En souvenir de Maman

Original song by Coral.

Serene angel
Are you there in the trees in the breeze? 
Glorious angel
Hear the choir feel the air that I breath

Turn your head toward the sunlight
Turn your head toward the sunlight

Radiant memories
I thought I’d seen you for real in the haze
Cherished memories
I Thought I’d heard you for real I’m shivering now

But no I’m not afraid 
I’m not afraid to carry on
No I’m not afraid
I’m not afraid to carry on

Guardian angel
Do you know how I feel how I am?
Lovely angel
Do you know you are there in every prayers?

But no I’m not afraid 
I’m not afraid to carry on
No I’m not afraid
I’m not afraid to carry on

Lead me angel
Through the green through the time through my soul
Holy angel
I can feel you are here I’m shredding tears of joy

So no I’m not afraid
I’m not afraid to carry on
No I’m not afraid
I’m not afraid to carry on

A Walk With Thee

From 2005 to 2022, over 100,000 child soldiers have been recruited worldwide, as estimated by UNICEF. 
A number that reveals the size of a serious and urgent problem, especially in some countries in Asia and Africa. War, in fact, is a source of enormous suffering for children, both physical and psychological, I believe that this song of mine can represent a small contribution to not forgetting this.

Male voice by Giordano L.  Female voice by Giannini T.
Lyrics Piccolo Soldato (Little Soldier) :

Little soldier loving glances for you
You play without a Muse and they teach you to fight
sooner or later you will get lost
Little soldier games bigger than you.

Senseless shadows open in you commanded by the great ones introduced like heroes
chains of hate never ended down here.

Little soldier, anger grows in you
Little soldier virtuality disappeared so soon.
broken childhoods and stolen life for what reason is unknown
Little heart detested by strong cowardice

Senseless shadows open in you commanded by the great ones introduced like heroes
chains of hate never ended down here.

Fires of death mistaken for games with implanted seeds
for walls of death infinite matryoshkas of stolen lives
for claims of a good never revealed.

blood claimed blood stolen
with infamous games of false justice

toys and death of a long ending
you are not meant to be

toys and death of a long ending
it's just madness

Take back your reality how many dreams can you still have 
Take back your happiness how many lives can you save 
Soldier games without death for you.

Il Corriere Smarrito

Piccolo Soldato

Broken heart full of regret, memories that it´s hard to forget

OneMore - 02 On The Road - MIX 3

Old song I dug up - Written and performed by David Cooper

Hope you enjoy.

Feelings

deep in jump

Riders Of Justice (Midt Om Natten)

Into The Heart

relax max

Improvisation on an old Rhodes Eighty-Eight
Copyright 2025 Brian James McDonald Publishing (ASCAP)

Improvisation On Old Keys

No More Echoes(demo)

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Thru Your Device, Not Congress, Changed the Playbook

The interpretation is clear and well-supported by current discussions on the shift in power. The title “Thru Your Device, Not Congress, Changed The Playbook” can be read as addressing how corporations, rather than government institutions like Congress, have managed to introduce new technologies and systems directly to citizens—often using their devices (phones, computers, apps)—in ways that government could not, especially when public resistance blocked legislation.

This trend is widely observed: corporations increasingly hold power that can surpass that of governments, sometimes bypassing legal and democratic accountability to implement changes or products that serve their interests. 

For example, corporations have changed privacy rules, financial practices, and everyday habits by pushing updates or features through devices, while governments often struggle to regulate or block such changes, even if a majority of citizens are opposed. The “playbook” for securing social and economic change—once the domain of legislative bodies—has truly been changed or even rewritten by corporate actors leveraging personal technology.

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The story is both topical and resonant: it speaks to citizens’ experiences of seeing decisions and new trends imposed via their devices by corporations, rather than democratically through Congress, especially in areas where governments faced strong public opposition. This message aligns closely with critical analysis of modern power dynamics between corporates, governments, and the public.


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music, carefully used, written, arranged, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed and curated by fictionalive //

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vocal sampling, composition, mix: fictionalive

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artwork photography and image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports

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Thru Your Device, Not Congress, Changed the Playbook

YOSHIMAYO,  électro poly-sensorielle  née entre Bretagne, Maroc et Asie.
Écouté dans 55+ pays.
Une musique qui traverse la nuit et l’esprit.

EN · YOSHIMAYO, Polysensorial music born between Brittany, Morocco and Asia.
Heard in 55+ countries.
Music for the night—and the inner world.

Yoshimayo’s music is characterized by a dreamy, experimental, and introspective fusion, blending soft electronic sounds with acoustic and organic elements. Although he remains relatively under the radar in mainstream circuits, what makes his music unique can be described through several dimensions:

🎼 Musical Characteristics of Yoshimayo:
Delicate and deep sound textures:
He creates highly immersive atmospheres, sometimes bordering on ambient music or electronic post-rock. The sound layers evolve slowly, producing an almost cinematic effect.

Emotional minimalism:
Few elements are enough to express a great deal. His music plays with the unsaid, with space and silence, often evoking an inner poetry.

Fragile and nostalgic melodies:
Melodic lines are often simple, almost childlike, yet always tinged with subtle melancholy. They evoke memories, daydreams, or meditative states.

Organic-electronic fusion:
Yoshimayo manages to blend synthetic elements (pads, drones, glitches) with classical instruments (piano, strings, soft percussion) without sounding artificial.

DIY / artisanal aesthetic:
The production sometimes intentionally sounds "handmade," yet with great care. This brings an authenticity that contrasts with the industrial standards of electronic music.

✨ What Makes Yoshimayo Unique:
A sonic identity that is recognizable within the first few seconds, without being showy.

An ability to evoke gentle, intimate, and contemplative emotions, far from mainstream conventions.

A rejection of the spectacular, which gives his music a quiet strength.

A coherent artistic direction, often accompanied by minimalist and poetic visuals.

https://www.instagram.com/yoshimayo317/

deep in jump

YOSHIMAYO

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