Minutes Of Sleep

Francis Harris-Lean Back

Uploaded with AudioShare app - http://kymatica.com/audioshare

Ole remix _ Moritz von Oswald _ Pushing on _ $ and Jules (dub) [Rider remix]

Get SVT136 – Stil vor Talent Berlin – Schlesisches Tor here: 
➟ iTunes: http://bit.ly/1BjS4w0
➟ Amazon: http://amzn.to/1t2bWA4

Artist: Various Artists
Release Title: Stil vor Talent Berlin – Schlesisches Tor
Label: Stil vor Talent
Catalogue No.: SVT136
Release: 29.08.2014

For our new compilation series, Stil vor Talent takes you on a tour of Berlin. Capturing the essence and spirit of the German capital through the music we love, play and dance to. The journey begins at U-Bahnhof Schlesisches Tor in the heart of Kreuzberg: pulsating with life, right next to the Spree, a stone's throw from the city's illustrious club scene and our own headquarters. Selected by Oliver Koletzki, with artwork by Chrisse Kunst. Join us for a ride! 

Dauwd – Lydia [Snippet]

Order: http://www.kompakt.fm/releases/signs_under_test_2xlp_cd

- The lastest full-length effort from LA-based synth mastermind JOHN TEJADA
- An unabashedly dreamy collection of 11 expertly crafted cuts that rank among the artist's best work to date
- 2xLP edition pressed on 180gr audiophile vinyl, including a CD of the entire album

Following his much-acclaimed full-length „The Predicting Machine“ (KOMPAKT 267 CD 102) and a slew of pop-infused 12“ singles - „We Can Pretend“ (KOMPAKT 286) and „Somewhere“ (KOMPAKT 264) -, LA-based synth mastermind JOHN TEJADA returns with new album SIGNS UNDER TEST: comprised of all-new material, this latest effort sees the studio wizard digging deeper into his modules, unearthing particularly dreamy tracks that rank among John's most accomplished work to date.

From the get-go, SIGNS UNDER TEST presents itself as a whole new ball of wax, reaching even further into the depths of JOHN TEJADA's hot-wired synth machinery, while cranking up the already stunning levels of musicality on display in his oeuvre. Opener TWO 0 ONE serves as a prime example for the sonic aplomb in place, thanks to its beautifully rendered melodies and finely tuned textures – a perfect storm made of cosy melancholy and celestial bliss. This expertly wrought piece serves as a particularly strong entry point for the album, setting the bar high for its successors.

An unabashedly brilliant listen, the album continues its thrilling journey with existential bleepfest Y 0 WHY and the bass-heavy BEACHT, followed by the intricately arpeggiated R.U.R. and brooding electronica vignette VAALBARA. The second part is ringed in by the undulating CRYPTOCHROME - another proof for JOHN TEJADA's uncanny ability to craft tracks that operate as distinguished bouncers as well as introspective meditations. The deliberate vivacity of connecting cuts RUBRIC and PENUMBRA only confirms the growing suspicion that this might be a timeless masterpiece we're dealing with.

As gorgeous as it sounds, texture isn't the only star here: a surprisingly diverse set of rhythm patterns suffuses the mesmerizing synth licks - take for example the multilayered ENDORPHINS effortlessly switching between straight techno stylings and vintage breakbeat ornaments. Meanwhile, electronic landscape painting MEADOW purrs away on its road to redemption, priming the listener for closing cut HEAVE IN SIGHT, an atmospherically rich composition that marries abstract storytelling with a flurry of reversed synth sounds.

„There's a bit more dreamy tape wobble going on throughout“, says the producer about his latest effort, „as I’ve gone quite analog tape with my delays and patches - on the verge of actually being broken, which gives them a nice character.“ It also might explain the air of intimacy surrounding the album - a quite personal listening experience taking the listener up close with its details and idiosyncracies, „maybe even more than before, as I’ve tried to cut out distractions and really focus on the production.“
The result is a record that is not meant to be trendy, even though it’s a product of analog hardware connoisseurship: „Everything is built from the ground up using hardware synths - mostly analog, but that’s a bit annoying to say nowadays. It’s not a record that fits in with any current stuff, but something that hopefully holds up as it ages. Something that hopefully reveals more on repeated listens.“ In our humble opinion, this mission has been more than accomplished with SIGNS UNDER TEST.

05 Vaalbara

totolini - delight

“Eterno Bosque Alto” is an electronic piece inspired by the tranquility of a high forest, where every sound breathes calmly. Built on a serene pulse and organic textures, the song invites you to listen as if you were slowly walking among tall trees, breathing in their air and leaving the noise of the city behind. It is a track designed for relaxing and for connecting with nature. 
 #Electroandina #Electrocumbia #Globalbass

Eterno bosque alto

Dear dancers,

Ramona is proud to present Fort Romeau's second installment for her Live at Robert Johnson audio enterprise. His take on neo-dance, post-disco and proto-house is as unmistakable as it is dreamlike. Ramona is still in love.

Stay gold, 
Ramona

Fort Romeau – Seventyfour (Snippet)

Hometaping Is Killing Music EP released in all good stores mid feb!

X

Feed The Horse (Clip)

Total 16

08 Jürgen Paape – Eden - Snippet

Sideral

Sideral (BCN Version)

As the name states Live at Robert Johnson is the associated label of the respected venue in Offenbach and incorporates what the club stands for. The imprint has been establishing a solid ground for the new Frankfurt sound since 2009. By featuring internationally acclaimed artists LARJ has been providing DJs and audiences with essential tunes in an extensive range of high-quality house music. Laid-back dance-floor awareness with a sense for particularity in sound is what might describe best most of the releases and artists.

Fort Romeau – Seventyfour (Snippet)

Live At Robert Johnson