Radio Far Oeste Playlist Part. II

57 Ceremony Journey

Eclectic Electronic Soundscapes -

During the past 8 years of Feminatronic I have been on a bit of a personal sonic journey around the world with the focus on human beings who just happen to identify as female and create electronic sounds /noise /music via a huge plethora of electronic means. I'm on a semi sabbatical but here are just some of the sounds I've missed these past couple of months - no order, rank or preference. This playlist hopes to demonstrate some of the eclecticism that I have listened to this past couple of months but as usual it is just the tip of the iceberg.

As with all the playlists, they are jumping off points to discoveries. They are not meant to be definitive. Just let some of the tracks play onto the next....follow up on "sounds like"....see who's following, many artists follow other artists.....

Artists as I listened to them..
Flavia Goa, Louise Mackenzie, Cathy van Eck, Lesley Romano, Georgina Canifru, Zvrra, CMD, Force Inc, / Mille Plateaux - Simona Zamboli, H-M O, Dominique Vaccaro, Haco, Patricia Galassi, Loo(p)cy, Nur, Madalyn Merkey, May Rooseveldt, Microhm, Heidrun Schramm, Piaka Roela, Alexandra Spence, Hitori and El Hardwick.

Feminatronic #186 -  Catch Up Summer 2021

[UNDER CONSTRUCTION]

Fantaisies tracks (courtes) series no. 164

creation: 2021/10/16

These sets/mixes/live performances/podcasts... were uploaded to SC
between 0_/2021 and 10/2021, except for the following, older ones:

. . -
[TO BE COMPLETED]

Happy listening!

* Soundcloud time: 1 year = 12 - 23 months.

HK_Fantaisies_tracks_164

Soul Flame 93>>>

Don't let the classical tag put you off. This is some of the most creative, expressive and interesting electronic music you can listen to.
As with all the playlists, they are jumping off points to discoveries. They are not meant to be definitive. Just let some of the tracks play onto the next....follow up on "sounds like"....see who's following, many artists follow other artists.
Artists are Beatriz Ferreyra, Adina Izarra, Alex Temple, Sibylle Pomorin, Marina Fridman, Clara Iannotta, Maryanne Amacher, Loo(p)cy, Anna Arkushina, Lucy Claire, Rocío Cano Valiño, Marina Rosenfeld , Jacqueline Nova, Lisa Lerkenfeldt

Feminatronic #202 - Classical Electronics

PERRY IS BACK TO PEACE FOR A DAY

E c p e ri m e n nt a l

A     054

Simona Zambolis first album on Mille Plateaux "Ethernity" is a piece of haunting music - vibrating, pulsing and cutting through the concrete and the chaos at the same time, when you listen close enough. The album is a journey through trans-reality, not only as a melancholic drama, but also as a travel to alien worlds, hence as a necessity of an electronic intervention. "Ethernithy" is radical fictioning in a non-expressive, non-melancholic and ultrablack sense. Profound music demands blackness, not silence. When we speak of communication or mediation, the reference is always that of the mystical tradition of the via negativa; mediation and communication always imply the dissolution of sender and receiver, leaving not only the message that is the gulf or abyss, but a perception out there, which senses should be able to recognize and even love.


Written and mixed by Simona Zamboli. 
Mastered by Vladislav Isaev. 
Artwork by Simona Zamboli. 

WEB: www.simonazamboli.com 
SC: soundcloud.com/simonazambolimusic 
IG: simona_zamboli 
FB: https://www.facebook.com/ZamboliSimona

Dream But Be Careful

Let us give peace to our hearts. Celebrate our diversity, respect each other and mourn the people lost in this pandemic. We are a global community, so lift your heart Your spirit we are together One World   word by GIna Wood https://youtu.be/QaVaBInCGyw

                         Gina Wood
https://soundcloud.com/gina-wood-837506330
https://open.spotify.com/artist/10MZlbHKE0RGk5zJMN0XQC

                        Shin*Semia
https://soundcloud.com/shinsemia
https://pskc7878fcyms.wixsite.com/shinsemia

