Name: Moby - Almost Home (Livelüla Remix) by livelulamusic in Adunate
Duration: 7 min 7 s
Description: Remix of Moby's Almost home song taken from his album innocents in a space ambient style

Very nice remix! Here is my remix https://soundcloud.com/roman-beise/moby-almost-home-roman-beise

Adunate

Remix of Moby's Almost home song taken from his album innocents in a space ambient style

Moby - Almost Home (Livelüla Remix)

Download Details: http://bit.ly/1hODsvC

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Teaser:
Artist: Axteroid Vs Axteroid 3.0
EP: "Parallel Bits"
Small pieces of tracks. 
Available full tracks on February, 25, 2016: Beatport, Junodownload, iTunes, Google Play...
Tracklist:
1.  Parallel Bits
2. Ghostly Planet
3. Magnet Digital Boreal
4. Run Program

Axteroid Vs Axteroid 3.0 "Parallel Bits" Teaser

Vinyl: http://smarturl.it/MariaUsbeckVinyl
Spotify: http://smarturl.it/MoaiYYoSpotify
Apple: http://smarturl.it/AmparoApple
___

Maria Usbeck's solo debut, Amparo, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn. Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek and mixer & engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic color on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

Amparo stems from Usbeck's desire to compose in Spanish, her native language. Growing up in Quito, Usbeck was immersed in salsa, merengue, bachata, and Andean music, but was more attracted to German and American culture than to her own, and moved to America by herself at 17. After five years of fronting new wave outfit Selebrities and writing songs in English, Usbeck experienced a delayed-onset homesickness and knew it was time to "let the mother tongue speak." The impulse manifested itself directly: Amparo takes its title from Usbeck's middle name and her mother's name, and translates roughly as "to guide, protect, and embrace." Usbeck wields her Spanish lyrics cleverly while folding in snippets of several other far-flung tongues: Rapa Nui from Easter Island, Quichua from Ecuador, Bribri from Costa Rica, and Catalan. Because these lyrics were composed while visiting the countries from which they originate, their usage is more impressionistic than literal, like a mockingbird imitating fragments of other bird calls. Similarly, Usbeck reinterprets the Ecuadorian music that she grew up with as a newcomer, returning home with fresh ears, and as such the sounds are very much her own.

The backbone of Amparo is percussion, vibrating throughout with timbales, tumbas, a talking drum, bongos, shakers, and an Indian flat drum, with the gaps filled in by her field recordings of birds, beaches, and jungles. The songs were written and recorded chronologically, with the exception of the closing track, a cover of Colourbox’s “Tarantula” reimagined in Usbeck’s Spanish translation. Amparo is a reflection of the textures of Usbeck's childhood. It is also a distinctly grown-up pop record – a travel diary, music made by a visiting outsider to tap into a shared core of human expression. Emotively, Usbeck is her most powerful on piano ballads "Uno De Tus Ojos" and "Jungla Inquieta," but is a magnetic narrator throughout, moving between whispers, chants, and lullabies. Amparo pulses with many stories in many voices, but they flow together seamlessly like water, leaving behind a wordless hum.

Amparo is released May 27 via Cascine in North America, Labrador in Euope and Rallye in Japan.
___

Cascine on FB: http://bit.ly/1QTpyHQ 

Maria Usbeck - Moai Y Yo

Taken from the upcoming album Amparo.
Amparo is released May 27 via Labrador in Europe, Cascine in North America and Rallye in Japan.

www.labrador.se // info@labrador.se
www.cascine.us // andi@cascine.us

Maria Usbeck's solo debut, Amparo, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn. Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek and mixer & engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic color on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

Amparo stems from Usbeck's desire to compose in Spanish, her native language. Growing up in Quito, Usbeck was immersed in salsa, merengue, bachata, and Andean music, but was more attracted to German and American culture than to her own, and moved to America by herself at 17. After five years of fronting new wave outfit Selebrities and writing songs in English, Usbeck experienced a delayed-onset homesickness and knew it was time to "let the mother tongue speak." The impulse manifested itself directly: Amparo takes its title from Usbeck's middle name and her mother's name, and translates roughly as "to guide, protect, and embrace." Usbeck wields her Spanish lyrics cleverly while folding in snippets of several other far-flung tongues: Rapa Nui from Easter Island, Quichua from Ecuador, Bribri from Costa Rica, and Catalan. Because these lyrics were composed while visiting the countries from which they originate, their usage is more impressionistic than literal, like a mockingbird imitating fragments of other bird calls. Similarly, Usbeck reinterprets the Ecuadorian music that she grew up with as a newcomer, returning home with fresh ears, and as such the sounds are very much her own.

The backbone of Amparo is percussion, vibrating throughout with timbales, tumbas, a talking drum, bongos, shakers, and an Indian flat drum, with the gaps filled in by her field recordings of birds, beaches, and jungles. The songs were written and recorded chronologically, with the exception of the closing track, a cover of Colourbox’s “Tarantula” reimagined in Usbeck’s Spanish translation. Amparo is a reflection of the textures of Usbeck's childhood. It is also a distinctly grown-up pop record – a travel diary, music made by a visiting outsider to tap into a shared core of human expression. Emotively, Usbeck is her most powerful on piano ballads "Uno De Tus Ojos" and "Jungla Inquieta," but is a magnetic narrator throughout, moving between whispers, chants, and lullabies. Amparo pulses with many stories in many voices, but they flow together seamlessly like water, leaving behind a wordless hum.


Maria Usbeck - Uno De Tus Ojos

A Corda

http://silentstrike.bandcamp.com
from the album Silent Strike/Lucian Ban/Alex Harding - 3 AM  ( LaStrada Music 2008)

3:00 AM

Silent Strike & Lucian Ban & Alex Harding - Without Warning

Dear friends,
this one is for you!!!
Thank you for your support since our beggining!
You can expect more bootlegs from us in the future :)

Download link: https://mega.nz/#!WdMlhQTb!H3UoU4-UNTjp9nWSROTlGiYieP8w0eBYPmjhnjeY6gA

Depeche Mode - Personal Jesus (Sideform Remix)

CDs / Cassettes available here: http://www.webefriendsrecords.com/shop

Digital: https://itunes.apple.com/us/album/lincandescent/id696773564

Sparkles and Wine

Download from Beatport: http://www.beatport.com/track/parks-on-fire-beatman-and-ludmilla-remix/800075

Follow us on Facebook: https://www.facebook.com/beatmanandludmilla

Trifonic - Parks on Fire (Beatman and Ludmilla Remix) [AYRA012] 112kbps

Electronic project, with many influences like: Moby, Nick Drake, Erik Satie, David Lynch, Depeche Mode, Massive attack, Mike Oldfield....

Contact: live.lula.music@gmail.com

Moby - Almost Home (Livelüla Remix)

livelulamusic

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