I really like the electronic stuttering arguing with the air noise inside the flute

Great work. Elusively cohesive in form. You retain adherence to the timbre of the instrument at the same time as messing about with it, which I find is not always easy. The temptation is to modify too much, but you have done well in resisting that. Cheers.

Live performance of "Ensuite" (2008, rev. 2011-13) for cello solo by Séverine Ballon at Conservatoire National Supérieur de Musique et Danse Lyon, 4th of October 2014. 

Ensuite (Stefan Prins, 2008, rev. 2011-13) - Séverine Ballon (cello) - LIVE

http://fancymusic.ru/dmitri-kourliandski-maps-of-non-existent-cities-paris/

Theo Nabicht: contrabass clarinet
Sergey Tchirkov: accordion

The piece is a part of the “Maps of non-existent cities” cycle of pieces of different instrumental combinations. It is an attempt to create inner geography and topography, internal outside world. We all have our unique relations with the outer world. In a way we create or construct it in accordance with our personal expectations and preferences. I always believed the process of perception is similar to that of peering into the darkness - while your eyes get accustomed to the darkness, objects’ shapes appear in space. And you never know if these new-born objects are real or imaginary. The graphical score of the piece puts musicians in the situation of wandering, navigating from one sound object to another one, from one page to another, creating the unique trajectory throughout the material.

Dmitri Kourliandski - Maps of Non-existent Cities. Paris

http://fancymusic.ru/dmitri-kourliandski-maps-of-non-existent-cities-saint-petersburg/

Vladislav Pesin: violin

The piece is a part of the “Maps of non-existent cities” cycle of pieces of different instrumental combinations. It is an attempt to create inner geography and topography, internal outside world. We all have our unique relations with the outer world. In a way we create or construct it in accordance with our personal expectations and preferences. I always believed the process of perception is similar to that of peering into the darkness – while your eyes get accustomed to the darkness, objects’ shapes appear in space. And you never know if these new-born objects are real or imaginary. The graphical score of the piece puts musician in the situation of wandering, navigating from one sound object to another one, creating the unique trajectory throughout the material.

Dmitri Kourliandski

Dmitri Kourliandski - Maps Of Non - Existent Cities. Saint Petersburg

Live recording of Bl!ndman String Quartet (Diamanda La Berge-Dramm, Mariana Hutchinson, vn; Hélène Koerver, va; Suzanne Vermeyen, vc)+ Kris Delacourt & Johannes Westendorp, FX-pedals + Stefan Prins, live-electronics, performing "Infiltrationen 3.0" at deSingel, Antwerp, 17th of March 2016.


Infiltrationen 3.0 (Stefan Prins, 2009/2016)- string quartet, 2 FX pedal players & live-electronics) - LIVE

4) FVCK BOY

3) MVLL GOTH

1) COKE MOMS

For piano and live-electronics. 
Piano: Stephane Ginsburgh; Live-electronics: Florian Bogner (ICST) & Stefan Prins. 
Live-recording 31/7/2016, CentralStation, Darmstadt, during the Darmstädter Ferienkurse 2016.
In coproduction with Ultima Festival Oslo, deBijloke Gent, ICST Zürich and Internationales Musikinstitut Darmstadt.

Piano Hero #3 (Stefan Prins, 2016) - LIVE

0xDEADDEAD

0xDEADDEAD for flute, microphone and electronics

For clarinet+bass clar, percussion, piano, cello and soundtrack.
Premiere performance by Decoder Ensemble, Hamburg, 2nd of September 2017.

Hände ohne Orte (Stefan Prins, 2016-17) - LIVE

Composition pour le concours Mixage Fou 2018 créée à partir des sons mis à disposition par Hervé Birolini, Jean-Marc Duchenne et Diego Losa (GRM)*.

La principe imposé par le concours est d'utiliser uniquement les échantillons fournis par l'organisateur, avec la possibilité de les traiter et de les modifier, et de ne pas dépasser une durée maximum de 80 secondes.

* Selon les termes de la Licence Creative Commons Attribution - Pas d'Utilisation Commerciale 4.0 International (creativecommons.org/licenses/by-nc/4.0/).

Souffler n'est pas jouer (concours Mixage Fou 2018)

Composer. Experimental, contemporary, living music of the XXIst century, what does it mean ?

0xDEADDEAD for flute, microphone and electronics

|LNL|GCK|

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