Just 12   Gina & Shin

Slip

Mesmo's Midnight Adventure Theater of Sound presents: String Incident at Exeter

String Incident at Exeter

“This journey is so much more than just a musical experience, it's an expression of my gratitude and connection i feel deep inside. Connecting with each element, i bow.
Nature is my home. I feel her, I see her, I hear her . All around me .Above and below.
Great spirit i give thanks.“

Lenka

All tracks written & produced by Lenka Petrovicova , recorded mixed and mastered by Tom Loescher

List of instruments played by Lenka:
AIR:  transverse flute, chacapa(grass fan), nose flute, koshi
 bells, sansula, atmospheric synthesizer, 
WATER: crystal bowl, water , kailani, guitar, sansula,
EARTH: shamanic drum, shruti box, ngoni, rattle, 
FIRE: tanpura ,drum, rattle, African marimba, 
ETHER: monochord, hang drum, vocals 

Oona Venturini: vocals, singing bowl, chimes, udu, kailani on ETHER
Johanna Julia Wakonig: vocals,viola,violin on FIRE
Michael Märkle: didgeridoo,kailani,vocals on ETHER & EARTH
Azuni El'aena Raphael: vocals on ETHER
Nikola Khandro: vocals on ETHER
Tom Loescher: vocals on ETHER

Cover Art by Lenka Petrovicova

Give & Receive

Lov Lenka - Ether

Lov Lenka - Fire

Lov Lenka - Earth

a transition which leads into the next chapter of my story

endeavors (the interlude)

Spirit Medicine

1. Divine Gates

Vocalisations and field recordings from sonic sculpture workshop and performance, Tentacular Resonances. 

Tentacular Resonances is an ongoing body of research which draws upon the writing of Donna Haraway, Don Idhe, Salomé Voegelin and Jane Bennett to explore the material relationship between resonance and form.
​
Tentacular Resonances uses technology, poetics and ritual to explore the physical effects of sound on the body, drawing from scientific research that suggests sound can alter living material at the molecular level.

Louise Mackenzie's Album

TentacularResonances

a good offer

Drops Of Sound Embryos

Remezclas realizadas por varios artistas del track “sin planes (una impresión en offset de un paisaje de naturaleza)” del disco “DINOSAURIES CON SÍNDROME DE STENDHAL. Una película extinta de pintor z (de tradición indignante)” de pintor z. Divididas en 3 discos, construyen distintas miradas sobre un paisaje de naturaleza mediado por una impresión offset y una situación no planeada. Bandas sonoras para nuevas películas inexistentes.
Participan:
Disco 1: Haman karn, Carlos Marte, f600, jota Cápsula y Georgina Canifrú.
Disco 2: Martín Badía, Jaime Zeballos, BLUU, Amanda Irarrazabal y Polwor.
Disco 3: Mika Martini, Joltin' Jeronimo Lucero, Miguel Hernández, Pululosz y Jaime Reinoso.
Fotografía carátula: Pamela Alvarado Álvarez.
Diseño carátula: Mario Z.
Producción: BODRIOREGISTROS

https://bodrioregistros.bandcamp.com/album/sin-planes-una-impresi-n-en-offset-de-un-paisaje-de-naturaleza-disco-1

evasión

Experimental Podcast inspired by the sound installation of Cathy van Eck at Klangmoorschopfe Festival in Gais, Switzerland, September 2–12, 2021.

Recording & Additional Composition & Script by Philipp Rhensius aka Alienationist @k-lone
klangmoorschopfe.ch/digitalArchive/…p-rhensius.html

ABOUT
Cathy van Eck (1979 Belgium/Netherlands) is a composer, sound artist, and researcher in the arts. She focuses on composing relationships between everyday objects, human performers, and sound. Her artistic work includes performances with live-electronics and installations with sound objects which she often designs herself. She is interested in setting her gestures into relationships with sounds, mainly by electronic means. The result could be called “performative sound art”, since it combines elements from performance art, electronic music, and visual arts. Her work transcends genres and is presented at occasions as diverse as experimental or electronic music concerts, open air festivals, sound art gallery venues, digital art events, or performance art festivals.

