I'm happy to share with you the Zhorhann first single recorded a few months ago in a cave in Toulouse, it's a cover of "La chambre jaune" of M'Z

Now it's available as a single and for listening on all platforms here: https://album.link/frm2bcqqpcjz7
Thank you Luminol Records for distribution and trust
Thank you Hugo Lemercier for the mix

For context:
It's a cover taken from M'Z's prism album, which focuses on concepts, and uses constraint to tell its stories.
The reflection is centered around the notion of Prism.
The goal is to create parallels between colors and musical modes (musical colors), but it is also a pretext to tell a more personal story in parallel.
Another of the driving ideas of this project is that everything is inevitably interpreted, no matter how hard we try to approach a totally objective truth, it will never really be the case.
This project tries to break down every particle, to analyze every atom, but each time it tries to transcribe a message, it will be biased by the translation that its own prisms and analysis filters produce.
Despite his efforts to find an objective point of view, he can only admit that his feelings will systematically influence his decisions and thoughts.
It will be the same for the style, while trying not to approach only one aesthetic and mixing all its influences, he will quickly realize that fusion even with an open mind remains a kind of musical label.
M being the guitar Z the machine, the idea is also to create a bridge between organic and electric/electronic music, a bridge between the code and its acceptance as the need to get out of the code. Released on December 27, 2017 in self production.

This song, specifically, is about the color yellow. It is the reaction of our emotions when we try to deny them and try to bury them very deeply, then they will feel rejected and try again, to capture our attention. So well buried they will manage to communicate with our subconscious that reigns in these places, together with this strange friend, they will then be able to play with our state of consciousness and we will be forced to adopt behaviors that will bring us closer to madness, until until we can finally find a way to better deal with these emotions, hitherto misunderstood, unheard and rejected.

While waiting for the album that we are currently finishing mixing, here is something to listen to...
Can't wait to hear your feedback
Mathieu TORRES

Zhorhann - La Chambre Jaune

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

Musique / Music performance : Christian Levitan
Paroles, chant, mixage, mastering et jaquette / Lyrics, vocals, mixing, mastering and artcover : Lukowig

Paroles / Lyrics :

Je n'ai pas osé
sur tes lèvres déposer 
le plus doux des baisers
je n'ai pas osé
t'embarrasser

Je  n'ai pas osé
tendrement t'enlacer
réchauffer tes mains glacées
je n'ai pas osé
de peur de te tracasser 

Je n'ai pas osé
à ton cou me pendre
t'attirer dans mes méandres
je n'ai pas osé 
t'embrasser

Je n'ai pas osé

Je n'ai pas osé [Levitan and Lukowig]

Crazy Moon

Verse 1:
Such a magical full moon night
Now it rules the night
And tarot cards laid out
You're before me in the moonlight
That falls on your face —
You are lovely, no doubt.

Spread the cards and tell my fortune,
I want our lines of life and fate to merge soon.
But now I have immersed myself 
In the signs of the deviant moon.

Chorus 1:
Crazy moon,
What are you doing to us?
You see our
Every move from above.
Oh! Crazy moon,
Please just decide my fate.
But I don't ask
For much — I'll believe and wait.

Verse 2:
Whispers echo through the midnight,
The stars don’t lie — they speak.
You draw the Lovers card,
And I’m caught between belief and dreams,
Between fate and chance,
And this pull from your heart.

Your eyes reflect a hidden knowledge,
Like you remember me from some past life or two.
And I’m starting to believe 
The stories once told ‘bout the deviant moon".

Chorus 2:
Crazy moon,
Are we just threads in your web?
You watch us,
Like some old cosmic test.
Oh! Crazy moon,
Spin me a brand new fate —
But if I fall,
Let it be worth the wait.

Verse 3:
Shadows twist in candle flame,
The hour is getting late.
You draw the final card,
And I feel it like a sudden change —
A shift in the air,
Like the moon knows my name.

Some truths were never meant for knowing,
But still I chase them like a fool in full bloom.
Just trying to decode The signs and cold silence of the deviant moon.

Chorus 3:
Crazy moon,
You’ve seen it all unfold.
You knew us,
Long before we were told.
Oh! Crazy moon,
Now I don’t look away —
Now I’m all in,
So show me the cards and stay.

Crazy Moon

Single Use And Recycled: guitar wizardry
https://on.soundcloud.com/x8YQuknZk7RXU3TpxH
Rob: bass, lyrics/vocals

Sometimes things go my way
Sometimes a win make a great day
I ain’t always down on myself

Mostly man, I like what’s in the mirror
Sometimes I think 
Jerry Reed would be better

Just saying, stuff piles up
Saying, don’t want to face it
Bear down and power through

Mostly man, I like what’s in the mirror
Sometimes I think 
Jerry Reed would be better

Alarm clock going off
That time again
Sun soon coming up
Thankful for another day

Alarm clock going off
That time again
Sun soon coming up
Thankful for another day

Down time in the afternoon
List of never ending honey do’s
Put up my feet, take a snooze

Mostly man, I like what’s in the mirror
Sometimes I think 
Jerry Reed would be better

Alarm clock going off
That time again
Sun soon coming up
Thankful for another day

Jerry Reed Would Be Better

This song tells the story of an aging former Walk of Fame movie star who once basked in the Hollywood limelight and was everyone’s sweetheart on the silver screen. With the passage of time, fewer screen roles come her way, and she begins to depend on red wine to cope with her depression and grief. Eventually, she decides to end it all. Indeed, glory, fame and fortune are a young girl's game in Hollywood, which is riddled with stereotypes of beauty and youth. This emotional and moving song is a dedication to those who have taken their lives over the years in Hollywood and elsewhere due to societal pressures to retain their youth, beauty and fame.   On November 22, 2025,  this song hit No. 4 on the Euro Indie Music Network chart list. On October 20, 2025 this song hit No. 7 on the World Indie Top 100 Music Chart list. On December 4, 2025 hit No. 21 on the US Top 20 Show-Weekly Pulse of Music. 

Please check-out our new music video with Stephen Wrench entitled "Ripples of Time".
YouTube music video link: https://www.youtube.com/watch?v=nsP33Usruz4
VEVO music video: https://www.youtube.com/watch?v=BSN9QLKwCJ4
Spotify link: https://open.spotify.com/album/0nuoifFQB30VMyI6PZN5S3

Timeless

Ripples of Time

Ripples Of Time MASTERED- Wav

Serrano

A descent into ritual turbulence—where synths spiral like funeral veils and percussion strikes like ancestral warnings. This track from Bleak Cathedral isn’t just music; it’s a sonic invocation. Step into the vortex and let the ache rearrange you.

Bleak Cathedral - Enter the Maelstrom

Remix of MedusaMoon/Melissa's https://soundcloud.com/melissa-steyn-209971832/dragonfly-in-flight with her friendly approval.

Dragonfly

Video Link: https://www.youtube.com/watch?v=Noe0g0Q_T4I

Photography by Lindushka lindushka.com : Solar Calendar, Seoul, South Korea.
Quote by Amanitalinda.

Robots in my Head

Feeling Out Loud