The home for alternative electronic music. Cover: Yaeji

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Playlist converted by Soundiiz from another music platform ! https://soundiiz.com

Electronic

A taste of our official releases, archived. For comprehensive list of releases you can check us out on Spotify • https://spoti.fi/2EcAFjI or Apple Music • http://bit.ly/2CIp7mE

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LUCKYME • Releases

Buy → https://l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters —  to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality. 

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year.  Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Icons

The Accident

Pre Order The Album

Eli Keszler - The Accident

Buy → https://l-ky.me/eli

LUCKYME present the new album from New York based percussionist and composer Eli Keszler. Keszler has released music on Empty Editions, ESP Disk and PAN. His album ‘Stadium’ released on Shelter Press was awarded Boomkat’s 2018 Album Of The Year. Frequent collaborator to Oneohtrix Point Never, Laurel Halo, and Rashad Becker – Keszler’s has shown and performed at The Lincoln Center, Victoria & Albert Museum, MoMA PS1, and The Barbican. He has worked across music, film and art, and has had exhibitions at the South London Gallery, MIT List Center and collaborated with Turner Prize winning artist Laure Prouvost and Kevin Beasley. Keszler has written the original score to Dasha Nekrasova’s feature The Scary of Sixty First that premiered this year at the Berlin Film Festival, and his other film work includes contributions to Daniel Lopatin's score for the Safdie Brother’s acclaimed, Uncut Gems. Keszler's new album, ‘Icons’ builds upon fragments of American abstraction, dreamlike ancient melodicism, industrial percussion, jazz age film noir and imperial decay. The music takes on forms difficult to describe outside an articulation of the loss and wonderment that defines our age.

Eli Keszler - Late Archaic

Buy → l-ky.me/eli

New York based percussionist and composer Eli Keszler is set to release his new album Icons on June 25 via LuckyMe. Icons is an immersive work in perpetual motion, evoking a glorious and dystopian western world. Known as a frequent collaborator to Oneohtrix Point Never, Laurel Halo, Kevin Beasley, and Rashad Becker, Keszler’s latest solo venture offers up a latticework of melodic percussion, drum set, and electro-acoustic instrumentation, built upon fragments of American abstraction, ancient scales, industrial percussion, and jazz-age film noir to achieve its feeling of imperial decay. Keszler’s instrumental performances are framed by panoramic recordings of New York City and the Odyssey Cave, along with other on-location audio from his global travels, defining an expansive music that takes on hyperreal forms difficult to describe outside of the loss and wonderment that defines our age.

“Icons is the music I made during a time where travel and trade were effectively suspended,” states Keszler. “I spent nights wandering around Manhattan collecting recordings of the empty and silent city where a car alarm was audible from blocks away, where the hum of the electrical grid and the clash of bicycle gears suddenly occupied a massive amount of space. I spent the entirety of that year in Manhattan, probably the longest I’ve stayed in one place in over a decade. The island was essentially shut down and running at an erratic pace. The speed of the city seemed to oscillate from intense speed - ambulances, protests, helicopters — to near stasis — a sort of beautiful, strange, serene stillness. I saw something strange and beautiful happening: power cracking and people changing. With Icons, I was working with these mythological tropes that are deteriorating and decaying before our eyes to create a music that finds beauty in our fragile and unstable reality.

Keszler has released music on Shelter Press, Empty Editions, ESP Disk and PAN. His 2018 album Stadium was awarded Boomkat’s Album Of The Year. Most recently, Keszler wrote the original score to Dasha Nekrasova’s feature The Scary of Sixty First (which made its recent premiere at Berlin Film Festival) and contributed to Daniel Lopatin's original score for Josh and Benny Safdie's Uncut Gems. Keszler’s music, installation, and visual work have appeared at the Whitney Museum, Lincoln Center, MIT List Center, Victoria & Albert Museum, Sculpture Center, The Kitchen, South London Gallery, Hessel Museum, Harvard's Carpenter Center for the Visual Arts, Luma-Foundation, Barbican, Walker Art Center, and MoMA PS1.

Static Doesn't Exist

Waking Up Down

Los Angeles’ own Bianca Oblivion steps into the spotlight with 'NET WORK', her debut EP with LUCKYME®. As one of the most dynamic and boundary-pushing DJs and producers, this marks the first longer-form release from the multi-talented Los Angeles artist and, having already made waves with a series of powerful singles and remixes on some of the most cutting-edge labels, Bianca now delivers a fully realised project that embodies the creative energy she brings to dancefloors worldwide.

