Interdimensional Spring

I was interested in music in my early youth... so I soon got my first synthesizer and set up a small home recording studio.
over the years i played keyboards in 5 bands...the direction was rock...pop...blues and soul.
in the meantime i have discovered my enthusiasm for creating my own songs.
it makes me happy when I can compose...arrange...mix...produce and create something new.
it's like a passion to experiment with different styles of music... and it gives me a lot of joy.
the only limit is your imagination...
is my motto.
and everything is possible...you just have to try.

music is pure magic...and part of the soul...
no one can escape her
let the music guide your mind...and that's the only way you'll get the freedom...you've always wanted

Olá, eu costumo dizer que minhas músicas nunca estão terminandas, eu sempre posso fazer uma nova versão.

I see my all my musics like demos, i always turn back and see something to change. 


Bandcamp link (please only listen don't buy nothing, i can't receive money)

https://nathanschneider.bandcamp.com


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Ambient, rock and folk.

!!!HOT NEWS!!! New Valuable Friends vinyl album and CD available! See link below. Pre-order now for release on 12th Aug! (Release has had to be moved back from 7th due to unprecedented demand!)

Composer/Guitarist/Producer

Songs: We find them unpainted in our hands, throw them up into the air of our imagination, turning them in the colours we see after we close our eyes until they feel just right, and sometimes we catch them perfectly, without blemishing them...

My music is on most platforms for your ease.

Wow!!  417K+ plays and 4,000+ valued followers and friends on SC alone, that provide lots of wonderfully helpful comments that fuel the next track! Really big thanks to the SC community for listening and providing such brilliant feedback and support. It means so much to myself and my collaborators - huge thanks.

I work in different styles, as the inspiration, dreams or bubonic plagiarism comes! I use Logic Pro X on Mac.
 
I write, produce and play all my own stuff (unless otherwise stated), play vintage Tokai Strats mainly, PRS Torero, Steinberger, Gretsch G2627T, Classical, Fender Dreadnought, Yamaha and Rickenbacker basses, keyboards and sax. I use Native Instrument's Komplete, Omnisphere 2 and my own organic samples.

I mix on Sennheiser HD 280 Pro's and HD 650's (closed and open headphones) when not making a bigger noise through my Yamaha HS8 studio monitors. I use Focusrite Clarett 2Pre ThunderBolt and Apogee audio interfaces, Neumann & iSK condenser & AKG dynamic mics. 

Hardware: Feb 1978 Marshall JMP 50W Combo, BOO & BOSS stomps

I love collaborating with other musicians and will compose with, play guitar for, produce, arrange, master or even just hum along with other SC musicians. Please ask!

P.S. I am a long standing member of the Performing Rights Society and PPL through my old TV and theatre work as well as my record and publishing deals.

It's all about the raw energy. Bang the box....work that muthafucka........

Analogue hardware explorer, navigator and abuser; warm vinyl crackle, crunchy tape hiss & electric emotion from voltage controlled oscillators, DCOs, LA & FM synthesis...All tracks I produce are recorded live and in one take.

Chicago / Detroit / New York / UK / Amsterdam / Belgie / Frankfurt / Berlin

If you want a download of any of my tracks, just ask - thanks for listening :-D

Influences: Jeff Mills / UR, Juan Atkins, Underworld, Kraftwerk, Dave Angel, Ron Hardy, Larry Heard, the IFM crew, Legowelt, Sasha & John Digweed, BT, Oliver Lieb, Leftfield, Sven Vath, FSOL, DJ EZ, Carl Cox, eLBee Bad, LTJ Bukem, Virgo Four, DJ Bone and many many more...

A small note on my own behalf: I have noticed that my playback figures have dropped dramatically. The statistics show that the number of playbacks has dropped from 2000 per week to just under 200.
On the one hand, this is frustrating, as everyone sees this as an indicator and confirmation of their work. On the other hand, figures are not particularly important, but one wonders what is wrong. In my opinion, SC has changed a lot, uploading tracks has become more complicated and constant security queries are annoying.
In addition, great artists are disappearing from the platform, partly by their own choice, partly because they have been banned, the algorithm has “recognized” them as spam and mercilessly deleted their account. I'm still a paying member, but my attitude towards this has changed...

Please let me know your experiences and impressions.

😮‍💨😔


When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

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A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.


Loo(p)cy is a project by Italian multi-instrumentalist Lucia Caiazza. She began studying classical piano then she fell in love with  electric guitar, becoming a rock guitarist and singer during her teenage years and beyond.  During the  last 8 years, Loo(p)cy has released ten albums, alone and collaborating with other musucians.  Her style has evolved into electronics, noise, post rock with oniric soundscapes.

https://loopcy.bandcamp.com/

https://youtube.com/@luciacaiazza?si=xh1sUtf36R4m7Yrt

ZARINE (Dj Zarine) is one of the drum & bass DJs and producers whose work has brought considerable popularity to this style.
Starting his career in 97, he started promoting the Jump Up style in Russia. This always positive and open person still carries the culture of broken rhythms to the masses.

He received a classical music education. He studied conducting. He also plays guitar (played death metal, hardcore, techno death, was a session guitarist.) Sound engineer, worked with many well-known musicians, both foreign (Henry Rollins Band, Young Gods, Braut schlägt im Auge), and Russian, such as: the King and the Jester, Bricks, Torba-na-Kruche, Nom, TV, Calibri, Two Planes, Brigade row, Spitfire, and others.

His creative pseudonym, the female name ZARINE, owes his love for decadence, and the eponymous name of one of his projects-ZARINE (sarin) with the crossed-out letter " E " at the end. In 1996, after playing his first ever set at the CLEO club, he decided to keep the name.

The first single, "DnB Wize", was recorded in 1999 and released as a compilation album on a no-longer-existing foreign label. This was followed by releases - "Drunk n Bass" and "Art Core", "Eazy Drums" - released on the now-defunct KDK records 

Later there were releases on "Dj Parade", "World of the Drum n bass" - Dj SS took the single "GO ON" recorded together with Liza K. Audio design of the magazine "SPB. RU". Release of the album "Leading the rats". Working with Goldie, Aphrodite.

To date, singles have been released on Italian, French, German, and English labels.

EP "Blind fury / Water party", "Ghost of the Rock n roll", "Atmos robotics", " May Be Vibes? (feat. PropheC)". Remixes of DnB monsters, Future Cut, Konflict, Posij, Ray Keith, Huge, Gridlock, Keaton, as well as Fugees, Eminem

Today, ZARINE is the owner of the "HS Recordings" label. He is a resident of the English radio resource MIXCLOUD, and enjoys the support of the Russian radio Record.

Hey, I'm David. I like to make music, thanks for stopping by!

I would be genuinely happy if my music could evoke your profound feelings.  Please use headphones if possible. 

I sincerely appreciate your interest and time.