Electroacoustic and environmental sound in NYC

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The Logos Foundation is Flanders' unique professional organisation for the promotion of new music and audio-related arts by means of new music production, concerts, performances, composition, technological research and other activities related to contemporary music.

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Doctoral researcher Sound Art University of Ghent / School of Arts

Finistérien, Yannick découvre la guitare à l'âge de 3 ans. Il fait son apprentissage musical dans les domaines du classique, du rock, du jazz et de l'improvisation. Il se produit dans différents groupes de rock & jazz/funk en Bretagne jusqu'à son arrivée en Aquitaine en 2004.
Installé à Bordeaux, il participe à des ateliers animés par le Centre d'Improvisation Libre avec Mathias Pontévia, Claude Saubole et Didier Lasserre. Puis, il suit deux stages animés par Barre Phillips en 2004 et 2005. Ces ateliers, ces stages ainsi que les rencontres faites au cours de cette période nourrissent sa pratique de la guitare électrique. En se basant sur le potentiel sonore très riche de cet instrument, il développe un vocabulaire construit autour de multiples inspirations.
Nantais depuis 2010, il crée l'association « Musiques sur le fil », joue en duo avec Mathias Pontévia, Stéphane Galéra, Jean Rougier, Nusch Werchowska, Toma Gouband et poursuit en parallèle son travail en solo.

Born in Finistère, a region located in the far west of northern France, Yannick discovered the guitar at the early age of 4. He learned to play classical music as well as rock and roll, jazz and improvisation. During his whole adolescence he performed in several groups of rock and jazz/funk in Bretagne. Then, in 2004, he moved to Bordeaux, where he participated in improvised music workshops, animated by the association Centre d'Improvisation Libre with Mathias Pontévia, Claude Saubole et Didier Lasserre. He also learned a lot during two workshops led by Barre Phillips in 2004 and 2005. Those workshops as well as all the musicians he met during this period built the way he plays the electric guitar. Using the very large potential of this instrument he developped a personal vocabulary based on his multiple inspirations. Since 2010, he lives in Nantes, where he created the association Musiques sur le fil. He plays regularly with Mathias Pontévia, Stéphane Galéra, Jean Rougier, Nusch Werchowska, Toma Gouband and always keeps on playing solo.

Radio 3 Essay

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monika brooks - accordion 
jim denley - woodwinds 
sam pettigrew - double bass 
rishin singh - trombone

Embedded drink tea around kitchen tables, gossiping - believing that this process informs their approach to improvisation ‐ music embedded in the banal and everyday. They rehearse in the industrial suburb of St Peters, Sydney, under the flight path, with infiltrating neighbourhood power‐tools. The music seems to be permeable ‐ not discreet from the world, but embedded in it. 
Their first LP – embedded will be released on Boccian Records in early 2013.
Photos by Mayu Kanamori.

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