Record collector / DJ / Broadcaster / Producer / Brownswood Recordings boss / occasional remixer

OKeh short history: 

OKeh was founded by Otto K. E. Heinemann when he set up his own recording studio and gramophone record pressing plant in New York City in September 1918. Heinemann formed the name of the record label "OKeh", from his initials.  OKeh began by issuing popular songs, dance numbers, and vaudeville skits similar to the fare of other labels, but Heineman also wished to experiment with music for audiences neglected by the larger record companies. OKeh produced lines of recordings in German, Czech, Polish, Swedish, and Yiddish for the USA's immigrant communities. In 1920, Ralph Peer's recordings by African-American blues singer Mamie Smith were a surprise smash hit for Okeh. The company perceived the significant, little-tapped market for blues and jazz by African American artists. Louis Armstrong, Duke Ellington and Bix Beiderbecke are only a few names of jazz greats that have recorded for the label. By 1926 Columbia Records bought the label and kept it running into the 60's with jazz and R&B recordings. 

In 1994, Sony Music reactivated the OKeh label as a new-age Blues label. Okeh's first new signings included Keb' Mo, Popa Chubby, and Little Axe. By 2000, the Okeh label was again retired, but in 2013 it will see its re-launch as a jazz label once again.

The multiple Grammy-winning catalog division of Sony Music Entertainment.

A HANDFUL OF BANDS PLAY THE “DEVASTATING RIFFS AND CATCHY HOOKS” GAME, BUT FOR BEARTOOTH, THIS MUSIC IS THE DIFFERENCE BETWEEN LIFE AND DEATH. AS EASYGOING, CHARMING, AND OUTGOING AS THESE YOUNG MEN MAY APPEAR, THERE’S AN INNER TURMOIL CHURNING AWAY, ONLY SATIATED BY THE SAVAGE MUSIC THEY PLAY. SUICIDAL IDEATION, EMOTIONAL DESOLATION, AND DESPERATE DARK NIGHTS OF THE SOUL ARE CHEWED UP AND SPAT OUT IN SONG AFTER SONG; CATHARTIC SINGALONG ANTHEMS LIKE “FED UP,” “SICK OF ME,” AND “IN BETWEEN.”

LIKE NINE INCH NAILS OR TAME IMPALA, BEARTOOTH IS A ONE-MAN BAND IN THE STUDIO. IT BEGAN AS MUSICAL EXORCISM, CONCEIVED IN FRONTMAN CALEB SHOMO’S HOME RECORDING SANCTUARY, A MEANS TO TAME THE DEMONS OF DEBILITATING DEPRESSION AND ANXIETY HE’S SUFFERED SINCE CHILDHOOD. BEARTOOTH HARNESS THE SACRED AND PROFANE TO PURGE INNER DARKNESS WITH A DIZZYING LIGHT. BEARTOOTH’S EFFECT ON LISTENERS IS EVIDENT BY THEIR HIGHLY-ENGAGED AUDIENCE; INVITATIONS TO MAJOR FESTIVALS WORLD AND TOURS WITH SLIPKNOT, BRING ME THE HORIZON, AND A DAY TO REMEMBER; AND A RIAA-CERTIFIED GOLD SINGLE.

WHEN ROLLING STONE INTRODUCED BEARTOOTH AS ONE OF 10 NEW ARTISTS YOU NEED TO KNOW, THE SOUND WAS RIGHTLY DESCRIBED AS “LIKE A NERVOUS BREAKDOWN, USUALLY WITH ENOUGH OPTIMISM TO PUSH THROUGH.” AS LONG AS THE DUELING DICHOTOMY OF MENTAL ANGUISH AND CREATIVE CATHARSIS REMAIN BOUND TOGETHER, CALEB SHOMO AND CREW WILL BE HERE TO OVERSEE THE SHOW. SO PLEASE, ENJOY THE RIDE.

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BeatMaker/PlocKBeats -
Caio Plock
Caio Plock é MC e Beatmaker, rimador nato e dono de uma levada inconfudível, está ativo na cena underground fortalezense desde meados de 2010.
Se trantando de produção Plock é um exímio conhecedor de samples, conhecimento esse que se tornou a principal identidade das suas batidas. A produção musical se fez presente em sua vida, no ano de 2012, quando o mesmo se aprofundou na arte de samplear
tranferindo todo o seu conhecimento pra sua MPK.
Trabalhou com uma galera massa da cena local, nomes como Nego Célio, Ruivo, Malavei entre outros já fizeram parceria com ele.
Respira a Golden Era do RAP em especial a pegada do G funk, absoverndo como maior parte de sua inspiração, mcs e produtores dos anos 90, o que se reflete nitidamente em sua musicalidade. 
Sobre od produtores que carrega como referência, Dj premier, Dr dre, 9th wonder.

Lipe Benigno is following