Silences: Cathy van Eck

Hi and welcome to the 5th track by "Then She Reaches For The Gun". Huge thanks to all the artists involved…. so much variety, craziness, originality and musicianship.

The project’s inspiration is two fold: Firstly its a homage to some of the stuff i grew up listening to like Mr. Bungle and other noisy bastards where anything goes, and often in quick fire succession and secondly it’s a chance to work with an never ending stream of talented musicians that i have known for years either in real life Australia or via the Internet. Each track has changed of course, depending of who has sent me what.

This piece is titled “When all this is over I am off To Madrid to seek mentorship In the traditional art of Pet Flamenco"


Its starting point was a wonderful field recording sent to me by Raöulfr Maganhar of him teaching Flamenco singing to his cat Yoda and his dog  Hacho, its gorgeous and hilarious as both respond vocally. The madness organically expanded either side of the file from there. 

"When all this is over I am off To Madrid to seek mentorship In the 
 traditional art of Pet Flamenco" features the following artists

Dane Renshaw - Drums
ElectroTrek - Vibey Synth
Timothy Korstad - Electronica
TexMex Shaman - Talk Box
holy shitshow - Piano
Chicago Word Brigade - Electronica/Keyboards
Raöulfr Maganhar - Field Recordings/ Flamenco Instruction 
muterial -Electronica
Dough Factory - Electronica
W:I:L-o’ the-wisp - Double Bass
Ariad Music- Clarinet/Percussion
The Windscale Blues Experiment - Saxophones
Thomas Bergheim - Bass/Guitar/Electric Guitar
Hverheij - Electronica
Agnostura Elwar - B-ARP2600, B-Crave, Roland D70, Roland Gaia.
Bellai Pelegrim - Electronica
Hacho - Barking/Growling/Whining
Yoda - Meowing/Purring

me - Noise/Rhythms/Arrangement


If you would like to be part of this ongoing project….(and you know I want you to)

The process is simple, I collect a bunch of random recordings from people and then see what i can arrange from it. Nothing subtle here, just huge noisy fun : ) I am open to anyone that thinks they might like to be part of this mess. Drop me a message and i will send you my email. The only criteria is that i wont be using samples from TV/film/other music etc, so just original stuff played on instruments, field recordings, stupid drunk conversations etc.

 Cheers,
 Mat

When All This Is Over I Am Off To Madrid To Seek Mentorship In The Traditional Art Of Pet Flamenco

East Of Redemption

Within The Realm Of The Invisible

extr : 3’44’’ - 2006 – INA-GRM- violon : Veronica Kadlubkiewicz

Dans Un Point Infini - extr : 3’44’’ - 2006

PSYCHALOVIC SONIC ENERGETIC INDIE ROCK - MEETS CLASSIC

Don't miss the music video and give us a like and a follow on Youtube:
https://www.youtube.com/watch?v=2QCF2pa80-A

With: Andreas Jäpel (vocals)

Words And Music By René Methner, Recorded and Produced by Para Lia, Mix By Para Lia With Thommy Hein, Mastered By Thommy Hein In The Thommy Hein Tonstudios Berlin.
Cover Artwork By: Georgia Moschogianni @tzo-moschogianni
P&C 2023 PARA LIA UNDER EXCLUSIVE LICENSE TO ABOUT US RECORDS GMBH

'IN CLASH WITH THE ZEITGEIST' - The New Album - 25.08.2023
PSYCHALOVIC SONIC SONGS FOR LOVERS AND SURVIVORS
paralia.lnk.to/Clash