Net Work EP

Scat Track

Buy/Listen

Scat Track feat. Lunice & Lamsi

No Ghost

Take It Off

Squarepusher - MIDI SANS FRONTIÈRES
Subtle Rework against Hate
http://www.squarepusher.net/
https://midi-sans-frontieres.squarepusher.net/

Squarepusher - MIDI SANS FRONTIÈRES

Suddenly

Never Come Back

OTHERLiiNE

One Line

'No More Lies', out now on Brainfeeder: thundercat.lnk.to/no-more-liesSo

'It Is What It Is', out now on Brainfeeder: https://thundercat.lnk.to/it-is-what-it-isSo

Follow Thundercat -
Spotify: https://found.ee/thundercat-sp
Apple Music: https://found.ee/thundercat-am
Instagram: https://found.ee/thundercat-ig
Facebook: https://found.ee/thundercat-fb
Twitter: https://found.ee/thundercat-tw
Youtube: https://found.ee/thundercat-yt
Bandcamp: https://found.ee/thundercat-bc
Soundcloud: https://found.ee/thundercat-sc

It Is What It Is

Funny Thing

Red Medina / Acid Brain

Acid Brain

Ecstasy

Tondo

Vignettes is out on LuckyMe Records on March 11th 2020. On Vinyl + Digital

The first track from the release is opener “Simple Dreams for Simple Days” - A lush soundscape of slowly morphing synth tones- with sunlight appearing through the cracks. As majestic as it is invigorating.

Vignettes

PRE ORDER VINYL

Mike Slott - Simple Dreams of Simple Days

Mother

Oasis Nocturno

Renter's Anthem

WAKING UP DOWN

We made this song between a day at my place in LA and and a day at Chaz’s spot in Oakland. This was our first time working together, I’ve been a Toro Y Moi fan for a while. His song Talamak is a longtime favorite. I listened to that one a lot when I first started Flume as a project.
-Harley

'The Difference' feat. Toro y Moi out now: https://flu.me/TheDifference
Spotify: https://flu.me/TheDifference/Spotify
Apple Music: https://flu.me/TheDifference/AppleMusic
YouTube:  https://flu.me/TheDifference/YouTube
Amazon: https://flu.me/TheDifference/AZ

Follow Flume
Facebook: http://flu.me/facebook
Instagram: http://flu.me/Instagram
Twitter: http://flu.me/twitter
YouTube: https://flu.me/YouTube
Spotify: https://flu.me/Essentials
Apple Music: https://flu.me/AppleMusic

Follow Toro y Moi
Facebook: https://www.facebook.com/toroymoi/
Instagram: https://www.instagram.com/toroymoi/
Twitter: https://twitter.com/toroymoi
YouTube: https://www.youtube.com/toroymoi

Lyrics:
The difference in between
all the faces you read
When the grass ain't green
When you fix everything

I don't know about you but I got to get it out and I don't know how soon
But if we die, I want to bring the whole thing

Chorus oooohs

Who cares about a game
when it's all been replaced
Each level feels the same
It really goes either way

I don't know about you but I got to get it out and I don't know how soon
But if we die, I want to bring the whole thing

Chorus oooohs

Just another world that I gotta get a grip of and hold onto
Just another world that I gotta get a grip of and hold on
Just another world that I gotta get a grip of and hold onto
Just another world that I gotta get a grip of and hold onto

Watch Music Video

The Difference (feat. Toro y Moi)

Flume & Toro Y Moi - The Difference (Stujø Flip)

Taken from the album 'Isles', released 22 January on Ninja Tune: https://bicep.lnk.to/islesSo

Follow Bicep -
Spotify: https://found.ee/bicep-sp
Apple Music: https://found.ee/bicep-am
Instagram: https://found.ee/bicep-ig
TikTok: https://found.ee/bicep-tt
Facebook: https://found.ee/bicep-fb
Twitter: https://found.ee/bicep-tw
YouTube: https://found.ee/bicep-yt
Bandcamp: https://found.ee/bicep-bc
Soundcloud: https://found.ee/bicep-sc