for HissandaRoar - RAINDROP BEATS (‘In a Rainforest with Ridley Scott’ mix)

Generative/Systems Music/Sound Art/(faux) laminal improv/Illbient

The initial design brief was to generate all sounds from one file taken from the upcoming ‘Raindrop Beats’ sampler…setting up a generative system, that would ’suggest’ the mood, ebbs,  and flows of a rain storm.
‘Unusual Glass FX’ was also utilized in two of the instances of the triggered ’Texture’ plug-ins, to generate additional ‘jungle-like gestures.


Numerology Pro 4

General Summary of stages of real-time bussing sub mixes of generated elements:

Submix A (Beats)

1-‘RAINDROP BEATS PROTOTYPE 01A MKH8040 HRTP’ (Root source of all following audio process triggering)
2- ‘1’ >Realtime ’Slow Machine’ #1 (3/4 for 8 Bars)
3- ‘1’ >Realtime ‘Slow Machine’ #2 (2/3 for 3 Bars)
4- ‘1’ >Realtime ‘Slow Machine’ #3 (1/2 for 2 Bars)

Submix B (Evolution)

1-GRM Evolution 1 (from ‘RAINDROP BEATS PROTOTYPE 01A MKH8040 HRTP’)
1-GRM Evolution 2 (from ‘Realtime ‘Slow Machine’ #1)

Submix C (‘Textures’ x3)
1- ’Textures #1 (‘Unusual Glass FX’)
2- ’Textures #2
3- ’Textures #3 (‘Unusual Glass FX’)
4- ‘Evolution’ (Submix B)

>Valhalla ‘Plate’

Submix D (‘Acoufiend’ >’Evolution’ #3 >Valhalla ‘Delay’ + Valhalla ’Supermassive’)

1- Evolution #3
2- Valhalla ‘Delay’
3- Valhalla ’Supermassive’


*All submix individual volumes continually modulated based on Fibonacci Ratios and individual BPM Clocks (see screenshots)

Mix consists of 8 minutes of ALL elements in realtime generation from original source file, followed by several minutes of ’Texture’ and ‘Feedback’ submixes only (still being generated by now-muted original ‘Raindrops’ + ‘Slow Machines’ individual elements)

RAINDROP BEATS (‘In A Rainforest With Ridley Scott’ Mix)

ambi pro 5 through the microcosm type vibes featuring the famous Loopy C , OG homie ! killed it

Pro5 Micro V1 R0 - MIX - 8-Take2 (+TRUKN)

Preview of new UNITFX Library:
UFX019 SPINNING BELLS

UFX019 SPINNING BELL OnWood

2024-09-28 Gig Performer 'Loopy C - Trios (2024 Jan~September)'

Ris  Ibso  2024 - 09 - 28 RapidViz 'Trios' Vol. 3 06

150 Brand New Sounds For Aparillo

Coming Soon!

Aparillo Demo ARPs

Konk Zooben and Loopy C

Friday Night Death streams live every Friday 11.00pm AEST
Watch or listen: www.fridaynightdeath.com

Electroacoustic Sketch A
Loopy C - https://soundcloud.com/loopy-c

Saxophone
Konk Zooben

Podcast RSS: https://www.fridaynightdeath.com/feed/podcast

Friday Night Death - 14 Sep 2018 - Death in the Afternoon

11212018 Farfisa Kareoke (in a Red Rain)

Farfisa Kareoke (in a Red Rain) 03

Music With My Insane Friend  Loopy C

I Digress Indeed: Guitar
Konk Zooben: Saxophones/Gufukra
Loopy C: Electronics

Liner notes:
Loopy C (Valyermo) assembled an electroacoustic studio soundscape specific to the occasion.

MWMIF (Melbourne) blew along with the track live on Sunday morning 22nd April 2018

For Heaven's Sake Lump Psychiatrist

MWMIF <-> Loopy C - For Heaven's Sake Lump Psychiatrist

Peter Neville, percussion; St Paul's Hall, Huddersfield University

entoptic (2018) for percussion and live electronics (first performance)

The Unthinkable (1989) electronic music made at UPIC

Mapping Klee is a series of podcasts by Zentrum Paul Klee about the artist’s journeys.
Paul Klee’s extraordinary pictorial worlds are the result of a complex artistic development. He was the recipient of forceful epiphanies during his travels, some of which he was only able to incorporate into his work years later. These were experiences with a long-lasting impact. Five such journeys will provide insights into Klee’s artistic development: from being a student full of doubts to one of the most important modern artists. But what makes his art so unique?
Paul Klee documented his impressions in diaries, postcards, as well as numerous letters, most of which were to his future wife Lili Stumpf in Munich, his parents in Bern and his son Felix Klee.

Trailer Mapping Klee EN

Definition of praxis: action, practice: such as a : exercise or practice of an art, science, or skill. 

Workbooks: “The aim of the artist would not be to instruct the viewer but to give him information. Whether the viewer understands this information is incidental to the artist; he cannot foresee the understanding of all his viewers. He would follow his predetermined premise to its conclusion avoiding subjectivity. Chance, taste, or unconsciously remembered forms would play no part in the outcome. The serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloging the results of his premise.”

                                              __ris _ibso_
Sonic Science Fictions | Audio Art | Aural Navigations | Sound Plastics.

Invention, design, crafted, composed experiences for systems of musical generation.

Virtual improvisations, synthesized soundscapes, rhythmic transient electronic hyperrealisms, imaginary six-string curled dimensions, DSP performances, gestured noise, expanded palettes, and miscellaneous conceptual software automatons.

'Loopy C' is Chris R. Gibson.