still hold me now

Muscles,
Made to stumble
Well even I know
I feel like you’re made up of
Something
That’s hard to bust in
As far as I know
My colour to grey
And you’re built monumental
A stronghold like an animal
Made for one soul, so mechanical
I’m here but still so cold

So call in your soldiers and their arms
They can shoot me down,
They can shoot me down
And crumble just like everybody else
You still run this town,
You still hold me now
And you’re built monumental
A stronghold like an animal
Made for one soul, so mechanical
I’m here but still so cold
So call in your soldiers and there arms
They can shoot me down,
They can shoot me down


Soldiers

Head over to Hype Machine and "Heart" Kaptan's latest single "Let Go"! 
http://awe.sm/qAigA

Available everywhere October 30th via South By Sea Music

www.southxsea.com


Let Go - Single

Let Go

KAPTAN - Let Go

Chasing Pavements (Wet cover)

Young the Giant - Cough Syrup

from debut album TWISTIFICATION - out now!

FRIDAY NIGHT

The 6th track off Tigerweather's newest release Lani, this song is sure to make you hop out of bed and take on the day.

tigerweather.bandcamp.com

Sunshine

Wonderwall Acoustic - Ed Sheeran

Written By The Valla 
Produced by Andy Hall Hall

Ice Cream

'Recorded Songs' EP out now: https://atlanti.cr/recordedsongs

2017 tour dates on sale here: http://smarturl.it/FRShows

Follow Frightened Rabbit here: 
Twitter: http://smarturl.it/FRTwitter
Instagram: http://smarturl.it/FRInstagram
Google +: http://smarturl.it/FRGooglePlus
YouTube: http://smarturl.it/FRYouTube
Soundcloud: http://smarturl.it/FRSoundcloud
Website: http://smarturl.it/FRWebsite

Available on iTunes

The Woodpile (Alternate Version)

“Nantucket! Take out your map and look at it. See what a real corner of the world it occupies; how it stands there, away off shore, more lonely than the Eddystone lighthouse… all beach, without a background… Nantucket is no Illinois.”
When Herman Neville penned these words in 1851, he envisioned Nantucket through the eyes of a weary whaler at sea. Yet 157 years later, his words resonated with two young men landlocked in the Midwest. Michael LoPresti and Aaron Smith could empathize with the whalers of Neville’s Moby Dick. Their music was their Nantucket, beckoning them to break away from their day jobs and go back to what they loved.  It was this longing that gave way to The Lighthouse and the Whaler.

In June 2008, Michael (lead vocals, guitar, mandolin, keyboard) and Aaron (violin, guitar, keyboard) met in a field Ohio to take photos with a friend. Taking up their instruments – a violin and a guitar – the musicians had an impromptu collaboration session as the photographer snapped his shots. By the end of the day Michael and Aaron had written their first song, aptly titled “The Field Song,” which was released in December 2008 on a four-song EP entitled A Whisper, A Clamour. The band’s blend of ethereal folk and sweeping harmonies quickly caught the attention of Paste, which featured “The Field Song” on its acclaimed CD sampler. The band also earned early praise and recognition from Under the Radar and FILTER, which in July 2009 declared The Lighthouse and the Whaler its “Unsigned Band of the Month.”

While holding odd jobs as graphic designers, grocery clerks and freelance musicians, the band worked for its rightful place in the Midwest music scene, adding Michael’s younger brother, Matthew (percussion), to the full-time line-up. Their college friend Mark Poro (vocals, guitar, mandolin) soon followed, along with his musical collaborator Steven Diaz (vocals, guitar, keyboard, percussion).

Pursuing a do-it-yourself approach, the band booked itself regional tours through the East and West Coasts, sharing stages with notable acts including Sufjan Stevens, The Temper Trap, Carolina Chocolate Drops, A.A. Bondy, Via Audio and Hallelujah the Hills. During these shows the band showed off its multi-instrumentalist approach, impressing crowds at House of Blues, SXSW, Rock N Roll Hall of Fame, The Living Room, Schuba’s and other venues with what MTV describes as “really cool, melodic folk rock… and a live show you’ve got to check out for yourself.”

The Lighthouse and the Whaler was also busy preparing its debut, self-titled LP, just as it was named “Best Indie Artist” at the 2010 Cleveland Music Awards. Described as “colorful, eccentric and fantastically triumphant,” the album showcases the band’s ability to take seemingly simple instrumentations and layer them into something powerful and strong. “Windows” and “Of the Heavens and the Earth” offer punctuated melodies and sustained harmonies, while “Under Mountain, Under Ground” is marked by “sweet harmonies, a resonant barroom piano, and propulsive percussion to an exuberant climax” (KEXP). The lyrics, which hint at the band’s studies in philosophy and theology, provide room for fans to interpret and correlate the music with experiences in their own lives: struggles, triumphs, good ties and bad.

And while Neville’s protagonist looked out longingly for a home that was out of reach, The Lighthouse and the Whaler is wasting no time chasing down what really matters. “We’ve equated music to be something by which people can really be changed and moved,” explains Michael. “There’s something beautiful in music and powerful in music and when faced with a choice of this or other things – other ways to make money or other ways to fill our heads – we would choose this every time.”

Under Mountain, Under Ground

The latest body of work from Linying, House Mouse is the sound of an artist rediscovering the joy of creating with total abandon. In an evolution of her acclaimed debut album There Could Be Wreckage Here—a 2022 release made with musicians like former Death Cab for Cutie guitarist Chris Walla—the Singapore-born singer/songwriter follows her intuition toward a kaleidoscopic form of dream-pop elevated by her enchanting voice (an element she’s previously brought to her breakout single “Sticky Leaves” and to a series of massively successful collaborations in the electronic world). Both effervescent and emotionally intimate, the result is proof of the wild magic that comes from letting go and leaning into your most unfettered impulses.

Blood, Bank (The Middle East & Bon Iver Cover)

Linying

Recent comments

Marin Stefani

ADRIAN GOLD

Syafiq, Nur

Chip Mandich

Related tracks