A taste of our official releases, archived. For comprehensive list of releases you can check us out on Spotify • https://spoti.fi/2EcAFjI or Apple Music • http://bit.ly/2CIp7mE

→ in full on Spotify

LUCKYME • Releases

SadBoys 2001 ☹️ Yung Lean

turnup

slushayu vsegda

Drain

Buy → https://l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters —  to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality. 

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year.  Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Icons

The Accident

Pre Order The Album

Eli Keszler - The Accident

Buy → https://l-ky.me/eli

LUCKYME present the new album from New York based percussionist and composer Eli Keszler. Keszler has released music on Empty Editions, ESP Disk and PAN. His album ‘Stadium’ released on Shelter Press was awarded Boomkat’s 2018 Album Of The Year. Frequent collaborator to Oneohtrix Point Never, Laurel Halo, and Rashad Becker – Keszler’s has shown and performed at The Lincoln Center, Victoria & Albert Museum, MoMA PS1, and The Barbican. He has worked across music, film and art, and has had exhibitions at the South London Gallery, MIT List Center and collaborated with Turner Prize winning artist Laure Prouvost and Kevin Beasley. Keszler has written the original score to Dasha Nekrasova’s feature The Scary of Sixty First that premiered this year at the Berlin Film Festival, and his other film work includes contributions to Daniel Lopatin's score for the Safdie Brother’s acclaimed, Uncut Gems. Keszler's new album, ‘Icons’ builds upon fragments of American abstraction, dreamlike ancient melodicism, industrial percussion, jazz age film noir and imperial decay. The music takes on forms difficult to describe outside an articulation of the loss and wonderment that defines our age.

Eli Keszler - Late Archaic

Buy → l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters — to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality.

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year. Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Static Doesn't Exist

freeze (prod. Yung Sherman)

Los Angeles’ own Bianca Oblivion steps into the spotlight with 'NET WORK', her debut EP with LUCKYME®. As one of the most dynamic and boundary-pushing DJs and producers, this marks the first longer-form release from the multi-talented Los Angeles artist and, having already made waves with a series of powerful singles and remixes on some of the most cutting-edge labels, Bianca now delivers a fully realised project that embodies the creative energy she brings to dancefloors worldwide.

Net Work EP

Scat Track

Buy/Listen

Scat Track feat. Lunice & Lamsi

No Ghost

Take It Off

✮ AF1s ft. @aloegarten (prod. @yungsherman @gud-2)
✮ Warlord World Tour -> http://yunglean.com/tickets
✮ Stream / Download 'Warlord Deluxe' - http://lnk.to/warlorddeluxe

Stream/Download

AF1s (ft. Ecco2k)

Afghanistan Yung Lean

http://the-flow.ru/news/boulevard-depo-i61-hash-tag

Boulevard Depo X i61 X HASH TAG — C 404 RUS

Take A Step Back (feat. XXXTENTACION)

Prod. hitkidd x ripsquadd 
twitter@BLADEECITY @YUNGLEANN @0HITKIDD0 @7EVAA

BLADEE X YUNG LEAN - 50SACINMYSOCIDGAF

Buffet Boys Playlist: http://smarturl.it/buffetboys

Music Video: https://www.youtube.com/watch?v=ia8xqNWa0eY
Spotify: https://open.spotify.com/track/5o7ZDvfOry1MNhNLBOJulo
Itunes:  http://itunes.apple.com/album/id1215562398?ls=1&app=itunes

[Prod. by: FLEXATELLI]

1000 Rounds

Spotify

1000 Rounds Ft. Ghostemane [Prod. by: FLEXATELLI]

Новое искусство

Гипнозы (feat. Сюзанна)

Bladee + Ecco2K - Plastic Surgery (Prod. PJ Beats+Jakeblaze)

+++FREE DL+++
http://bit.ly/2rwIqXy
http://bit.ly/2rwIqXy
http://bit.ly/2rwIqXy

102Boyz x Based030 - 102030 - (Mixtape)

Produziert von:
Bobby San
Ambezza
CashMoneyAP
Szunaka
Kid Ocean
J.Dutt

Hugo Nameless, Stacks, Fruchtmax, Skoob & Addikt - DESIGNER

New single from the album "Ariadna" out Sept. 8th. Pre-order it on limited edition vinyl (comes with bonus 12"), CD (comes with January Sun EP) and cassette. 

Moscow's Kedr Livanskiy (real name Yana Kedrina) confesses "Synthesizers help me maximally feel the present moment." Livanskiy was born into a shifting and critical time for Russia.  The Soviet Union had exhausted and old values were anathematized because of reconstruction.  A sense of displacement drove Kedr to find herself.  She's escaped reality repeatedly in her explorations into the imagery and ideas of romanticism, mythical and fairytale themes which visibly bleed throughout her work and especially on her debut full-length 'Ariadna'.  The title track which was named after the Greek goddess, Adriane, debuted via THUMP today who've described it "anchors its elegantly drifting shoegaze melodies with a knocking electro beat."

