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DOWNLOAD DIGITAL ALBUM : https://slowerpace.bandcamp.com/album/blood-and-sacrifice
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Cover art by slowerpace 音楽
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CREDITS TO PRODUCER: REBEKKA DE ROSA

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Fading Prayers

Gain green

The fifth volume of 'Ambient Archives' comes with music by Shuta Yasukochi, Surroundyou, Slow Clinic and Logic Moon. A wide range of ambient lines, guitars, beautiful piano chords, hazy textures and field recordings.

Written and Produced by Shuta Yasukochi, Surroundyou, Slow Clinic and Logic Moon. 
Mastering by Zzzzra. 
Archives26 
Archives / 2016

Surroundyou - Awakening

https://ftmots.bandcamp.com/album/sleep-stations

From the Mouth of the Sun (aka Aaron Martin & Dag Rosenqvist) return with ‘Sleep Stations,’ an EP of six new songs, out May 18th, 2018 on Lost Tribe Sound. ’Sleep Stations’ rests comfortably alongside 2017’s ‘Hymn Binding’ their third full-length album and their original score for Joshua Z. Weinstein’s feature film, ‘Menashe.’ With ‘Sleep Stations’ the duo assures us that their exquisite palette of classical leaning, electro-acoustics reaped from their previous albums still leaves much to be explored.

In fact, the pieces of ‘Sleep Stations’ were composed during many of the same sessions as ‘Hymn Binding’ and ‘Menashe,’ yet they feel like a natural continuation of From the Mouth of the Sun’s sound, a stepping stone towards the next chapter, if you will. The core sound will be instantly recognizable for those who’ve followed their previous endeavors, comprised of cello, piano, acoustic guitars, lap steel, banjo, ukulele, pump organ, soft humming electronics and warm layer of static.

The title track ‘Sleep Stations’ was originally meant to be included on the album ‘Hymn Binding.’ It acted as a centerpiece and starting point for the music that From the Mouth of the Sun recorded later during the process of scoring the ‘Menashe’ film. The film ended up requiring an extremely spare palette, thus the ‘Sleep Stations’ EP represents a longing for a fuller and more controlled sound that exhibits the dynamic range that From the Mouth of the Sun strive for with their work.

There is a softness and detachment to ‘Sleep Stations’ more so, that seems to give the album an of aerial view of the landscape below. Where ‘Hymn Binding’ felt more grounded in the earth and soil, ‘Sleep Stations’ floats high above, feeling weightless, suspended in slow motion flight.

Arranging ‘Sleep Stations’ as an EP, has allowed Aaron and Dag to tell a shorter story, one that doesn’t have to be such a grand gesture, which is something they’ve wanted to explore for a while now. It’s a beautiful reminder, that a collection of music can still be simple yet deeply affecting, without being overwrought and excessive.
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CASSETTE DETAILS
‘Sleep Stations,’ our 3rd installment in the Dead West Tape Series, arrives on a limited pro-dubbed hi-bias tape cassette, housed in a reverse printed 300gsm heavy stock outer case. The edition (limited to 100) also comes with a download card offering a choice of formats including FLAC, 320K MP3, etc. Mastering was performed by Matthew Collings (aka one half of the duo Graveyard Tapes).
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DEAD WEST TAPE SERIES
Dead West is a series of limited cassette tape releases from the Lost Tribe Sound record label, inspired by the relocation of the LTS headquarters from the dry desert of Arizona to the lowland plains of Wisconsin’s farm country. The Dead West focuses on music built for exploring and soundtracking your environment, whether you're deep in the middle of lush woodlands, or just laying back at home with rested eyes. ‘Sleep Stations’ is the third release in the series. The first two releases in the series come from the composer William Ryan Fritch (Ill Tides) and experimental guitarist Seabuckthorn (I Could See The Smoke).
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credits
releases May 18, 2018

Music & Arrangements by Dag Rosenqvist & Aaron Martin
Mastering by Matthew Collings
Cover Image: NASA/JPL/U of Arizona
Layout & Design by Ryan Keane
© Dag Rosenqvist / Aaron Martin / Lost Tribe Sound LLC
Published by Settled Scores LLC (ASCAP) 2018

About the Birth of Stars

“Sallaw” is a Kurdish word that expresses the passing of time, and on this new album the three sound artists have found a way of expressing that notion in music. Four tracks of slowly unfolding ambience make up this collection, each piece named after different months, again in Kurdish. The four sections represent the different seasons and their movement through time.