Follow Para Lia:
► Facebook: www.facebook.com/paraliamusic
► Instagram: www.instagram.com/paralia.music
► Tik Tok: www.tiktok.com/@paralia00
► YT-Kanal: www.youtube.com/c/paralia
► Website: para-lia.de/de/

good evening mr. perry, i hear you sing the blues
you are a bit down today, but don't forget
we always have been fools
like david versus goliath, we are limited but cool
we’re just an indie rock band
always on the loose
no record contract and no budget,
no plastic music to get fooled
killed by the radio drabness,
we were reborn in our multicolored shoes
our currency is passion, our brand is a distorted chord
we are not dealing with the mainstream
being authentic - this is what we are
don't let you down
and get off the ground
life is an opera
behind the curtain we all are stars
good evening mr perry, we understand the rules
we‘re just a niche product between all the glossy brochures
of the music industry
we won’t change our attitude
we’re just an indie rock band
always on the loose

Mr Perry

Spotify - https://open.spotify.com/artist/6t2jsqfuSymmmvx1cQfKGs?si=_YC6Pi3gSvGxeoPtYwk_pg&nd=1
Instagram - https://www.instagram.com/vinter_fx/

Wicked Mindset (REMASTER)

inspired by the film Lars and the Real Girl (2007)

music production : Hendrix Morrison 
performed + lyrics written by rivi palomino

𝙻 𝚈 𝚁 𝙸 𝙲 𝚂
slow and heavy
i dream of you daily

missionary dolly 
meet me in the front-yard
i got somethin' to show ya
she's so shy with them big brown eyes yeah
midwest livin' / daily visitation / tuck you to sleep 
'cuz you're the best to me

they can't see, what you mean to me

slow and heavy
i dream of you daily
midnight into morning 
meet me by the lake
i love you...i love you...

they can't see what you mean to me
hey babe, i got a present for ya

touch me / freezer burn 
everybody but you 
in this party i look at you and fall in love
pink flower, bowling rink, and a boxing glove

i wanna be near you / Christmas sweater in July 
i wanna feel you / you're the apple of me eye ---

slow and heavy
i dream of you daily
midnight into morning 
meet me by the lake
i love you...i love you...

they can't see what you mean to me

bianca

24 Hours

Buy/Stream

Krystian Shek - 24 Hours

In to the light

Into The Light

Brook - Electroacoustic Music

Daybreak

Lourry Legarde painting 

The main theme of the song is the seek of peace. So it gives some room to soft vocals choirs . But he second part of the song might surprise you .

Trouver La Paix (Finding peace)

(Written by Terry Reeves)
Terry Reeves: Lead Vocal
Gary Reeves: Drums / Backing Vocals
Hans-Michael Albers: All other instruments, Arrangement & Production

Having been born in the 1950s and then being a child and teenager of the potentially optimistic 1960s it has been monumentally depressing to see the outbreak of hostilities in Europe. The fall of the Berlin Wall and ensuing disintegration of the Soviet Union certainly gave rise to the now mistaken assumption that the Cold War really was coming to an end.  Perhaps we didn’t focus as closely as we should on the bigger picture... 

It probably hasn’t escaped your attention that to a large extent, the world would appear to be on something of a downward curve. The rich get richer, the poor and powerless are simply ground into the dust, merely collateral damage to an insatiable hunger for power.  I could write an extensive list of exactly where this is happening alongside those I believe to be responsible and do not for a moment doubt that you, dear reader, could do the same.  But why say what others have more eloquently said already?  Only a complete and utter fool would even try. 

Not so long ago, I was playing a few of my favourite Beatles’ tunes and as these things have a habit of doing, a melody somehow manifested itself out of nowhere.  Before long, I found myself singing the words "Not Back in the USSR", which seemed to fit rather nicely.  Until that point, I'd had no intention of writing a song about the war in Ukraine at all.  Nonetheless, that is precisely what I did. 

Of course, I blame Hans & Gal for taking my inoffensive little protest song and turning it into the Heavy Rock anthem presented to you here. Honest guv’nor, it's nothing to do with me.  
With love to you all, 
Terry Reeves

A dictator from the Soviet Union 
Head way back in the USSR
Groomed by Kremlin to be cold
Can’t believe how unlucky you are

War a crime, without a question 
Killing people never has a right
Prefer dictatorship to democracy 
A single thought, one single swipe 

Is there a chance to find a way?
Is this the end of yesterday?
Why can’t the Russian people stand up and have their say?

