Candle Object April - weary - on wet ground

https://sadfun.bandcamp.com/album/fruit-express

Fruit Express - Acapulco (Sad Fun 001)

Cassette edition of 200 + invisible digi stuff!

Vanligt Folk - Arbæ (iDEAL227 CS)

A sunken cathedral is exactingly excavated by Tokyo-based Joe Fujinoki on his debut album "Watering The Steel Flowers". Glittering shards of glass and metal drifting on deep ocean currents cast vague illuminations upon eroding concrete structures. An occasional glimpse of sunlight filters through the depths, suspended by bubbling hydrothermal vents. Fujinoki creates a series of gestures blurring texture and rhythm, an analog balm for the colloid of post-industrial aches.

Joe Fujinoki is a Tokyo-based musician and synthesist.

WATERING THE STEEL FLOWERS

PURCHASE PHYSICAL COPY

ENXPL11 - JOE FUJINOKI - A5. LESS LIGHT

@aprilbourne
Good morning, good afternoon and good evening. Whatever part of the world you're in... What is living? What is life? The world is made up of living and non-living things. Living things building non-living things until death becomes them. These words and mix are from April Bourne.

Short & Sweet Class #41 with April Bourne

https://soundcloud.com/malinbobo

https://www.retreatradio.net/malin-bobo

Malin Bobo #32 (23/10/22)

"Détente Profonde" from amazing DOGTAPE VOL.11 by Mad Processor
Cassette & digital available here : https://lostdogsentertainment.bandcamp.com/album/dogtape-vol-11

Dogtape Vol.11

Mad Processor : Détente Profonde

CC02

@nowherearu @markvernon

From Mal de Débarquement by Elen Huynh & Mark Vernon
chosescontraires.bandcamp.com/album/mal-…barquement

CC02 - Elen Huynh & Mark Vernon - Mal de Débarquement (cassette preview)

Love All Day is proud to present a limited cassette reissue of a one of a kind, completely original collection of songs created by two American expatriates living in London in 1980. Recorded in their living room on a Teac tape machine, Synthesis was entirely composed and performed on a mail order Serge synthesizer kit that Planetary Peace (the husband and wife duo of Will & Kalima Sawyer) had built themselves. Originally pressed in a minuscule edition that was mostly given away to friends and colleagues, this brilliant piece of work was almost entirely unknown until Sound Recorder/Record Collector Brett Becker chanced upon one of the only known copies in existence at the yard sale of a former New Age disc jockey in Santa Fe, New Mexico in 2014. There’s a very palpable DIY-vibe that runs throughout the album, which gets filtered through a visionary lens where slightly off-kilter devotional folk songs expand into majestic synth excursions that reach for the outer edges of the cosmos. It’s a strange, beguiling collection of songs where two kindred spirits are operating simultaneously on a higher plane, unlike any other ostensibly “new age” album we can think of  —especially in the the way that it so embodies such a sense of wonder. Now living in Ha’iku, Hawaii on the island of Maui, they operate an organic farm and have carried on their DIY roots by creating a solar powered studio they built themselves in which they continue to record to this day.

—-

“We recorded it ourselves in London, fall 1980, on a TEAC reel-to-reel tape deck, in our living room. We had arrived in London with all of our equipment, intent on making this recording before the arrival of our first child in Mar, ’81. Through grace or luck, we found a small cottage near Hampstead Heath (right in the heart of London) that was quiet enough in the evenings to do the work.  
Because we were (are) into harmonic tuning, rather than equal temperament, we had searched out an instrument that we could tune ourselves; there was an engineer, Serge Tcherepnin, in San Francisco who had developed a kit for an analog synthesizer which fit our specs. We spent a few months prior to leaving for London laboriously building it, soldering it together and learning how to play it. It required patch cords that manually routed the signals in various configurations, connecting oscillators, filters, etc. Now of course, this is all done digitally . . .
We used a TEAC reel-to-reel tape deck, Shure mics and maybe some other stuff, like reverb, all of which we brought over with us. The funny part is that as we left S.F., our flight was delayed for several hours while they de-planed everyone in a remote area on the tarmac and looked through everyone’s luggage. They said there had been a bomb scare, and we figured out quite a bit later that it was our synthesizer that had likely triggered the alert. That was SO out of everyone’s context at that time, as this was before “terrorists” had been invented!
…
Once our daughter arrived, we more or less dropped it all; it is actually a minor miracle that you happened across one of the very rare cassettes that we got around to distributing!”

This limited edition cassette features a reproduction of the original artwork and remastered audio by Jae-soo Yi of Sonority Mastering

Planetary Peace - Country of Love

She saw two objects tied together by a finite length of thread

Available on the 27th edition of XLR8R+, a collection of transfixing dub, IDM, and downtempo from one of the year's most enigmatic crews.

Get the package: http://bit.ly/XLR8Rplus_Edition027

@opheliaxz
@benbondy

Planetary Peace - Country of Love

LOVE ALL DAY

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