the best wnderful music i listened from many times !  my deep compliments and love <3

what is that? sounds amazing! hurdy gurdy?

Seabuckthorn [Andy Cartwright (UK) - Acoustic Guitar Solo Project]

from our award winning album
The RAIN Stopped
I Lust You.
by Zoheboy.

iTunes

I Lust You (ZOHEBOY REMIX)

Cinematic instrumental post-rock band from Los Angeles, California, Whale Fall is preparing to release their sophomore album, The Madrean, in late 2014.  www.whalefall.com

I Shall Sail No More (No More Shall I Sail)

Originally composed for Thanassis Triaridis' play "Zyklon or the Destiny", this haunting score by Manos Milonakis returns with re-recorded parts, new mixing and mastering by Christos Megas, and stunning artwork by Tilman Z.

Inspired by themes of confinement, dark energy, and temporal suspension, Zyklon combines classical strings, evocative piano, music boxes, and cosmic electronic textures. Featuring Müriel Bostdorp (piano), Christina Georgeli (violin), Elisso Papastrati (violin), Thodoris Papadimitriou (cello), Björk Oskarsdottir (violin), and collaborations with Jacob David (piano) and Gregoire Blanc (theremin), the album bridges the past and present in a unique sonic narrative.

Discover Zyklon on January 24, 2025.
Presave now: https://bfan.link/zyklon

The Description

Solo Piano.  Created LIVE in Real-Time at St; Wenceslaus Church, St. Louis MO.

Year of Music XIII

Year of Music: January 20, 2025

A collection of songs played mainly on an open C tuned resonator guitar & an open A tuned 12-string acoustic guitar. 
Melodies coming from guitar improvisations, heard in dreams, misheard in reality, all of which continued to invade my thoughts, a driving force for inspiration to record during my time living in Paris. These songs did indeed haunt me most thickly. 

Let The Night In

They Haunted Most Thickly And Sang

Heavy Calm animated music video : https://www.youtube.com/watch?v=mDSoox28iBQ&feature=youtu.be

Heavy Calm

This is an improvised Electric Violin piece that came spontaneously after a recording session with a friend. I was inspired by the deep stories conveyed by her song's lyrics which reminded me that strong forces of life can bring people together but can also drift us apart into different paths before we even realise it.

Hear more music

Continental Drift

Buy Album: https://seabuckthorn.bandcamp.com/album/i-could-see-the-smoke

‘I Could See The Smoke', an EP from UK guitarist/multi-instrumentalist Seabuckthorn. Since the recent success of guitarist Western Skies Motel’s album ’Settlers’ in April, the tribe has hit the jackpot this year signing another of the most interesting guitarists around. Andy Cartwright who records under the name Seabuckthorn came to our attention last year, after a wise suggestion from composer William Ryan Fritch with his full-length album, ’They Haunted Most Thickly’ on the admirable French label, Bookmaker Records. After taking a deep listen, the awe set in. Could this be the missing link between the bombastic, world building intensity of William Ryan Fritch and the sublime, droning meditations of Western Skies Motel? 

Seabuckthorn’s unique breed of guitar-based compositions have the ability to shift gear with such natural ease. Cartwright wields his weapons wisely, choosing a minimal, yet powerful arsenal made up of various twelve string guitars, a well worn resonator guitar, and deep accents of percussion. We hesitate to single out a particular style in the case of Seabuckthorn, as it rests comfortably alongside many genres. Americana and British folk are easy tags. The music also borrows from modern classical and drone. At times, even subtle cues of the Middle East enter the picture. Yet something more ancient is at work here, that recalls the minstrels of old, or the seafaring hymns of a long forgotten civilization. At times, the music comes full force, like an intense hunt through darkened woods, unleashing the resonator like half-tamed hounds, wild and relentless, a sickly horn-like sound rises from haze, a claustrophobic dread setting in the mind of the prey. In other moments, Cartwright's music plays with subdued, visceral tones that immediately fill the mind with imagined, yet familiar scenes: the hushed ember-lit nocturne for a desert at dusk; or the weary basecamp reveries at the summit of impassible cloud-capped mountains. 

Cartwright notes in his own words that, "'I Could See The Smoke' is an arrangement of ideas gathered whilst on a European tour throughout June 2016, along with a couple of older songs I've been playing live for a year or so. After the tour, I returned home to Bristol eager to strike while the iron was hot and try to capture these compositions. Recorded & mixed over a period of two weeks whilst feeling the heat (both literally & politically) I opted for a threatening, even apocalyptic EP title. Saying that, I think most of these songs can offer up a tranquillity to counteract the gravity of these uncertain times, a calm inside the eye of a storm."

Mastered by William Ryan Fritch

I Could See The Smoke

Buy Album

Seabuckthorn - I Could See The Smoke (from I Could See The Smoke)

Somewhat Like Vision

A House With Too Much Fire

September 20th marks the 30th birthday of Berlin pianist Nils Frahm, but also the day he has chosen to give his fans a special gift in the form of 9 songs he recorded with 9 fingers, entitled 'Screws'.

Nils experienced an unfortunate accident which saw him fall from his bunk bed located directly above his studio, which resulted in a broken thumb. But through inspiration from his fans and after a gentle walk and talk through the park with a close friend, he decided to deal with the situation in the only way he knew – playing his piano.

With four screws surgically placed inside his thumb, he started recording with his remaining 9 fingers, what later resulted in 9 intimate piano recordings.