Not back in the USSR
You don’t know how lucky you are…..boy

No battle will ever stop a tyrant
Increasing lies to a single mind
One way to remove a madman 
Persuade blind not to follow the blind

Thousands of missiles kill the living 
Destruction of a joined up past 
No corridor exit to help survival 
Reduce Ukrainians so very fast

Is there a chance to find a way?
Is this the end of yesterday? 
Why can’t the Russian people stand up and have their say?

Not back in the USSR
You don’t know how lucky you are……..girl

Kremlin closing every single door
No friendships for one hundred years or more

No winning a war of destruction 
Your isolation will eventually find
History remembers unlawful killers
A true reflection of dictator's mind

Destroying chance to understand 
Killing life with no second thought
The Kremlin must face investigation 
A vast creation of lies to all, in short
 
Is there a chance to find a way?
Is this the end of yesterday? 
Why can’t the Russian people stand up and have their say?

Not back in the USSR
You don’t know how lucky you are
Not back in the USSR
You don’t know how lucky you are...

NOT BACK IN THE USSR - CRPPLE CLUB

Alex Temple & Katie C. Doyle, Everything is named after something lost (2021–23)

0:00 — Prelude: The Mountain Speaks 
0:59 — Crags and Outcroppings
3:36 — Interlude 1: The Desert
5:08 — New Shapes
7:36 — Interlude 2: The Pleasures of Volcanic Activity
8:38 — Let the Rest of the World Go By
10:52 — Interlude 3: The Mountain Watches Us
12:40 — The End of Everything

Chatter:
Jesse Tatum, flute
Megan Snow, clarinet
David Felberg, violin
James Holland, cello
Luke Gullickson, piano
Live at the Center for Contemporary Arts, Santa FE, NM (8.26.23)

More info:
https://www.alextemplemusic.com/everything-is-named-after-something-lost

Everything is named after something lost (2023)

Avoidant Skills

Aquarius

Annual Release of this fun song that makes ME feel good....I hope you too! Newly produced with the new tricks learned from last release! Enjoy!

Spring Forward 2024

chatter box

Morphometry

Bandcamp

Equilux

Darkness invoking silence

Beats from Looperman
What Kind of Fear by KRIMINS9N
Drill Drumloop - Man U by Negusfirst

Silence at the end is a sample of John Cage's 4' 33"

Silence After

Recalling some tequila, love words and more with them in that Ibiza bar, I wondered: “What if Pink Floyd met the spirit of Camarón de la Isla… in my bedroom?” I used lots of guitars, basses, etc. on a 12/8 beat, to enclose 3/4, 6/4 & 8/8 rhythms along.
> Pic: ruined well at hometown countryside

Letra / Translated Lyrics: EL POZO DE TU AMOR  /  THE WELL OF YOUR LOVE

Fui a abrir el grifo, estaba sediento,  /  I turned on the tap, I was thirsty,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Fui a abrir el grifo, necesitaba hacerlo,  /  I turned on the tap, I needed to do it,
fui a abrir el grifo de tu amor.  /  I turned on the tap of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el grifo de tu amor.  /  I needed the trap of your love.

Fui a bajar al pozo, me estaba muriendo,  /  I was going into the well, I was dying,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Fui a bajar al pozo, y me caí dentro,  /  I was going into the well, and fell inside,
fui a bajar al pozo de tu amor.  /  I was going into the well of your love.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

Por bajar al pozo, yo me caí dentro  /  Because of going into the well, I fell inside
y no quiero que nadie llore por mis lamentos  /  and I don’t want anybody to cry for my laments

Caí… por ti.  /  I fell … for you.
Caí… caí… caí por ti.  /  I fell … fell … fell for you.
Caí… a tu pozo, caí por ti.  /  I fell … into your well, fell for you.
Caí… caí… caí… caí a tu pozo por ti.  /  I fell … fell … fell … fell into your well for you.
Caí.  /  I fell.

