@reidmoto Thank you so much from the team !

Superbe réalisation ! Bravo à vous deux 💥🌺

This is a very interesting track. Like a lot. Bx

Allez me revoilà! Superbe collab les filles avec un texte toujours aussi bien écrit de LaGazelle!🫶🏽✨

La collaboration me transporte au paradis

I don’t speak French, but this song has a really great vibe and is really nice to listen to.

A perfect mix of poetry and music👌 Avant-garde with a sexy vibe going on😎

Great song and production! Love hearing vocals in French!

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





Faded Fortunes (Eclectic Collective)

Never

(Photo of Jesus' tomb, place of the resurrection of Jesus Christ in Jerusalem Israel)

Propitiation

Called in dismay
And you heard my pain
With you on my side
Who could be afraid?

Was about to fall
Then I heard your call
Your words of living truth
Will never pass away

[chorus]

He is my strength
And our redemption
Better to trust in Him
Than to trust in man

He is our hope
And our salvation
Better to trust in Him
Than to trust in man

Right hand exalted
Wrought with power
Everlasting mercy
endures today

His propitiation
Is our salvation
He is the gate
the righteous way

[chorus]

This is the day
The Lord has made
hearts are remade
In His holy name

Thank Lord Jesus
For He is good
And His mercy
Forever endures

Propitiation

Texte dit et écrit par La Gazelle
Musique : Lorzha la Succube

MON ÎLE

Haute Tension (feat. Phil'in)

This time, we decided to do a cover based on Xian3’s idea. He has already uploaded his own version. The song is Sky and Sand, and his version represents the “Sand,” https://on.soundcloud.com/6dUaOQRlUTvRYwfsDg mine represents the “Sky.” We both used the same vocal track, but the overall tone and atmosphere are completely different. It made me realize once again how interpretation can give such breadth to the same song. I believe that being able to enjoy music this freely is truly important. Thank you for giving me this opportunity, Xian3.https://on.soundcloud.com/jWqcgyW4NqMP4kyc0Z

Sky And Sand　　　
Composition and lyrics: Fritz and Paul Kalkbrenner

In the nighttime when the world is at its rest
You will find me in the place i know the best
Dancin’, shoutin’, flyin’ to the moon
Don’t have to worry ´cause i’ll be come back soon

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end

(I found myself alive in,
In the palm of your 
In the palm of your hand,
I found myself alive in…)

In the daytime you will find me by your side
Tryna do my best and tryin’ make things right
When it all turns wrong there is no fault but mine
But it won’t hit hard `cause you let me shine

And we build up castles in the sky and in the sand
Design our whole world ain’t nobody understand
I found myself alive in the palm of your hand
As long as we are flying, all this world ain’t got no end
All this world ain’t got no end

(I found myself alive in,
In the palm of your,
In the palm of your hand…
As long as we are flying 
All this world ain’t got no end,
All this world ain’t got no end,
Ohh,
All this world ain’t got no…)

Singing by Xian3
Reconstruction and Sampling collage by Synline
Photo by Simonology

Sky and Sand（Fritz and Paul Kalkbrenner）

cruelty of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime

they found him in his underwear and one black sock 
the coroner said the time of death was two o'clock
 his neck was bent and showed the signs
of multiple contusions 
his face was bruised and staring eyes
showed signs of his confusion
 oh can this really be, happening to me 
cruelty of fate, the irony of time

cruelties of fate, irony of time 
if he hadn't missed his bus
he might have missed the crime 
one inch to the left or right or just one minute late 
and he'd have walked off down the street
and missed his first blind date 
or maybe you and he could never really see 
the cruelty of fate, the irony of time

victims never know their fate
they really don't suspect it 
but when they do it's much too late 
to know is to expect it 
what's that sound, do i hear someone 
laughing quite insanely 
no one gets out of here alive
your fate can be seen plainly
oh cruelty of fate, the irony of time .
....... 
written & produced by kid otari 
drums by greek god Yannis Alfiers 
keyboards by guillaume, guitars by naldo
 vocals by blind lemon pledge and lizzy
cover photo: Gun by William Klein 1955 NYC

......

Cruelty ozn-5shrtn

Cruelty of Fate

Recorded in Modesto, Ca.  Featuring Gibson 335 Electric Guitar solo. Selmer Alto Saxophone solo. Steel Drum solo. Fender Electric Bass. Roland Synthesizer Bass. Vibraphone Rhythm. Godin Nylon Guitar Rhythm. Marimba Rhythm. Acoustic Full set Drum kit. Percussion Bongos, Tree chimes, Cowbell, Congas, Zildjian 22" ride & Crash Cymbal. 

Cannery Row

White Sail

Written by Danny Flowers performed by Eric Clapton 1978

Bass, drums, vocal & mix : Little Man
All other instruments : PdB Orchestra

Tulsa Time

Cosmic flute by Jörg: https://soundcloud.com/joerxworx

Today we presented our latest work. It was completed back in October 2025. It consists of old and new elements of our music🎶🙏😻

Amanitalinda's didgeridoo symbolizes the deep connection with Mother Earth, and Jörg's flute represents the infinite freedom of the sky. Our attention is also particularly drawn to Linda's delightful spoken poem🥰 

“I am the Child of Nature” is an incredibly fantastic journey to yourself. A song full of mindfulness in harmony with nature🌳

Special thanks you goes once again to Jörg, who, with his soulful and dynamic flute playing, gives our song another cosmic dimension. His expressiveness bridges the different song parts. 

A true asset! We say a heartfelt thank you, dear Jörg💖

Enjoy our new song🍀
Your Child of Nature ✨🌟❤️🌟✨

Remixes

I am the Child of Nature (Remix)

I am the Child of Nature (Remix) feat. Jörg

Dancing in the midst of the beautiful bluebells in the mottled light of the woods dreaming of summer....

Released on 21 Nov 2025

The Bluebell Waltz

Cheeky, sassy, kinky and playful songs exploring several styles and themes: grunge, bossa, pop..
I write the lyrics and poetry you can find here, unless mentionned otherwise. Sometimes, I compose music and play the piano. When I use AI for the music, I mention it in the tags.
I'm open for collabs with singers, poets, writers or composers looking for a lyricist.

MON ÎLE

Lorzha La Succube

Recent comments

bart mastin

Brillman

Joe Stroffolino

Djayz.shadow

Related tracks