Untied (Ahmed&LovvariJam)

Dark Templar

Schlammfresser

Le nouveau morceau jungle/drumNbass prog de M'Z est en ligne 
Il s'appelle Tarzan 
et ça s'écoute partout ici : 
https://music.imusician.pro/a/_cagw1Gc
impatient d'avoir vos retours

Tarzan

Golgota (Ort des Schädels)

loneliness and low frequencies, moments of life

Solow

Cast of Characters:
Cgmaness – @hiddenhands-760647700 – Chris – acoustic guitar, synth, and composition
Mistermark-- @user-432503709 -- Mark –- vocals, lyrics, mix, and production
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 – four string fretless Warwick bass
Llanpsych -- @llanpsych -- Tez – Fender Stratocaster electric guitar
J.J. Terrell– @j-j-terrell – piano, B3 organ voice, synth sax, and JJ's angels (voice synth), Lucky Man style synth
TexMex Shaman– @texmex-shaman –Stephen– master and production
This song started as a project that was begun on his guitar and synth, then shelved by our master songwriter, Chris. He always gives us magic to work with, and as soon as he shared this one with the rest of Eclectic Collective, we all jumped on it.
Mark heard his part first, and set about writing some great lyrics to sing with his solid, inimitable voice. His lyrics are about a hypothetical future where we've turned to technology in search of human connection, only to realize that it has only isolated us more, and that we really already had that connection to begin with. The narration is from a future perspective, like all this has already happened, and its speaking to us from the future, almost like a warning.
The rhythm section was still absent, though, but not for long. Ken added his groovy, perfectly in the vibe drums to it next. Josh, of course followed soon after, now that he had drums to work with, by adding his fretless four string bass to the song. Now that it was sounding like a well rounded piece, Tez came through with some thrilling guitar solos that you hear throughout. JJ first added some piano, B3, and sax to the song, then later completed it with his psychedelic synth and divine voice synth that provides the "choir" you hear in there.
Now that it was all in the bag, Mark spent considerable time and effort mixing it, then turned it over to our resident pro Stephen for the mastering.
This is one of our favorite songs we've ever done, and it reminds us all of both Pink Floyd and King Crimson. This is a great example of what the team is able to do with a really solid, yet open musical seed, provided by a master composer. We hope you enjoy listening to it as much as we enjoyed making it.
Original lyrics by Mistermark:
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid at the back of your mind
how could I have been so blind?
It was so long ago now it’s just you and me
it seems I've forgotten the way you like your tea
the house becomes quiet as the guests head for home
the garden’s been gathered and the kids are all grown
on their own
“The robots will help” they said “it’s better this way”
“there’s no need to work and there’s more time to play”
our leaders assured us we’d never go poor
and nobody questions the truth anymore
but what did we do it all for?
Our science sustains us like fine works of art
but are we closer together or farther apart?
we’re each on an island alone on the sea
the ocean between us expands rapidly
is this where we wanted to be?
It was so long ago now it’s just you and me
it seems we’ve forgotten the way it used to be
machines tried to help us but something went wrong
the future we wanted was here all along
The wind by the seashore, the wash of the waves
the sand on your skin and the glance that you gave
the sounds of the carnival we left it all behind
there were words left unsaid…





Faded Fortunes (Eclectic Collective)

dedicated to my extraordinary former colleague Christopher Bartlo
(pictured) - a man of style and grace and pure brilliance
made with casio, zoom h1 and other mic, looper, stylophone, match
and the world turn yellow, orange and red i live is pain knowing a wind will come
and take it all away without my consent
one day
and i grieve even tho
i should rejoice

the beauty of autumn is painfully transitory

a small snippet of a live performance by the Intonarumori Trio at the opening of When The Fog Clears as part of The Ten Days On The Island Festival. This was the exhibition where i got to exhibit Caligo Paean, so a big evening for me......more about the trio here

Formed in 2018, The Intonarumori Trio is Danielle Kirby, Mat Ward and Dylan Banks. All three are Hobart based artists whose individual professional practices all span 20 plus years. They have diverse artistic backgrounds that include painting, instrument and theatre design, installation, classical music, noise- art, graphic design and academic research. They have all exhibited, published and performed extensively across Australia as well as undertaken international art-based residencies.  

The trio explore the more occult-centric aspects of Russolo’s practice, approaching performances as a ritualistic space to play with the idea of connection and communication beyond the human realm. 

Russolo believed, and pursued the idea that noise could be used as a bridge to spiritual understanding. He sought to congure and transform energy through the Intonarumori’s ability to ‘spiritualise’ noise. 

