for HissandaRoar - RAINDROP BEATS (‘In a Rainforest with Ridley Scott’ mix)

Generative/Systems Music/Sound Art/(faux) laminal improv/Illbient

The initial design brief was to generate all sounds from one file taken from the upcoming ‘Raindrop Beats’ sampler…setting up a generative system, that would ’suggest’ the mood, ebbs,  and flows of a rain storm.
‘Unusual Glass FX’ was also utilized in two of the instances of the triggered ’Texture’ plug-ins, to generate additional ‘jungle-like gestures.


Numerology Pro 4

General Summary of stages of real-time bussing sub mixes of generated elements:

Submix A (Beats)

1-‘RAINDROP BEATS PROTOTYPE 01A MKH8040 HRTP’ (Root source of all following audio process triggering)
2- ‘1’ >Realtime ’Slow Machine’ #1 (3/4 for 8 Bars)
3- ‘1’ >Realtime ‘Slow Machine’ #2 (2/3 for 3 Bars)
4- ‘1’ >Realtime ‘Slow Machine’ #3 (1/2 for 2 Bars)

Submix B (Evolution)

1-GRM Evolution 1 (from ‘RAINDROP BEATS PROTOTYPE 01A MKH8040 HRTP’)
1-GRM Evolution 2 (from ‘Realtime ‘Slow Machine’ #1)

Submix C (‘Textures’ x3)
1- ’Textures #1 (‘Unusual Glass FX’)
2- ’Textures #2
3- ’Textures #3 (‘Unusual Glass FX’)
4- ‘Evolution’ (Submix B)

>Valhalla ‘Plate’

Submix D (‘Acoufiend’ >’Evolution’ #3 >Valhalla ‘Delay’ + Valhalla ’Supermassive’)

1- Evolution #3
2- Valhalla ‘Delay’
3- Valhalla ’Supermassive’


*All submix individual volumes continually modulated based on Fibonacci Ratios and individual BPM Clocks (see screenshots)

Mix consists of 8 minutes of ALL elements in realtime generation from original source file, followed by several minutes of ’Texture’ and ‘Feedback’ submixes only (still being generated by now-muted original ‘Raindrops’ + ‘Slow Machines’ individual elements)

RAINDROP BEATS (‘In A Rainforest With Ridley Scott’ Mix)

Definition of praxis: action, practice: such as a : exercise or practice of an art, science, or skill. 

Workbooks: “The aim of the artist would not be to instruct the viewer but to give him information. Whether the viewer understands this information is incidental to the artist; he cannot foresee the understanding of all his viewers. He would follow his predetermined premise to its conclusion avoiding subjectivity. Chance, taste, or unconsciously remembered forms would play no part in the outcome. The serial artist does not attempt to produce a beautiful or mysterious object but functions merely as a clerk cataloging the results of his premise.”

                                              __ris _ibso_
Sonic Science Fictions | Audio Art | Aural Navigations | Sound Plastics.

Invention, design, crafted, composed experiences for systems of musical generation.

Virtual improvisations, synthesized soundscapes, rhythmic transient electronic hyperrealisms, imaginary six-string curled dimensions, DSP performances, gestured noise, expanded palettes, and miscellaneous conceptual software automatons.

'Loopy C' is Chris R. Gibson.