Love Vivaldi, love Richter, love you Luca!

Классика

If melancholy were music

Sólfar

The Compass

Tanjiro's Transparent World Theme (Infinity Castle Movie) 鬼滅の刃 | ヒノカミ神楽 斜陽転身

Télépathe OST 5

Ghost

Piano Concerto No.2 in C minor, Op.18- 2. Adagio sostenuto

Rachmaninov - piano concerto No.2 (Adagio sostenuto)

We can never tire of this delicious piece!

You can also follow me on Spotify at https://spoti.fi/2MRR1lV and stream the albums I have released there.

Clair de Lune - Debussy

Lyrics and voice: Oddrun Eikli @oddruneikli
Keyboards: Vicente Bueso 
Artwork: Juan Carlos Grande

Time Will Tell Us.

They are waiting
they can not live there anymore
they are waiting to set sail

the rain looks like fastflowing streams
it gleams

they can not live there any more

they stand in the cold in a bitter wind

they can not live there anymore

time will tell us 
what we will be
we are waiting to set sail

time will tell us
they are waiting to set sail

Lachrymose

Time will tell us

Lachrymose V (Time will tell us) feat. Oddrun Eikli

Music; Yuriko Nakamura
Original song album; Many Thanks to You
Cover Piano Solo; Tomoki Umeda

Piano Ballad  時は優しく流れて

Remnants

More on YouTube: http://www.youtube.com/watch?v=9lKofYUaDTk

Chopin – Nocturne Op. 9 No. 2

From my new album, "Illumination", coming July 16, 2012.  This is my arrangement of Clint Mansell's "requiem For a Dream" (Lux Aeterna), originally from the soundtrack of the movie "Requiem For a Dream".  This is a piano-based classical crossover version. Enjoy.

Requiem For a Dream

Closer, Still

Hindberg

The Biber Project is a live performance in which the interpretation and recreation of the Baroque repertoire merge with sonic experimentation and interaction.

The musical studio is a broad-spectrum cognitive pathway that through interpretations, new readings, audio manipulations, original and recomposed tracks, investigates the expressive canons of the seventeenth century.
The idea was born when the soundtrack was written for the Ginevra Napoleoni's installation named "Pieghe". Following the performance requirements, I revisited, on that occasion, the Rosary Sonatas by Heinrich Ignaz Franz Biber.
The assumptions were two well-defined axioms, set together: the baroque proportion of the forms seen in its inter-penetration between the parts and the material singularity of the fragments that assume, in a macroscopic view, their autonomous architectural identity.
The Biber Project seeks its DNA in this geometric reconstruction that follows the numeric proportions of the Golden Section. A sort of great instrumental suite, a unique act that flows into a continuous stream of experimentation and formal purism in an articulate sound vision half-way between the recital and the live musical direction.

Tracklist

Johann Sebastian Bach
Preludio in Do Maggiore dal Clavicembalo Ben Temperato , Vol.1
(live)

Luca Longobardi
Jeudi  (original composition, live)

Heinrich Ignaz Franz Biber
Sonata del Rosario n.1 - L’Annunciazione
(mechanical + sound manipulation)

Domenico Scarlatti
Sonata in Do# minore K.247
(live)

Luca Longobardi
Mutazione #1 (original composition, live)

Johann Sebastian Bach
Preludio in Fa Minore dal Clavicembalo Ben Temperato , Vol.1
(recomposed, live))

Vivaldi - Richter
La Primavera
(mechanical + live)

Georg Friedrich Händel
Sarabande
(recomposed, mechanical + live)

The Biber Project - Corde, Tasti, Numeri

Good Works
Composed & Produced by Brock Hewitt for The David Roy Collective

https://open.spotify.com/artist/3rQj5XISunNkD97E1PGSrt?si=fN5AlyK1SA-tmF46SvbIgg

https://music.apple.com/au/artist/the-david-roy-collective/id1484379026

https://brockhewittstories.bandcamp.com/

Stream

Good Works - The David Roy Collective

Performed at The Piano Cloud Live, Sat 16th March 2013.

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Oliver Sadie — Rippled Air [Improvisation Live in Concert]

Italian composer and pianist Luca Longobardi represents the generation of classically trained musicians who incorporate the language of contemporary electronic music into their pieces, which are furthermore strongly connected to the multimedia arts. Born in 1976, Longobardi studied classical music in Italy and New York and went on to earn his doctorate in digital audio restoration in Rome in 2011. His works reveal a strong interaction between classical and contemporary music. The experience he has gained as a theatre musician has increased his interest in the relationship between sounds and spectacle; he has composed music for ballets and films and accompanied installations and experimental art productions (Atelier de Lumières - Paris, Carrières de Lumières - Baux-de-Provence, Kunstkraftwerk - Leipzig). At his multimedia performances and in his recordings, strongly experimental electronic music meets pure, ethereal and simple-seeming piano playing that nevertheless relays deep emotions.

The Biber Project - Corde, Tasti, Numeri

Luca Longobardi

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