Performances by the Trio are pure improvisation, allowing the space and the air to guide the players. The clips are from various performances and studio sessions 2018 - 2025 

Intonarumori Trio LIVE @ Ten Days On The Island Festival

Cast of Characters:
Single Use & Recycled -- @user-995867230 -- Bill — acousitc rhythm and lead guitar and composition
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick fretless four-string bass
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums and percussion
J.J. Terrell– @j-j-terrell – synth strings
TexMex Shaman– @texmex-shaman –Stephen — acoustic rhythm guitar, production, mix, and mastering
The Beautiful Dark -- @thebeautifuldark -- Carl — vocals and lyrics

This song started as an idea Bill came up with on his acoustic guitar. Having found each other on the Cloud and enjoying each other's music, Josh and Bill decided to do a collab. Bill is a real deal guitarist, who's as prolific as he is skilled. Of course, Josh invited Eclectic Collective to the party, too.
  Shortly after doing so, he laid down a bass part to Bill's skeleton withi his four string fretless bass. Ken followed suit, and after a back and forth, completed the rhythms secion. JJ dug in next, adding the thrilling strings that highlight the high points of the melody. 
  There wasn't a whole lot of room for everyone on this, though, as Bill had the guitar parts nailed down tight. However, after sitting on the shelf for about half a year, Carl came along and added the missing piece with his raucuos vocals. Stephen also fattened up the sound a bit with his acoustic rhythm guitar.  
  Once it was in the can, we asked Stephen to work his production, mix, and mastering magic on it, too, which he came through with, as always.
  This brilliant song almost didn't see the light of day. It sat for what felt like forever, until we decided to revive it. This will not be the last collab we do with Bill, though, who was generous in not only sharing his music with us, but allowing us to do whatever we wanted with it, too. We hope you enjoy listening to this as much as we enjoyed creating it.  

Original lyrics by The Beautiful Dark:

Shifty shire
Ah, redistrict rot
Dividing a country for power by plot
Gerry's meandering
Not thinking of sane
What colourful friends can stop red rain?

With freedom waning
Conversation is paused
A few rich men failing
With solidarity cause
Shift the shire!
At minority we've baulked
That mind inconvenient
New red lines are chalked

State turf wars are on
Ah, redistrict rot
Dividing a country for power by plot
For the rights of the white man
We missing those slaves
So legislate oppression
That skin 'aint red way

Shire-Single Use & Recycled/Eclectic Collective

‘plaudite, cives!’
Breaking News.
2025 two layers of live performance.

Chaotic social engineering franchise.

First layer tools :
Pam’s, Varigate.
- Basimilus.
- Mother-32 > DSP (stereo delay).
- Morphagene (voice sample) > Zagrzeb (hp out) > Desmodus Versio.
- Drum2 (space snare) > FX Aid (#24 reverb plate classic).
- Plaits (analog high-hat model).
- DFAM > Data Bender > Monsoon (oliverb mode).
Ochd, Tetrapad, Sinc Defero, Mutes.
StMix, Black stereo mixer, Listen IO.

Second layer tools :
Marbles.
- E352 > Beads.
Batumi, Ochd, Sinc Defero, Tetrapad.
Quad Vca, A-138s, StMix, Black stereo mixer, Listen IO.

Recorded, mixed and mastered with Logic Pro.

Associated image : Petrus Major.

Rule by Fear [breaking news]

Lots of selfmade, mostly bedroom- or cellarproduced tracks here, different styles because of different moods and music tools, often selfmade instruments, allways experimenting and in search of sounds and soundmaking stuff, harmonic or non-harmonic....and all free to listen and to download ...and if you want to use one of my tracks or try a collab, just ask, do it and tell me about it... all in terms of Creative Commons...
I have to make music every free minute, allways full of it, and, about time, I have a lot of toys to do this ... these tracks are my kind of relaxing and i will do it till the end of my time...
I hope, you like, what I do....You may find a lot, but no autotune and no AI, I swear...
You cannot OWN music, you only can MAKE it.... (something, Neneh Cherry said)... and so I do...
I never learned an instrument, I am an analphabet in music theory, but that's not important: 
I AM an instrument and there's always music inside me.... and I go on...
SC is my diary: The diary of my steps into the world of music since 2012....
if you want to know something about that: you're welcome!
One of my tracks is especially made for you... 
Try the playlists ; )

Untied (Ahmed&LovvariJam)

Lovvarion