Me he caído al pozo, y ahora que estoy dentro  /  I have fallen into the well, and now I’m inside
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Vine a beber al pozo, pero el pozo está seco,  /  I came to drink at the well, but the well is dry,
veo que se ha secado nuestro amor.  /  I see our love has dried up.
Necesitaba un trago de tu amor,  /  I needed a drink of your love,
necesitaba el pozo de tu amor.  /  I needed the well of your love.

ER30HC9 ©1995 ®2015

Grab it !!

El pozo de tu amor (Caí por ti)

Get your personal power back with this Self Worth Affirmation designed to impress upon your subconscious mind that indeed you are "ENOUGH". Also included is a Kundalini energy activation isochronic tone meant to awaken total conscious awareness thus helping the affirmations to stick more effectively within your subconscious mind. Experience instant results. Listen anytime but mostly before bed and upon waking up! Enjoy!

I Am Enough  - Solar Plexus Clearing Kundalini Awakening Isochronic Tone Meditation For Self Worth

Hope you enjoy
Martin , Marcus & Karin

Instruments:  Splintered Finger @fraudstein
Lyric's & Vocals: Augenmerk 
Composed Arranged & Produced: Splintered Finger & Augenmerk

Put on my boots, the ride comes up,
Take the lighthouse  to the open sea.
Throw the saddle overboard, I am free.
I drift on the ocean, immerse into the full,
in schools of fish searching colors, which the garment still lacks,
drinking the stream of life, from above and below, from anywhere:
comes on me, hissing.
A swarm at the back, my feet in the mud,
the head leaning against the wall, the night becomes day, 
picks the balloon from the sky and light explodes in the spray.
Life foams over, and I lean back thirsty,
push the back against the seat back, enjoy the drive, the ride.

Collect my blueprints
Count past and possible future into the void.
I was enclosed, zeroed in.
What’s it to the dance? Puzzle of many splinters,
Some penetrate and fester, are source.
I open doors, close doors, so many rooms,
In each one birth, death, sins, knowledge.

I allow myself, believe myself, sue me for myself 
My yes and no and the endless time, the only time that remains is now

I renounce to sacrifice, disaster, error and desolation,
give me space, traces clothe my body,
vinyl and leather, on the strap the whip
and on the left the mind, on the right the impuissence, 
the vision releases depth.
I spit out the sea I've drunk, too long and too much,
The black star in the black blue, the black flood gone

Life serves me, steals from me
Your milk is drinking me all of a sudden your island visits me,
lands at my strand
Flag gala, boat christening, cork’s pop - life steps on the gas
Mother, forever pregnant, gives birth and gives birth and gives birth

The Dark does not want to hear about it, and the bright gets off, drifts off - dream boat, dream ship, spaceship
The wings trimmed, give up flying? And good appetite for life!
Enjoy the meal! Cut off doesn’t apply!

Fresh water, rinse the brush. A new image originates,
 carries my tracks, finds me, loses me,
starts and finishes me. I could come, could go
Could finish my dance.
Not take seriously, not fix: so or so I am
I dish myself up. I wipe
to pour me somewhere else on the stage, to flow.
Here I am, so is it, my life.
 
At some point the trip began, and once, perhaps never,
reaches its destination, last port.
Move the ground, which from bending down and humping  
obscures the view, the sight makes short, 
Which captures and lays in linen, holds in small bunches -

The daily peg, around which one circles!
And outside the humpback whale sings, ancient, gentle, free,
Ready to free us, everywhere we are at home,
The world is ride within our head, calling, luring!

