Agree with ALL expressions, BUT, WHY - Mono - recording/-ded???????!

Yes, speaks to whirl. Infinity in a swirl of guitar strings struck going down a drain and filling the air like bugs, a perfume, a final resting place. The procession. The somber mood at a funeral, then everyone forgets you.

Pre-order Settlers on Vinyl / CD / Digital:
westernskiesmotel.bandcamp.com/album/settlers

Follow on Bandcamp: westernskiesmotel.bandcamp.com
Follow on Facebook: smarturl.it/wsmfb
Follow on Spotify: smarturl.it/wsmspotify

'Settlers' is the new album from Western Skies Motel, out April 22nd, 2016 in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats. 'Settlers' was mastered for vinyl and digital by Taylor Deupree, lacquer cut by Roger Siebel at SAE, and physicals come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled Settlers. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West.

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment.



From Settlers (album out on Lost Tribe Sound)

Title : Day Has Ended
Artist : Aaron Martin / Christoph Berg
Label : Dronarivm
Release Date : September 23
Catalogue number : DR-14
Format : CD, ltd. 250
Release page : http://dronarivm.com/2013/08/28/aaron-martin-christoph-berg-day-has-ended/

Aaron Martin & Christoph Berg’s split called “Day Has Ended” is a piece of quiet, intimate music, interfused with daylight and covered by a soft mist of evening dreams. This album spans the course of a day until the point where night falls.

The first part, created by Aaron Martin, is a water-colour, cool and delicate. The twinkling sun reflected itself in a slow river, transparent silvery clouds sparkle and brush the heads of drowsy trees. The closer to the middle of the album, the lower goes the gentle shadow, saturating. In the second part - Christoph Berg’s one, water-colour turns into gouache. The sound becomes more full, more sensuous, it comes in waves, like breath of a sleeping man.

Just close your eyes, be all ears and you’ll feel – the night is not silent. Sweet tune of twilight and darkness full of echo, humming blue, vague voice of the strings and clear gleaming of bright stars in a velvet sky – that is the night.

It’s a perfect and severely sincere work, slightly bittered with melancholy.

Aaron Martin is a very talented multi-instrumentalist from Topeka, Kansas who has releases on such labels as Experimedia, Preservation, Under The Spire, Sonic Meditations.

Christoph Berg is composer and sound artist currently living and working in Berlin focusing on fragile acoustic chamber music compositions. Also writes electro-acoustic music as Field Rotation. He has releases on Facture, hibernate, Denovali Records, Fluid Audio.

Curated by Bartosz Dziadosz (Pleq)
Cover painting "Where The Sea Once Was" by Richard Moult
Designed by Dronarivm Art

pre-order CD

Aaron Martin - Slow Wake (taken from 'Day Has Ended' split CD)

Soaring

Recorded for Gonzalo Bénard for his art video 'Distichous - Mind vs. Consciousness'

Vimeo Link: https://vimeo.com/134122061
Youtube Link: https://yout.be/IrPex57oeE0

G's Website: www.gbenard.com

Beautiful Storm in the Ocean

Taken from the upcoming album 'Transient Accidents' on Fluid Audio...

- All tracks produced, mixed and arranged by Sara Galán and Edu Comelles. 

- Album recorded during the first weeks of August 2015 at Espai Rambleta in Valencia, Eastern Spain.

- Mastered by Jaume Muntsant.

www.fluidaudio.bigcartel.com

Cello & Laptop - On The Verge

Buy / Stream Album: https://lnk.to/wsmsettlers

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
 
'Settlers' is the new album from Western Skies Motel in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Settlers

Whirl

Buy Album

Western Skies Motel - Whirl (from Settlers)

Buy Album:
Bandcamp: http://smarturl.it/wsmbandcamp
Spotify: http://smarturl.it/settlerspotify
Itunes: http://smarturl.it/settlersitunes

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
Follow WSM on Facebook: http://smarturl.it/wsmfb
Follow WSM on Spotify: http://smarturl.it/wsmspotify
 
'Settlers' is the new album from Western Skies Motel, out April 22nd, 2016 in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Falling Leaves

Western Skies Motel - Falling Leaves (from Settlers)

first track from upcoming CD.  

out March 25th on Dronarivm

order here: https://dronarivm.bandcamp.com/album/branches

Branches came into being during a long time planned project between Tui (Orla Wren) and Cyril Secq (member of the band Astrïd). Having worked together when Cyril contributed guitar to the Orla Wren’s previous albums the idea then formed to do something further and even more collaborative. At the same time, Cyril had recorded many guitar parts, as a ‘solo’ project, that had never been released. And they were the basis, the bones for Orla to work, completely free.