Sallaw

Buy CD / DL

PORYA HATAMI | AARON MARTIN | ROBERTO ATTANASIO - Rêbendan

Track taken from the upcoming album 'Still Life', forthcoming on Fluid Audio...

Composed mixed and arranged by Edu Comelles using samples from rehearsals with Música Trobada Ensemble of Baroque Music. Samples feature harpsichord, violins and countertenor voice. Electric bass by Isabel Latorre recorded in Valencia in 2019.

www.fluidaudio.bigcartel.com/mailing-list

Still Life

Edu Comelles - Lament

Listen / Purchase: https://lnk.to/deepseadiver

‘The Loneliness of the Deep Sea Diver’ is the second release in Lost Tribe Sound’s Fearful Void Series. The album arrives courtesy of Arrowounds, the experimental electronic project of Ryan S Chamberlain.

What began for Chamberlain as a simple concept of exploring his sound within the expanse of aquatic lore, quickly evolved into a storyline regarding an unnamed nautical exploration attempt that tragically unravels. Ultimately, this results in the title character being trapped below the surface by an event. Struggling with fear, paranoia and hallucinations brought on by sensory deprivation & oxygen levels, the diver fights to make sense of what is real and what is imagined in the depths.

The themes of ‘The Loneliness…’ became sort of an analogy of Chamberlain’s feelings in his role as a caregiver to someone close to him suffering through cancer treatments, the confusion and loss of power and understanding in the midst of such a trying experience. Struggling for clarity in the quieter moments and using sound to maintain a semblance of balance and buoyancy in life, these recording sessions provided clarity for Chamberlain. The music allowed him to communicate emotions he was unable to fully comprehend or verbalize.

It began with what Chamberlain calls "tape loop therapy.” He started to spend time layering loops and sounds, rhythm and decay. It became a sort of meditation process of strictly being in the moment and not worrying about an end result. Only after a few weeks did patterns begin to take shape and songs begin to emerge. Small glimmers in a sea of obscured sound. A pair of dual works were extracted, each exploring different facets of this unique and trying time. ‘The Loneliness of the Deep Sea Diver’ represents the insular or hermetic portion of these sessions, while ‘The Oncotype Sketchbook’ (out now on Pyramid Blood Recordings) incorporates more of the hospital field recordings and an overall narration of the entire cancer survivor experience.

The Loneliness of the Deep Sea Diver

Sunken Phantoms (Single Version)

Arrowounds - Sunken Phantoms (Single Version)(from The Loneliness of the Deep Sea Diver)

Stream / Buy: https://lnk.to/litwaydown

Mt Went is the collaborative project between Andy Cartwright (Seabuckthorn) and Dave Anderson (Von Braun). Mt Went is two friends from different musical pursuits, who have managed to create two well-crafted and beautifully weathered indie albums over the last ten years.  

Even though nearly a decade lapsed between the making of 'Sheltering Sky' and 'Lit Way Down' the two albums feel inextricably linked to one another. 'Sheltering Sky' was recorded back in 2010 when Cartwright and Anderson still lived in same small UK town, Witney, Oxfordshire. Yet it has never seen a proper release and sat unattended for nearly a decade until Cartwright revisited the sessions in 2018 to give them a proper polish. While doing so, both Anderson and Cartwright rekindled a fondness for the material and decided a follow-up was in order.  That follow-up became 'Lit Way Down,' an album built from many long distance file swaps in the increasingly rare moments of downtime, with Cartwright now living in the French Alps and Anderson still in the UK.

