Taken from the upcoming album 'Eaten Alive' on Fluid Audio...

“Art is not a mirror held up to reality,  but a hammer with which to shape it.” - Brecht

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Talvihorros - Little Pieces Of Discarded Life

Einsamkeit

Mig Dfoe - Mares

Musique encore une fois produite il y a longtemps mais je me décide enfin à la partager
J'espère que vous apprécierez

Instant Death

Nocturne No. 4 by Erik Satie performed by Stephen Rees

Buy this track on iTunes here: http://itunes.apple.com/gb/album/stephen-rees-interprets-erik/id474953821

Buy this track on Amazon here: http://www.amazon.co.uk/Stephen-Rees-Interprets-Erik-Satie/dp/B005X1GUP0/ 
This track is available for immediate licensing.
Contact us on <a href="mailto:sync@northstarmusic.co.uk" title="Email NorthStar Music">sync@northstarmusic.co.uk</a> or tel. +44 (0)1787 278256
 
© NorthStar Music Publishing Ltd
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View this album on our website:
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Nocturne No. 4

Closer To Closure is a song from Jherek Bischoff's forthcoming album Cistern, out July 15th on The Leaf Label. 
Cistern is an album inspired by time Bischoff spent improvising in an empty, two-million-gallon, underground water tank, with a 45-second reverb decay. The unique acoustics of the space forced Bischoff to slow down and adapt his compositional approach - something which, unexpectedly, brought him back to his childhood, and the slow-pace of life he experienced growing up on a sailboat.

Pre-order now: bit.ly/CisternBC

CREDITS
Composed, Produced, Mixed & Mastered by Jherek Bischoff
Recorded by Patrick Higgins at Future-­Past Studios, NY
Photography by Alex Stoddard
Art Direction by Jan Lankisch

MUSICIANS
Jherek Bischoff - Percussion 
Contemporaneous 
David Bloom - Conductor 
Vicente Alexim - Clarinet 
John Gattis - Horn 
Evan Honse - Flugelhorn 
Daniel Linden - Trombone 
Matt Evans - Percussion 
Kate Dreyfuss - Violin 
Marina Kifferstein - Violin 
Josh Henderson - Violin 
Nikita Morozov - Violin 
Nicole Parks - Violin 
Finnegan Shanahan - Violin 
Kallie Chieckhomski - Viola 
Sarah Haines - Viola 
Dylan Mattingly - Cello 
Matthew Smith - Cello 
Pat Swoboda - Contrabass 
Additional Musicians 
Serena McKinney - Violin 
Lauren Baba - Viola 
Aniela Marie Perry - Cello 

(c) 2014 Jherek Bischoff, worldwide administration by Nettwerk One Music (Canada) limited, on behalf of Brassland Projects Inc (BMI) 
(p) 2016 Jherek Bischoff under licence to The Leaf Label Ltd 
(c) 2016 The Leaf Label Ltd

Cistern

Closer To Closure

BUY ALBUM: http://smarturl.it/inboxesbc
SUBSCRIBE TO 11 ALBUM SERIES: http://smarturl.it/ltsseries

Exclusively through our Bandcamp store, all purchases of 'A History, in Boxes' come with an instrumental version of the album. Plus, it’s now included in our ‘Prelude to the Decline’ 11 album series, going on HERE: smarturl.it/ltsseries.

'A History, in Boxes' is a brand new collaboration between spoken word artist Matt Finney and multi-instrumentalist William Ryan Fritch. Much of 'A History, in Boxes' will no doubt recall the triumphant and explosively charged moments of Fritch's work with Jon Mueller on the Death Blues Ensemble album. Lost Tribe Sound is thrilled to welcome Matt Finney and his twisted wry wit to the label.

Cover photo courtesy of Simpleinsomnia 
Cover photo modified by Ryan Keane 
Cover photo licensed under "Attribution 2.0 Generic (CC BY 2.0)"

A History, in Boxes

All That Lives Will Sour

Buy Album

William Ryan Fritch & Matt Finney - All That Lives Will Sour (from A History, In Boxes)

From the album Occasus available April 13, 2018 on Western Vinyl

Bandcamp https://goldmund.bandcamp.com/album/occasus
iTunes https://itunes.apple.com/us/album/occasus/1343456707
WV http://westernvinyl.com/shop/wv169

Pennsylvania native Keith Kenniff’s output as Goldmund has established him as one of the preeminent composers of minimal piano-based ambient music alongside peers like Hauschka, Dustin O’Halloran, and even Ryuichi Sakamoto, who himself once described Kenniff’s work as “so, so, so beautiful.”  Hyperbolic as it may sound, Goldmund’s newest collection Occasus may be his most exquisite yet. Where his previous recordings trod faithfully and sincerely on paths of dimly lit, polaroid-esque nostalgia, Occasus deepens the undeniable aesthetic that was hard-won over eight previous Goldmund albums, while expanding the palette to include desultory clouds of synthesizer and a tastefully distressed analog sheen.

The word Occasus means downfall, end, or the rising and falling of heavenly bodies. The title is apt in more ways than one: while the emotional tone of the album denotes bittersweet feelings of conclusiveness, it also perfectly soundtracks the quiet moments when we look up to the sky, and humbly relearn the smallness of our lives as cosmic objects churn slowly overhead with bewitching indifference. Occasus feels deeply personal, private, and hushed yet simultaneously grand, colossal, and profound. Remarkably Kenniff is able to capture micro and macro with equal fidelity.

Occasus

Goldmund - "Circle"

Petite Ouverture à Danser

London Steve Reich Ensemble - LIVE in Concert

LIVE - Steve Reich - Eight Lines - Holland

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

William Ryan Fritch & Matt Finney - All That Lives Will Sour (from A History, In Boxes)

Lost Tribe Sound

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