It’s a duet between acoustic strings and processing, field recordings, edits and organic arrangements. This music is steadily ramifies, growing out of itself like a wild tree. The tunes woven together and untwine again as a branches shaken by the wind. It sounds focused, calm and distinct. Although everything has been done in distant places (France and Scotland) the result sounds like two musicians experimenting in the same room, sharing their background and culture.

The beautiful photographic work from Spanish born Nieves Mingueza brought the whole project together in the form of these two very special editions of Branches.

Credits:

Cyril Secq – acoustic guitar, harmonium, piano (asrtid-music.fr)
Tui – piano, organ, electronics, field recordings, processing and mastering (orlawren.eu)
Nieves Mingueza – photography (nievesmingueza.com)

Buy full CD

Cyril Secq / Orla Wren - Première Branche (from Branches, CD)

Buy Settlers on Vinyl / CD / Digital:
Bandcamp: http://smarturl.it/wsmbandcamp
Spotify: http://smarturl.it/settlerspotify
Itunes: http://smarturl.it/settlersitunes
Darla: http://smarturl.it/settlersdarla
Norman Records: http://smarturl.it/settlersnorman
Experimedia: http://smarturl.it/settlersexp
Stashed Goods: http://smarturl.it/settlersstashed

Follow WSM on Bandcamp: http://westernskiesmotel.bandcamp.com
Follow WSM on Facebook: http://smarturl.it/wsmfb
Follow WSM on Spotify: http://smarturl.it/wsmspotify
 
'Settlers' is the new album from Western Skies Motel, out April 22nd, 2016 in a limited edition of 170 gatefold 180gram vinyl, CD and digital formats.  'Settlers' was mastered for vinyl and digital by Taylor Deupree, with master lacquers cut by Roger Siebel at SAE.  The first 50 Vinyl & CD's ordered come with a bonus EP, 'Generations' mastered by Kirk Marrison of Kiln.

In the dry desert of Arizona that Lost Tribe Sound calls home, a letter is received from guitarist René Gonzàlez Schelbeck who’s eager to share a collection of intimately composed songs, titled 'Settlers'. Upon listening, we are immediately enthralled. There’s a timeworn, arid, and almost badlands quality to Schelbeck’s hypnotic, cyclical guitar style. It seems to perfectly capture the lonely, barren landscape of the American West. 

Yet, there are curious dynamics at play here as Schelbeck, who makes music under the alias Western Skies Motel, is from Denmark and far removed from any upbringing in the rough-hewn Americana style of folk guitar. Conceivably, his music has more in common with the lonesome, calculated tone of Berlin's modern classical scene or the rainy day folk of the UK. Those are intriguing parallels, since the collective mood of Western Skies Motel's music would adapt so well to either environment. 

Words hardly do justice to the rich, immersive experience of 'Settlers'; yet a few may help to set the stage. Schelbeck is a remarkably well rounded instrumentalist, who spent his early days losing his hearing in local punk rock bands. This youthful love for walls of sound and discordant guitar squalls survives in his modern sound palette. However, a more mature approach to these techniques brings moments of palpable tension, adding in uneasy waves of guitar feedback and droning harmonium. 

But ultimately, the truth of what Schelbeck hopes to convey through his music may rest rmly in his subconscious. In hindsight, 'Settlers' is about moving between worlds: not in the dimensional sense, but more as a constant change in form. Each influence and sound Schelbeck incorporates into his music feels native to the delicate ecosystem of these songs and each turn feels as organic and nuanced as that of the natural world. Just as a tree’s leaves wither and fall; a fire sparks and expands only to expend its last bit of fuel, extinguished and left for ash. So true are the parallels we find in our own existence, the complex ritual of growing old and returning to dirt. Decay is inevitable for all life, yet through this it becomes the rich soil for all things proceeding. Western Skies Motel's weighty instrumental mantras may root in this and other meanings yet to be culled. One thing is clear, this music contains signicant power, and, regardless of our conceived themes or geographic locations, it tells a story that is lasting and instantly familiar. 

