jp's list

Back with the glorious dysphoria of Rust Cohle...
: )

One Last Midnight

CBGB's

made with casio multitrack, trusty zoomh1 and nch

new mic stand and new used amp join the music room

We are happy to announce that we are in the planning stages of an album with this wonderful Dub Techno and ambient artist, Takuya Morita. We are really looking forward to releasing the album: “Place of Solitude”.
While we are waiting for the album , Takuya has been so nice and provided us with this track, "Moment", to showcase on the compilation.  (not from the forthcoming album)
Will be releasing a full length album (CD/Digital) on UAE Records in 2016. Stay tuned!

Takuya Morita - Moment

last night experiment with arp and piano, hope you enjoy!

Converge

Lampi 2012 promo Led Zeppelin Suite

Order 'I Could See The Smoke' EP on Cassette Tape / Digital here: https://seabuckthorn.bandcamp.com/album/i-could-see-the-smoke

"Returnee" is taken from Seabuckthorn's upcoming EP 'I Could See The Smoke', coming out October 2016 on Lost Tribe Sound.  Seabuckthorn is UK experimental guitarist Andy Cartwright. 

Mastered by William Ryan Fritch

I Could See The Smoke

Returnee

Buy EP

Seabuckthorn - Returnee (from I Could See The Smoke EP)

Singl kladenské kapely Zrní k připravované desce...

Hudba & Text - Zrní
Nahráno ve studiu Jámor Ondřeje Ježka
Záznam - Ondřej Ježek
Mix - Jonatán Pastirčák
Mastering - Michal Janeček (Franz Kavkaz Studio)
Vydává: Zrní ve spolupráci s APPLAUSE booking
Distribuce: Supraphon a.s.
Datum vydání: 06.09. 2016

Kdo to budí medvěda?

from 'Astrild Astrild' [CD|2xLP|DIGITAL]
Denovali Records · den282
available on all formats at [http://denovali.com/dalecooper]

The Dale Cooper Quartet & The Dictaphones are returning with their 4th album called "Astrild Astrild". Like all of the previous albums, the band recorded the seven pieces at home in Britanny during several sessions between 2013 and 2016.

The characteristics of this full-length are classic drone soundscapes mixed with deep tone saxophone parts that became the band's trademark since the release of their debut album in 2006. Slowly paced, the new tracks are following the Quartet's basic structure and classical sound. Apart from that the new full length conceals more live takes including guitars, bass and Rhodes keys and even piano sounds are haunting for the first time at the end of 'Ocho Acenteur'. With these new elements the songs of "Astrild Astrild" are pushed further into a large tunnel of deafening rhythmic parts and field ambiant textures.

Vocals are a major element of the Dale Cooper Quartet & The Dictaphones' DNA since the second album "Metamanoir" (2011). Sometimes breathy, sometimes deep and often mysterious, Ronan MacErlaine, Gaëlle Kerrien and Zalie Bellacicco voices appear in the corners of the songs as ghostly figures or eerie characters.

The new album "Astrild Astrild" is a glimpse of the present live sound of the Dale Cooper Quartet: 50's crooners singers, noisy guitars, atmospheric electronic and hypnotic jazz. All of these elements painted in monochrome black.

Astrild Astrild

Dale Cooper Quartet & The Dictaphones - Tua Oriel Courvite Isabelle

My contribution to the fabulous Earthlings II compilation, released on the 21st June 2018 by Pyramid Transmissions.  This is a charity compilation with all proceeds going to World Animal Protection.

Spindle is a brand new track which we've played live a couple of times.  It's us going back into the old school, breaks lead electronica sound  which we've dabbled in from time to time, but still keeping a sense of melody and space.

Please support the charity and the artists on the album through the Buy Now link below.  It's 79 truly outstanding tracks of electro, idm, techno and acid and is a must buy for anyone into electronica from the old school.  And for a very worthy cause as well.

Credits:
Written and produced by Andrew Dobson.

Thanks to Dom Graveson as always and to ADJ for inviting us to contribute.

EARTHLINGS 2

Spindle

Buy now for charity!

Listen / Purchase: https://lnk.to/marshdrones

The marsh land areas of western Jutland in Denmark can be flat and non-distinct to the visitor who only takes a quick glance at it. But when you are born and raised in those parts, and when you travel away to live, work, raise families, play music, anything to escape the rainy flatlands, you think about that landscape differently. On Marsh Drones, the weirdness of this landscape is reimagined in a kind of giddy, absentminded way, as though they try to recall not only the broad topographical scheme of the land (cultivated, industrialized, farmed, soggy with seawater, a breach of the ditches that pours cold north sea water inland, the farms and waterways overflowing), but only the detailed, grainy realness of sediments and layers of soil, of the hazy and salty light (Saltlys) that wraps the landscape in a kind of palpable inertia.

Many of the ideas on the 'Marsh Drones' emerged from field recordings from the area around the Tønder marshlands recorded by various members of the band. They provided a backdrop to the loops and long guitar session of guitar, bass, synthesizers, and samples that were slowly mangled and rearranged into counterpointing and fugue-like melodies, insistent on repetition while odd atmospheres of distant drones and noise works to modify and shift the composition into new shapes. The music is minimal, restrained, but rich in detail like the landscape it attempts to resonate with. There are remnants of folk music, melodies that are almost recognizable, but dub music and something distinctly digital intersects itself into the woodwork and authenticity.

Cover art by Martin Sønderlev Christensen

Marsh Drones

Klev

Buy Album

Skyphone - Klev (from Marsh Drones)

Giovanni Falzone Contermporary Orchestra
live at Radio Popolare 

LED ZEPPELIN Suite: Good Times Bad Times - live at Radio Popolare

My third album was released March 2013 on the Leaf Label.

http://music.juliakent.com/album/character
http://theleaflabel.com/juliakent

02 Transportation

04 Tourbillon

Fabio Orsi/Glowing Echoes

Glowing Echoes Part 1 (24:26)
Glowing Echoes Part 2 (17:36)

Fabio Orsi/Glowing Echoes/Glowing Echoes Part 2 (Sample)

Composer @SteveGibbs curates a special guest mix for Contemplative Classical featuring music from the likes of: Goldmund, Christian Löffler, Ólafur Arnalds, A Winged Victory For The Sullen, Jon Hopkins and much more. 

You can purchase Steve's first album 'Adrift' released on Injazero Records here: https://injazerorecords.bandcamp.com/album/adrift

01. Goldmund - Sometimes (0:00)
02. Slow Meadow - Grey Cloud Lullaby (2:41)
03. Christian Löffler - Pigment (Parra for Cuva Piano Reinterpretation) (6:31)
04. Otto A Totland - Anona (11:18)
05. Rhian Sheehan - Between Us And The Dying Starlight (14:26)
06. Ed Carlsen - Rain (18:53)
07. Helios - Dreams (23:02)
08. Matt Emery - Empire (Daigo Hanada Rework) (27:15)
09. Ólafur Arnalds - Saman (31:13)
10. Jacob David - Intet Forbi (33:15)
11. Oliveray - Piano In The Pond! (36:28)
12. A Winged Victory For The Sullen - Atomos III (40:34)
13. Jon Hopkins - Recovery (44:28)
14. Hammock - No Agenda (instrumental) (48:22)

Contemplative Classical Mix

Steve Gibbs - Contemplative Classical Guest Mix

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

Seabuckthorn - Returnee (from I Could See The Smoke EP)

Lost Tribe Sound

Related tracks