Blow up templates! Cut tapes! Open locks!
Let the flood in! 
Raise the wave, listen to ourselves instead of losing us!
On the trip knowing that these quiet inside calls 
are still related to the loud rushing outside,
That the cosmos outside well-known to the inner sea opens dreams  
you see hidden worlds finally unfold, finally contain you,

One morning which taps blue at the window
opens your desire for the delicious and the secret,
you saddle your horse with the bubbly of the night,
which leans your dream into the day, and you do not know why,
you put on your fanciest cap, turn around and say, "Wonderful!".
You flip the line off, which still hangs on the house,
Throw down the anchor, which still holds you, you mount the horse.
So covetous, so great your thirst for world that nothing can hold you any more
and pure urge for life flows through your veins, you bunk off.

Lust for this foaming, overwhelming exploding in-all-directions,
parading your loudest, wildest and most beautiful,
equipping you with boots that jump over mountains.
You look, on which mountains you were grounded, which horns crowned you,
which valley tied your foot to shade
and seek expanse, gravity, your imploding.
You finally celebrate your luminous ride !!!!!!

WE CAME IN ON THE TIDE_DEN LEUCHTRITT FEIERN_ SPLINTERED FINGER & AUGENMERK (lyrics are translated)

soundcloud.com/andreas-bruening
I found an experiment with loops of Andreas Bruening which I mixed last year.

Loops oops )))))))))))

Electroacoustic music is one of the youngest phenomena in contemporary music culture. For this reason, the study of its history and aesthetic principles; research of instruments and tools; analysis of the electroacoustic composers’ works in Ukraine and over the world just begins. In 1997 with the support of International Renaissance Foundationat the Tchaikovsky National Music Academy was created first Electroacoustic music studio in Ukraine and the Music Technologies Department. The first professors of The Department were Igor Piaskovski, Igor Stetsyuk, Alla Zagaykevych, Sviatoslav Luniov, who created their own courses: "Computer analysis of music texts", "Electronic sound synthesis", "Composition, synthesis and audio processing with a computer ","History of electroacoustic music", "Music technologies".
In the circle of contemporary composers initiated regular international projects with concerts and workshops "Electroacoustics" (since 2003) and "EM - VISIA (since 2005) (director Alla Zagaykevych), where the music composed by students and graduates of Academy is regularly performed.
Electronic music studio collaborates with ethnomusicologists and provides mutual researches using acoustic research methods. In 2011 professors and composers of the Department created Ukrainian Association of Electroacoustic Music (Chairman – Alla Zagaykevych), which became a member of the International Confederation of Electroacoustic Music CIME / ICEM.

the International Electroacoustic Workshops (Kyiv, 2017), dedicated to the 20th anniversary of the Music Technologies Department and Electroacoustic Studio at the Tchaikovsky National Music Academy – first attempt at a thorough study of Ukrainian electroacoustic music. The CDs contains the works of Ukrainian composers from 1964 until 2017.

Marina Fridman (*1987): Plynie (2014) for string quartet   and electronic tape

Untitled 28 was a sculpture, video and sound installation created in 28 days by artist Marie-Louise Jones and composer Lucy Claire. It was exhibited in July 2017 at Here East in London as part of Gavin Turk and Anna Maloney’s show, Inside Out. 

The music reflects each sculpture in the installation and explores themes of duality and pairs through atmospheric binaural recordings, beautiful violin melodies and vocal textures. The materials used in the physical installation; wood, stone and metal play a prominent role in the soundtrack and the sounds created when collided together were used to create unusual textures which were weaved into the piece.

Talking To Me, Listening To Myself

CAT-spl#Z!on

HOmenaje a Alfredo Del Mónaco realiado por Adina Izarra y tocado a la guitarra por RUbén RIera.

Ciclos Circadianos

Untitled


Loo(p)cy is a project by Italian multi-instrumentalist Lucia Caiazza. She began studying classical piano then she fell in love with  electric guitar, becoming a rock guitarist and singer during her teenage years and beyond.  During the  last 8 years, Loo(p)cy has released 11 albums, alone and collaborating with other musicians.  Her style has evolved into electronics, noise, post rock with oniric soundscapes.

https://loopcy.bandcamp.com/

https://youtube.com/@luciacaiazza?si=xh1sUtf36R4m7Yrt