En transition d'espace temps

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In A Time Lapse is the representation of the bringing together all of life's experience and emotions into a single moment of time. Recorded in a remote monastery near Verona and written over a period of 2 years it is as epic and emotional as Divenire and as experimental and adventurous as Nightbook.

Available to order now: 
iTunes: http://po.st/EinSoundCIATLiT 
Google Play: http://po.st/EinSoundCIATLGP
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In A Time Lapse

Time Lapse

Experience

With a little help from NASA, we present the second track from the compilation Dark Space Matters - 'Lumina'.  More here: http://bit.ly/1rt7cz0

Lumina

Petur Jonsson | Lumina

TREE - #PianoDay

“TREE” is a part of a composition written for Simphonie Cinétique, a collaboration between Ólafur Arnalds and Joachim Sauter. Re-edited and mixed for release in celebration of Nils Frahm’s #PianoDay and features Nils himself on celeste.

Composed, arranged and performed by Ólafur Arnalds
Violin: Viktor Orri Árnason
Celeste: Nils Frahm

Recorded at Durton Studio, Berlin.
Mixed at E7 Studios, Reykjavik.

See more about Symphonie Cinétique here:
https://vimeo.com/70897666

TREE

Tribute to amazing Nils Frahm's "Tristana"..

Nils Frahm - Tristana (Daigo Hanada Rework)

Alizbar (Элизбар) - Fairy Of Melted Snow (Celtic Harp - Кельтская Арфа)

Flowing

Buy / Stream Album: https://lnk.to/wsmsettlers

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
 
'Settlers' is the new album from Western Skies Motel in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Settlers

Whirl

Buy Album

Western Skies Motel - Whirl (from Settlers)

"..an exquisitely delicate work that unfolds like buds on the trees in spring."
THE INDEPENDENT,UK
Pre-order the LP, CD and Digital: https://aukai.bandcamp.com/album/aukai
itunes: http://snip.ftpromo.net/aukaiitms  spotify: https://goo.gl/613Oq3
Facebook: https://www.facebook.com/aukaimusic 

Recorded and mixed by Martyn Heyne at Lichte Studio Berlin
Mastered by Mandy Parnell at Black Saloon Studios, London
Cover Photo: Dan Isaac Wallin
Written and produced by Markus Sieber

Markus Sieber - ronroco
Alexander Nickmann - fender rhodes, synthesizer, beats

In a lot of ways, Aukai’s self-titled debut is the sound of Markus Sieber bringing his career full circle. Having spent part of the ’90s playing rock music in East Germany, the composer/multi-instrumentalist then shifted his focus to acting, only to have music creep back into his life after a mind-altering move to Mexico.

“This album and project has a lot to do with memories from travel,” explains Sieber, “but also memories from childhood and nature. How did the river smell in summer? I wanted to create a sonic space where music guides the listener into some imaginative inner world.”

Which explains why he came up with the name Aukai in the first place; it’s the Hawaiian word for a seafaring traveler, the sort of person who seeks out the stillness in uncertain waters. In the case of Sieber’s new record, that meant spending a winter holed up in a mountainside cabin around Colorado’s La Plata Canyon. Basic tracks were then cut in a Berlin studio and brought into full relief alongside cellist Anne Muller (Agnes Obel Band, Nils Frahm), violinist Bogdan Djukic, pianist Angelika Baumbach, sound designer Alexander Nickmann, and longtime collaborator Jamshied Sharifi (Laurie Anderson, Sting, Dream Theater).

Here’s what Sieber had to say about its lead single, “Cachoeira,” along with a complete rundown of the record and its cover art:

“Cachoeira”, meaning waterfall in Portuguese, was inspired by my travels to northeastern Brazil, a region rich of rivers and waterfalls. It’s the track on the album which goes farthest into an electronic direction, merging the acoustic and natural sounding layers of the Ronroco, a Latin American string instrument, with Fender Rhodes, synthesizer, and beats. For each piece of the album, I had a particular vision for the instrumentation and musicians I wanted to collaborate with; for “Cachoeira”, I worked with my brother Alexander Nickmann, a Berlin-based sound designer and composer. " 

Buy LP & Digital

Cachoeira

first excerpt from upcoming 'elephant' by Dag Rosenqvist.

Cello by Aaron Martin
Saxophone by Lisen Rylander Löve
Mastered by Taylor Deupree

order here - https://dronarivm.bandcamp.com/album/elephant

Buy CD

Dag Rosenqvist - Come Silence (from 'elephant' CD)

original music: luca longobardi
piano, loop, synth: luca Longobardi

link for the album: http://luca-longobardi.bandcamp.com/album/apparatus

Opalina

Taken from their forthcoming mini-album 'Ellis' out July 8 on Erased Tapes.

Pre-order the LP/CD/DL here: www.erasedtapes.com/store/index/ERATP086
or from iTunes here: http://snip.ftpromo.net/ellis

For the first half of the twentieth century, Ellis Island stood as the gateway to America. For some twelve million people, it was their first encounter with the land they hoped to call home. 

