Collabs3000 '2025 EP': https://mute.ffm.to/collabs3000-2025ep
Collabs3000 'Metalism': https://mute.ffm.to/collabs3000-m20

World: javier@analog-a.com
North America: john@analog-a.com
Latin America: larissa@liminal.ag
Italy: alex.ravizza@vivoconcerti.com
MGMT: roland@rlcgmbh.com

Chris Liebing is synonymous with techno. His legacy is long assured, but his craft never stops evolving. Whether as label head, podcast curator, DJ or producer, he continues to challenge himself and his audience to explore new realms in the electronic world. And often ahead of the curve, too, from the early, hard-edged and loopy 90s sound which is back en vogue today, through his more stripped-back turn of the millennium minimalism and onto the cinematic atmospheres and broader alternative electronica of his latest albums on Mute. It's no stretch to say, then, that Chris Liebing's story is closely connected to the story of techno itself. 

Liebing is considered a global techno ambassador, but his ambitious album projects and direct club tracks excite and innovate as much as any new school star. A proudly forward-thinking attitude ensures that is the case as his DJ tools and studio setup constantly evolve. He continues to be an early adopter of emerging technology, too, just as he was with vinyl controllers, Traktor and when leading the way with full hybrid/live DJing. 

These days, Liebing incorporates an ever wider sphere of sound into his own work. After an eight-year break from full lengths, 2018's Burn Slow on Mute was a creative rebirth that received critical acclaim and confounded all expectations. It was a melancholic mediation on gothic moods, looming apocalyptic landscapes and optimistic broken-beat techno that drew from his childhood love of Depeche Mode, Gary Numan and the New Romantic movement. 

Remixes for Depeche Mode and Goldfrapp followed alongside a collaborative single with Charlotte De Witte, and 2021 brought a second album on Mute, Another Day. It found Liebing exploring all new ways of expressing both his euphoric and melodic side, all with high-grade technical skill and meticulous sonic craft with a range of collaborators from Miles Cooper Seaton to Polly Scattergood. This exceptional form continued into 2023 as he returned to the club with his Love Those Who Fight With Passion And Faith EP on CLR, a passionate and politically charged call to the dance floor that joined Liebing and Luke Slater’s remix of Depeche Mode’s iconic ‘Ghosts Again’ in the first half of the year. 

Born in Giessen and active ever since the 1990s, Liebing has always platformed the talent around him as much as himself: a long time before they were commonplace, he famously helmed his own CLR podcast. For many years, it was the scene's most influential series, with a who's who of international pioneers at the helm. After that came the equally important AM/FM radio show, but now following a hiatus, the CLR podcast is back and pushing a fresh techno agenda, as is his iconic label of the same name.

In its first chapter, CLR stood for Chris Liebing Records, then Create Learn Realize, and now Create Learn Repeat - a subtle evolution that is at the heart of everything Liebing does. The label will always be synonymous with exciting techno and is now back hosting parties and festival stages. 

Though his music is underpinned by pulsating menace and a stomping sense of drama, Liebing himself is friendly with a famous smile. It is the music that motivates him and the freedom that comes with increased experience. These days there are no limits, no expectations, but a continued love for the art and craft of techno that is taking him down all new creative pathways.

| | P a r i s - F r a n c e | |

House infusée de Funk et Techno

Bars, Clubs, Soirées d’entreprises, Anniversaires, Mariages. 

Contact: +33 6 70 36 36 40
audibert.maxence@gmail.com

Akronym / Techno Germany / Moments in Time / Elixyr / Synergy 

Booking: marcus@shift-agency.de

songs I produced, remixed or edited. check out my other music project @midashutch

mgmt nigel@headfirst.am
bookings bookings@headfirst.am

[🇬🇧] Sir Davidō is a true lover of good sounds, whose musical inspiration and tastes have been influenced by his Caribbean roots, the cities he lived in, and the countries he visited.
As a true music nomad, the music in his sets reflects the atmosphere of many festivals that he loved, and which have marked him.
He manages to make twists between a very urban "city" vibe and subtle blend of tropical, ethnic, and even organic sounds sometimes. Like a 'new take on the old school'.

[🇫🇷] Sir Davidō est un véritable amoureux du bon son, dont l'inspiration et les gouts musicaux ont été influencés par ses racines caribéennes, les villes dans lesquelles il a vécu, et les pays qu'il a visités.
En véritable nomade de la musique, ses sets reflètent l'atmosphère et l'ambiance de nombreux festivals qu'il a aimés, et qui l'auront marqué.
Il arrive à y faire des twists entre une vibe "city" très urbaine et un subtile mélange de sonorités tropicales, ethniques voire même organiques parfois. Comme un véritable "new take on the old school".

Bookings and info: sirdavidomusic@gmail.com

This is the show where we cover all aspects of mastering. If you're interested in mastering, want to learn how to get better results mastering your own music, or even want to be a mastering engineer, this is the show you want to hear.

(find bio on spotify or RA)

booking: lucy.atkinson@roamartists.com

Bookings - charles@omni-artists.net
Management - anthony@thewildseeds.com
Publishing - paul.arnold@ultrapublishing.com 

Manni Dee is a sought-after artist, producer and DJ - an advocate for non-conformism. Cultivating a sound, vision and taste that synthesises boundaries and nurtures collaboration. 

As a producer Manni has worked alongside the likes of Jeff Wootton (Gorillaz), Mike D (Beastie Boys), Daniel Avery (co-producing his no’1 UK dance album, ‘Ultra Truth’), Cecile Believe, Art School Girlfriend, Kelvin Krash, Clem Douglass, Yunè Pinku, HAAi, UNIIQU3, Flohio, ESG, Serge Pizzarno (Kasabian), Matt Healy (1975), SHERELLE, James Massiah, and Jas Shaw (Simian Mobile Disco). Other projects include working on campaigns for Alexander McQueen, Adidas, BBC Olympics and Toyota.

Manni has performed DJ sets at Boiler Room, Glastonbury, Warehouse Project, Piknic Electronik Festival, fabric and ADE as well as tours of India, China and North America. His understanding of sound is unburdened by genre specifics, instead motivated by an ever-expanding set of interwoven aesthetic codes.

He further demonstrated his ability to synthesise contrasting sounds in his Friday Night Guest mix for Mary Anne Hobbs on BBC Radio 6 Music, Boiler Room, The Lot Radio NYC set and in fiery mixes for Dekmantel and DJ Mag.

With releases on fabric Originals, TWTW records, Tresor, Herrensauna and forthcoming release on Sherelle and Naina’s Hooversound Recordings and remixes for Metronomy, Sleaford Mods, Max Cooper, Daniel Avery, SALOME, The Horrors and Louisahhh amongst others. His productions are a stamp of quality, assimilating sonic touchpoints from far and wide. 

Manni Dee’s creative house Silk + Steel functions as a studio, record label and event series. The platform showcases his own work and fosters collaborations with artists such as TAAHLIAH, Safety Trance, ROOO, Mun Sing, Tim Reaper, River Moon and more, finding moments of connection in order to ideate a new lane for experimentation.

aprtment is a house & r&b collective formed during the pandemic, originally made up of producer (dean m.f johnson), vocalist (shea soul) and dj (parismatiq), and now joined by dj (miamor) as part of the collective. with nothing but time on their hands, they made music and invited creatives into their aprtment with the aim of showcasing that some light can come out of a dark situation

Léo RC is following