Fans can download 'Screws' as mp3s or in full 24-bit 44.100 kHz audio quality here (http://screws.durtonstudio.com), and pre-order a Vinyl/CD edition from the Erased Tapes online store (http://erasedtapes.com/store/index/ERATP046), which will be released later this year.

'I am sitting in front of a sheet of paper. My right hand is bending over my left thumb. The first day I got out of my cast I could bend it by 15°. Now I am already at 50° and that makes me happy. Things are going uphill...

As you can imagine, it is really bad news for a pianist when he gets diagnosed with a broken thumb. That day I was sitting in the emergency room, feeling rather dizzy while thinking of a zillion shows coming up and all the people involved around it. I realised in that moment how busy things have become. It is hard to turn down interesting projects and opportunities, since I surely love my work. It actually never felt like work. Playing piano and playing it for wonderful people is the greatest joy I can imagine.

For a couple of days I felt like this all could be over. How pathetic. But hey – also feeling sorry for yourself has its place somewhere. All of a sudden I had so much time, an unexpected holiday. I cancelled most of my schedule and found myself being a little bored. Even though my doctor told me not to touch a piano for a while, I just couldn't resist. I started playing a silent song with 4 fingers on my left and the remaining 5 on my right hand. I set up one microphone and recorded another tune every other night before falling asleep.

The day I got rid of my cast I had recorded 9 little tunes. They have helped me feel less annoyed about my accident and reminded me that any good is something I can only achieve, when I am making the most out of what I've got.

Thank you all for listening!

With lots of love,

Nils


9FINGERS North American Tour 2012

09/16 New York (US) – West Park Presbyterian Church 
09/21 Boulder (US) – Cherryvale Studios
09/22 Colorado Springs (US) – The Mesa
09/23 Santa Fe (US) – O'Shaughnessy Performance Space @ Santa Fe Uni
09/24 San Fransisco (US) – private show (RSVP only)
09/29 Seattle (US) – Decibel Festival @ Broadway Performance Hall
09/30 Portland (US) – Classic Pianos
10/03 Mexico City (MX) – Mutek

ERASED TAPES 5th Anniversary Tour w/ Ólafur Arnalds & A Winged Victory For The Sullen

10/08 HAMBURG (DE) – Fliegende Bauten
10/09 PRAGUE (CZ) – Palac Akropolis
10/10 BUDAPEST (HU) – Trafo
10/11 MANNHEIM (DE) – Alte Feuerwache
10/13-14 BERLIN (DE) – Radialsystem
10/15 AMSTERDAM (NL) – Paradiso
10/16-17 LEUVEN (BE) – Stuk
10/18 LONDON (UK) – Hackney Empire
10/19-20 ISTANBUL (TR) – Salon IKSV

PREVIOUS PRESS:

'No. 42 Best Albums Of 2011' -The Guardian
'Felt is a transportative album, a balm for troubled minds.' BBC Music
'Frahm’s hyper-intimate recording technique for the album makes Felt a captivating listen' (9/10) DIS

★ ★ ★ ★ – Popmatters ★ ★ ★ ★ – Uncut ★ ★ ★ ★ – Clash ★ ★ ★ ★ – Mojo

OFFICIAL WEBSITES: screws.durtonstudio.com · facebook.com/nilsfrahm · twitter.com/nilsfrahm · erasedtapes.com

Screws

Buy CD/LP/DL

Nils Frahm - Do

*Kor* From *Koo?* Album

Singer, Songwriter, & Composer: Jalil Shoa


بوگو کی کُویتا خیابانه بَیَم، کُر تی وَرجا؟
دانَم کی گومَه بَم پَس کَلَه پوشتان، تی نازه اَمرا

بوگو ابرانَه وا بِدید بَرِه، بیشید بَخانِه
بارانَه بوگو بَسِه دِ، مَرَه می یار دُوخانه

آخ بَس کی چاچُول بازی تو کُر، چی شَه گوفتَن؟
وقتی خنده کونی می گریه رِ چی با گوفتَن؟
بارانَه بُوگو بَسه دِ، مَرَه می یار دوخانِه


بوگو کی کویتا خیابانَه بَیَم، کُر تی وَرجا؟
دانَم کی اُسکولَه بَم ای روزی کُر، تی عِشقِه اَمرا
بوگو کی کویتا خیابانَه بَیَم، کُر تی وَرجا؟
دانَم کی اُسکولَه بَم ای روزی کُر، تی عِشقِه اَمرا


آخ بَس کی چاچُول بازی تو کُر، چی شَه گوفتَن؟
وقتی خنده کونی می گریه رِ چی با گوفتن؟
بارانَه بوگو بَسه دِ، مَرَه می یار دوخانِه

Koo?

Release Date: 10/18/2020 
Credits: Written by Route71 Band 
Guitars : Ali Alinezhad And Hamid Zahedi
Bass: Ebrahim Zakeri Qeshmi 
Drums: Mehdi Qavidel Fard
Record,Mix And Mastering: Route71 Private Studio 
Cover Art : Amir Malek Pouri
All rights reserved ©

Stuck Between Two Skies

I am a long time visual artist and writer, working on a series of 'Ikonic Mixed-Media Constructions' or (Sacred works of art that span the ancient unearthed to the contemporary). Likewise, I am deeply engaged with writing (music reviews, art and ideas). I love music, everything from 'early music' to classical music on the margins to progressive rock to avant jazz to ambient electronics and techno. I wish to always engage with new and interesting music, while helping to disseminate and share it with others.

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

Seabuckthorn - I Could See The Smoke (from I Could See The Smoke)

Lost Tribe Sound

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