Directed by acclaimed artist JR, ELLIS tells the story of one such migrant. Starring Robert De Niro, the film winds its way through the crumbling hallways of the abandoned Ellis Island hospital complex, now home to JR’s Unframed art installation. It’s a place that reverberates with the hopes and fears of those who passed through it, the echoes especially resonant today.

Entwined with the narrative is a score composed by Woodkid, performed and co-written by Nils Frahm. The delicate piano motifs of Winter Morning I culminate in a crescendo of strings, while the harmonium swells on the B-side are the foundation for De Niro’s narration: an encomium for those who shaped modern America. 

There’s perhaps never been a more fitting time for this story, with all the proceeds going to the Sea Watch initiative, a non-profit charity dedicated to the protection and rescue of civilian refugees. 

Following a screening as part of Nils’s Barbican Weekender, the ELLIS score will be out July 8th, the same week as America’s great federal holiday. It will be available via Erased Tapes as a mini album on CD, vinyl and in digital format containing a 12-page picture booklet.


IN THE ARTISTS’ OWN WORDS:

Nils Frahm: ‘The opportunity to work on JR´s fantastic short film ELLIS came through my good friend Yoann aka Woodkid. We agreed on recording the piano parts in my studio in Berlin and so it happened that JR and Woodkid were guests at Durton studio on a wonderful late summer day in 2015. We managed to record all the crucial elements that day. The music fell in our laps and melted with the images: a wonderful experience. The film has stuck in my head ever since; it moved my heart and changed my soul.

A couple of weeks later I had to cancel a trip to Brussels because of a terror warning; all events got cancelled and I stayed home, having an unexpected day off. I felt rather depressed that day, thinking that the Europe I knew was already gone. I sat down at the harmonium, listened to Robert De Niro’s voice and played for the rest of the day. The result is ‘Winter Morning II,’ the B-side of the ELLIS soundtrack release.

Robert says it all in 17 minutes. We are not facing a refugee crisis. We are facing a crisis because we do not embrace, we do not sympathise and we cannot give up fear. Art can encourage so I hope this project will help fight the fear in all of us.’

Yoann Lemoine, aka Woodkid:  ‘Ellis is my second collaboration with JR after the New York City Ballet piece for Les Bosquets. I initially wanted this piece to sound like it was recorded on an old piano that we found in the ruins of Ellis Island, in the restricted area that is not open to the public, where JR pasted the pictures on the walls for the film Ellis.

I had worked with Nils before and I wanted him to create a sound for this piano part that I composed that was extremely gentle and organic. I wanted the listener to hear the mechanisms, the breathing of the instrument. I wanted it to be imperfect, to sound like a ruin, a trace, an echo, the way the pastings on the walls seem to be ghosts, almost imperceptible.

After a few rehearsals, Nils stripped down my piano parts and we removed almost all orchestration around the piano. He then worked on the extended version that is his interpretation of my piece, with Robert de Niro’s vocals.

Because this film and this recording is historically meaningful, it was important for us to create this piece as an echo to the immigration situation in Europe, and decided to release it in support of Sea Watch.’

Ellis

Winter Morning I

Buy LP/CD/DL

Woodkid & Nils Frahm - Winter Morning I

A / B single by Rotterdam based composer & multi-instrumentalist Jeroen Dirrix.

Stream on your favorite digital platform: http://orcd.co/jd-ab

Composed, produced and mixed by Jeroen Dirrix 
Mastered by Jelle Goossens 

Jeroen Dirrix: piano, synths, rhodes, electronics 
@jeroendirrix
 
Artwork by Tomas Dirrix

Until Daylight / Sightless

Until Daylight

Download

Jeroen Dirrix - Until Daylight

Listen / Purchase: https://lnk.to/mnem

For a ton more info see our FAQ section on the website series home page.  Ala carte orders for 'Mnemosyne' on vinyl/CD/DL, visit here: https://thephonometrician.bandcamp.com/album/mnemosyne

‘Mnemosyne’ is the debut album from Mexico City based multi-instrumentalist, film composer and sound preservationist Carlos Morales, who creates under the name The Phonometrician.

‘Mnemosyne’ is an album that asks what memories would sound like if they were captured through sound. At its core, ‘Mnemosyne’ is album built around finger-picked acoustic guitar, somewhat classical or folk in nature, yet it’s much more than that.  Morales deploys a very specific palette of instrumentation to realize his musical vision, it’s as if a classical guitar is slowly being worn away and devoured by an onslaught of looping, ever-shifting analog sound creatures, scattering for cover when the light hits them too directly and continuously eat away at the strings. Much like rifling through the pages of an aged and tattered diary, warm shuffles of vinyl and airy waves tape saturation emerge only to retreat once more into the darker recesses, leaving the pysche grasping wildly to recall the meaning of their existence.

Artwork by João Ruas (https://joaoruas.com)

Mnemosyne

Here Comes The Storm

The Phonometrician - Here Comes The Storm (from Mnemosyne)

Pools Re-works

The Wooden King

Jim Perkins -  The Wooden King - (Floraleda Sacchi Re-work)

Garmarna - Herr Mannelig

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

Western Skies Motel - Whirl (from Settlers)

Lost Tribe Sound

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