Lost In Ether | P R E M I E R E | Isabel Soto - Suculenta (Pulso Remix) [NYXII]

artist name: Pulso
label name: NYXII
release name & cut number: NYXII005 ‘Suculenta’
release date: 30.11.23
pre-sale: www.beatport.com/label/nyxii/108410
www.nyxiimusic.bandcamp.com/album/suculenta
shops links: www.beatport.com/label/nyxii/108410
www.nyxiimusic.bandcamp.com/album/suculenta

Explore more:
https://soundcloud.com/nyxiimusic
www.nyxiimusic.bandcamp.com
www.youtube.com/@nyxiimusic
www.instagram.com/nyxiimusic
www.facebook.com/nyxiimusic
https://soundcloud.com/pul_so
www.pulsojoel.bandcamp.com
www.instagram.com/pulsojoel
www.facebook.com/pulsojoel

Lost In Ether | P R E M I E R E | Isabel Soto - Suculenta (Pulso Remix) [NYXII]

Fusions of musique concrète, sound art, electronica, & techno. 🏳️‍⚧️🏳️‍🌈

Rose Knapp [‡Starving Poet§] is an experimental poetess & sound artist. She is a transfemme androgyne.

Artistically self taught, she creates chaotic, radiant, fragmented, fractal fusions of musique concrète, electronica, techno, sound poetry, & sound art.

She has LP's & EP's released with D.M.T. Records, Far East Sound, Always Human Tapes, Aa3 Corp & others.

contact: michaljablonski@lostinether.pl
_
"Ether, or æther, was the mysterious substance once thought to suffuse the universe and be the medium that propagated light (and radio waves once they were discovered). Before that, it was the material that suffused the realm of the Gods. So, to say that something is in the ether means that it is something being communicated from place to place; it has no precise location, just as a radio broadcast can be heard from many different places. "

* Lost In Ether 
Here you can find personal visions and expressions of alternative electronic music represented by artists invited to show their own ways to explore sounds which are embraced into one wave of sound - podcast recorded for "Lost in Ether".
--
Running by Dorota Smyk and @MichalJablonski

Myles doesn’t hold back within their sets and productions, which cut brutal edges from industrial and noise techno. Razing the dancefloor is second nature for the DJ and burgeoning producer. With a neoteric take on experimental and powerful sounds, their tracks purge with slammed and distorted kicks, but with a surprising spaciousness opened up by grooves, synths and drones. 


Born in Manchester, and now based in London, where they have played across the underground scene there and in Berlin, Myles draws inspiration from the people they connect with at every turn. They continue to fuse different experiences to evolve their tastes as an artist whilst staying true to a constant inclination for harder sounds that sparked from their first time at London’s KAOS. Now, in their unrelenting productions, they look to Lesser Of, Fluid, UNHAPPY, Ontal, Orphx, ALYA7H as just some of the rising forces to carve their own niche. 

They are here at full pelt. Throwing everything they have at an inevitable calling. Raw to the core. 

- they/she

Hello

Here you will find good music and interesting audio constructions, for the vast majority by other people.

I wish you an excellent rest of your life ... a day is too short = )

2024/01/05
I decided to follow the bigger accounts here, and follow the others in my other account.  Previously I would simply drop them from my list when they got too big, to make room for new ones.  By putting them here, in this account, I don't worry about forgetting anyone anymore = )

2023/12/19 a little later Update: I now can also answer messages.

2023/12/19 Update: I can now edit my profile in this present account : )

2023/11/21
My previous account was suspended or terminated a few days ago for a reason unknown to me, so this one may be temporary if the other one comes back to life in the not too distant future ; )

https://soundcloud.com/user-957729823

Cheers!

BOOKING AGENCY X MANAGEMENT

URBANUM X KHIDI AGENCY 

Urbanum
kuba@urbanum.net
ROMMEK :: LINDSEY HERBERT :: KEEPSAKES :: CRISTIAN MARRAS :: 
Khidi Agency (available for bookings and showcase) 
YANAMASTE (also management) :: VULKANSKI :: BOYD SCHIDT :: SAPHILEAUM :: FREQUENCY SHIFTER ::  :

soichiro@urbanum.net
INTROVERSION ::


contact : 
kuba@urbanum.net
contact@urbanum.net (Spanish-speaking countries)
soichiro@urbanum.net (Asian countries / Japanese speaking)
kuba@khidi.ge

+49 176 24 959 163

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.