'Settlers' sees a 180-gram heavy weight gatefold release very similar to the recent Mute Forest debut, 'Deforestation'. The acetate and test pressings were scrutinized for anomalies on world-class vinyl setups at Arizona’s esteemed audio dealer, Arizona Hi-Fi.

Western Skies Motel is building upon a busy year in 2015, having released two very different full-length albums 'Prism' (Preserved Sound) and 'Buried and Resurrected' (Twice Removed).

Transformation

Western Skies Motel - Transformation (from Settlers)

My father died on 16 March 2011.  His body had battled emphysema for years.  After complications caused by a bout of pneumonia he finally succumbed.  In the aftermath of these events I turned to my piano for solace and escape.  The resulting record attempts to address the emotions experienced during the 7 days between his death and funeral.  In collaboration with Ed Hamilton, who brilliantly tapped in to my experience and emotion, and with contributions from Christoph Berg, this record is about, and in memory of, my father. - Euan

............

Glacis is Euan Alexander Millar-McMeeken with Ed Hamilton

All pieces written and performed by Euan Alexander Millar-McMeeken and Ed Hamilton

Violins on tracks 1, 5 & 7 performed and arranged by Christoph Berg

Violins on track 6 performed by Christoph Berg, arranged by Ed Hamilton

Piano recordings by Ana Roman and Alex Galler at the University of Edinburgh

Produced and mixed by Ed Hamilton

Mastered by James Plotkin

Art by Todd Umhoefer
www.oldearthcontact.bandcamp.com

Writing by Ali Millar 
www.readthesupplement.com

Released through Fluid Audio (May 2016)
www.fluidaudio.bigcartel.com

............

Thanks, and thanks, and ever thanks
 
In memory of Euan's father, Sandy McMeeken 6 November 1937- 16 March 2011

............



Glacis - From One Room To Another (So You Leave Me Now)

Taken from my latest album "(For Now We See) Through A Glass Dimly", ‘Elegy (ii)’ features the elegantly dexterous vocals of Joanna Swan (Ilya) and the incisive strings of Christoph Berg (Field Rotation).
The album, as described by Hidden Shoal:
The 10 tracks that comprise "(For Now We See) Through A Glass Dimly" have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.
For more releases by Antonymes: https://antonymes.bandcamp.com/
This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Antonymes on Spotify: http://spoti.fi/2cAJxyL

Elegy (ii)

Follow http://soundcloud.com/origamibiro

Free download EP at <a href=http://badpandarecords.wordpress.com/2012/07/16/badpanda137/>Bad Panda</a>

including remixes by
http://soundcloud.com/bad-panda-records/origamibiro-plaid
http://soundcloud.com/bad-panda-records/origamibiro-isaan
http://soundcloud.com/k-conjog
http://soundcloud.com/setinsand
http://soundcloud.com/leafcutterjohn
- - - 
http://www.facebook.com/badpandarecords 
http://twitter.com/#!/badpandarecords

Origamibiro - Flicker

Jóhann Jóhannsson - Odi Et Amo featuring Iskra String Quartet (Brussels, April 2009)

Written, recorded and mixed by Janek Sprachta at Einraum Studio Berlin.
Violin played by Susanna Lundgren. 
Mastered by Nils Frahm at Durton Studio, Berlin. 

Novembre

Watching The Snowflakes Fall

Buy Novembre

... inspired by winds and still air, forests and deserts, silence and noise...

Lost Tribe Sound is a record label that specializes in organic and exploratory sound. Lost Tribe Sound admires music that leaves its tattered edges proudly in place, acoustic instrumentation blended seamlessly with dirty mechanics, timeworn sound worlds rooted in the muck and the mire of the present. The sound generally falls along the lines of bizarrely rhythmic, beautifully decayed electro-acoustic music, often with a reverence for low-end. LTS focuses on full-length albums, with a strong commitment to well-made packaging. The aim is to unearth timeless music that pushes the envelope of modern composition while paying homage to the ancient.

Western Skies Motel - Whirl (from Settlers)

Lost Tribe Sound

Recent comments

Qv.musik

DJS

Mahdi Aghadavoudian

saeed dashkol

Related tracks