Built Upon A Fearful Void Series (New Masters Formatted)

Mt Went (aka Seabuckthorn) - The Owls Are Talking (from Lit Way Down)

Purchase / Stream: https://lnk.to/sailcloth

'Woodcut' is the debut album from Sailcloth, the project name upright bassist/multi-instrumentalist Alex Luquet records under. 'Woodcut' released July 2nd, 2021 with US label, Lost Tribe Sound.

The Pennsylvania native caught the attention of Lost Tribe Sound with the 2019 EP 'Close Keeping'. Its strong lean towards a highly textural and bass-forward sound connected it to LTS immediately.

Original discussions about the debut record centered on creating an album that pushed the often background role of the upright bass to the foreground, letting the rich, sturdy tones that the instrument is capable of be the star of the show.  With the thirteen songs of 'Woodcut', Sailcloth has well surpassed this original outline, undoubtedly giving this massive wooden instrument center stage while also delivering an album that is unexpected yet comfortable simultaneously. It delivers on those rumbling cathartic lows, though it equally gives way to some of the most satisfying big-hearted highs.

'Woodcut' contains this wide-eyed sense of wonder, warming us with its nostalgic melodies and deep earthy undertones that point towards a strong commune with nature and all that breathes around us. At times, it is refreshing, joyful, undeniably playful. Further still its gritty, awkward, elusive, contemplative. Never fully pledging its allegiance to just one spectrum on the color wheel, ‘Woodcut' evades easy classification and the stereotypical jazz-like outcomes one typically expects from the instrument. Best we can figure, it's electro-acoustic music with a longing for travel, adventure, and real connection. It's music that is eager to share its colorful experiences with all who will listen and reward them with sure-handed nuance not often heard in debut albums.

Sailcloth - Woodcut (from Woodcut)

Purchase / Stream: https://lnk.to/gallowglas

Lost Tribe Sound presents the debut album from Gallowglas, titled, ‘I Dream I See You Hit The Water, I Dream I See You Change Your Mind’ (or for short, IDISYHTW, IDISYCYM). From the start, Gallowglas has been a captivating study in duality… a push and pull of opposing forces, techniques, voices, and philosophies battling it out to create something quite profound, an album that felt close to never coming together at all.

Ultimately strong wills prevailed, working through disagreements, lost sessions, and stretches of post-world stopping malaise with an undeniable knowing that the results of this struggle were becoming a body of work that felt worth fighting for. Hardly a shiny sales pitch, but if you’re looking for another glossed up one sheet about an alt rock band who just found that perfect sound and rode it... Gallowglas is not that band.

That said, ‘IDISYHTW, IDISYCYM’ is an album with some fire in it. It’s a smoldering, crawling sort of indie that will most likely be treated like an outcast in the genre… a grandiose, experimental and bruised sort of classical that won’t be sweet enough or keep its mouth shut long enough for the neoclassical types. It’s a crude, ballad-heavy breed of outsider music that just speaks to us.

Galloglas feels wounded, at times almost beyond repair, but in a relatable way. A pain or sadness that you live with, internalize, live through, learn from. There is quiet strength to ‘IDISYHTW, IDISYCYM’ that it maintains throughout. Some moments bring tears when least expected, and some flood the heart with an anxious sort of excitement. It moves like a sharp blade through fog, cutting from seemingly out of nowhere with a deceivingly effortless amount of force. Gallowglas pairs stark, affecting vocals, derelict piano melodies, and a succinct array of ghostly background mechanics.

I dream I see you hit the water, I dream I see you change your mind

There is nothing flawless

Gallowglas - There Is Nothing Flawless (from IDISYHTW, IDISYCYM)

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

Arrowounds - Sunken Phantoms (Single Version)(from The Loneliness of the Deep Sea Diver)

Lost Tribe Sound

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