Kedr considers this album to be divided into a couple of different parts - like how one person can contain many different moods. The first half revolves around mythological thoughts and the second takes cues from the urban and suburban environments around her, all the while in the middle of everything is the hero who experiences real feelings and emotions. 

Kedr also channels the places in her neighborhood on the outskirts of Moscow (affectionately dubbed by her as "BORDER MOSCOW"). There's a river there where identical Soviet high-rises stand on both sides, with a bridge and garbage processing plant adjacent. Where nature and industry meet. The whole scene looks very apocalyptic, but also mystical and mysterious, especially at twilight.

Her inspiration for this record comes from the Izhevsk (sometimes referred to as "the capital of Russian electronic music") sound of the 80s, including groups like Stuk Bambuka V XI Chasov (Bamboo Crash at 11AM) and Samtsy Dronta. The movement in Russian experimental music is especially inspiring, with acts likes Valery Chkalov, Sergey Kuryokhin and Pop Mechanica; in general, the late-Soviet period was very inspiring with all its figures in music, cinema, their energy and their approach towards life and art.

'Ariadna' marks a change in her recording approach: her critically acclaimed breakthrough EP 'January Sun' was written and recorded completely in Ableton, while 'Ariadna' was written using the Roland SH-101, Roland Juno 106 and Korg Minilogue synthesizers, then mixed down in Ableton. According to Kedr, "This way, one gets into a flow of live interaction, here and now, with the instrument." 

To her, this interaction is more "raw and sacred" than actually mixing the track down, which seems like "mere formalism" in comparison. There is a definite leap in production values this time around, but Kedr manages to keep true to her sound despite the greater polish and depth. 

Kedr Livanskiy Soundcloud: https://soundcloud.com/kedr_livanskiy
Kedr Livanskiy YouTube: https://www.youtube.com/channel/UCeQ-sEipCI_MiMYrR-4iopA
Kedr Livanskiy Instagram: https://www.instagram.com/kedr_livanskiy/
Kedr Livanskiy Facebook: https://www.facebook.com/Kedr-livanskiy-1006510909393113/

Ariadna

GET LP/CD/TAPE/DL

Kedr Livanskiy - Ariadna  [2MR-029]

KEKE (Ft. Fetty Wap & A Boogie wit da Hoodie)

buy / stream • http://smarturl.it/LM051S1

Suicideyear ft Yung Lean - Spider Feet

Stream/download: https://lnk.to/sesamestreet

prod by brandonfinessin

Sesame Street

Sesame Street (prod. BrandonFinessin)

https://G59Records.com

[VERSE I: LORD OF LONELINESS]

local boy making fucking global noise
yes, i came to destroy
sold out shows around the globe twice
now i feel like a fucking viceroy
i do
never say no to whatever drugs
i always enter the void
when it is time and i die make sure i'm buried in FTP corderoy
$uicideboy$
most avoided most ignored
i like their old stuff from before
who am i Freud?
i'm no who i thought i was anymore
i'm not like you
i don't want the life you live
i don't want the wife and kids
i don't want to die and miss all the things that sailed around me

[VERSE II: BANNY DA PINT DRINKER]

ask me if i'm happy?
stupid motherfucking question
no pity needed
fighting grown men
i was seven
what's happening?
running drugs up on my bike you know i had a weapon
then them drugs became my obsession
nobody can say they gave me a fucking thing
got it out the mud now i'm a G.O.D.
born southside west bank living legend
reborn yung christ
this your fucking day of reckoning
northshide shawty off the porch sipping dip
lil slick wanna quit
life overrated as shit
everyday eating sticks gotta wash it down
and when i wash it down you know what it's with
i just want some happiness
to live a normal life again
sleep late and do nothing
talk to my cousin like he actually my cousin

I Want to Die In New Orleans

122 DAYS

shog was here <3 @ecstasy

Lil Uzi Vert - New Patek
Stream/Download - https://Uzi.lnk.to/NewPatek

Connect with Lil Uzi Vert:
https://twitter.com/LILUZIVERT
https://www.instagram.com/liluzivert/
https://www.facebook.com/LilUziVert/
https://soundcloud.com/liluzivert
http://liluziofficial.com/

New Patek

prod. PJ Beats & Jakeblaze
pitched up + reverb cus copyright uknow

bladee - doorman

 ☁ ☁﻿2004 ☁ ☁﻿
http://www.youtube.com/watch?v=fZapGyzIwvE

mainshawty lean doer back wit that fire. 

