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Artist: nthng
Title: It Never Ends
Label: Lobster Theremin
Catalogue: LT029
Genre: Electronic
Style: Techno
Format: 12", digital
Release date: 24 February 2017

Tracklist:

nthng - Touches 
nthng - Galaxy
nthng - It Never Ends 
nthng - Soms
nthng - Unity
nthng - In My Dreams
nthng - Abyss
nthng - Eternal
nthng - Last

nthng finally follows up his four stunning EPs with a full album proper, arriving in a whopping 3xLP pack. 

Arriving a good 6 months after the LT029.5 album sampler which debuted both Soms and In My Dreams, nthng adds another seven hazy, hooded techno bangers to those to make up a pretty dazzling body of work. 

Opener 'Touches' is true ambient bliss, with shrouded, blissful synths fuzzing into view and cut through by a soft low distant sunlight. 

Both Galaxy and Eternal thump into view with a hi-paced drums colliding and clashing with syncopated stabs and smooth dusty baselines, recalling the tender techno-trance precipice danced by Dutch producers at the start of the 90's. 

The huge mysterious fan favourite and title track It Never Ends gets it's pride of place with 9 mins of deep, cavernous techno, all rippling with epic string-synths and washes of mountainous reverb. 

Even deeper numbers are extracted from the hard-drive, including the pensively, digitally-bubbling computer jam Unity sitting tidily alongside the super deep and subtle rolls of Abyss. 

Rounding the album out is the appropriately-titled Last. A dark, shimmering, almost emotionless number that cements a different idea of the future. A hard, pounding, yelping, depth-charged technoid closer. 

For us, the album feels like a real masterpiece, conjuring a spectrum of intimate and emotive moods, feelings and nostalgia-tinged memories that float into the mind, like the settling fog in the valley on a crisp winters morning.

Nthng - It Never Ends [LT029]

"The Cold Pane sets five poems by esteemed Kentucky author, farmer, activist, and scholar, Wendell Berry. The cycle alternates between poems that describe the external, natural world—and particularly, the seasons—and poems that describe the internal, human world of grief. This basic opposition between external and internal carries with it other, related oppositions: cyclical versus linear conceptions of time and life, light versus darkness, and objectivity versus subjectivity. I composed the songs dealing with the natural world according to more-or-less strict processes—systems that, once set in motion, operate according to their own internal logic, without adjustment or interference on my part. My aim was to mirror, in a metaphorical way, the physical laws of the natural world. In contrast, for the songs dealing with the internal, human world—“The Cold Pane,” and “The Widower”—I wrote in a much more intuitive, spontaneous, and traditionally lyrical mode. “The Widower,” on a personal level, describes exactly an experience my father had, and it was with this poem that I began to build a cycle. As a whole, the cycle explores how we continually seek meaning in and attempt to draw significance from the qualities and events of the natural world, and asks whether the meaning and significance we find there is revelation, or just an imposition of our human desires, or both. When is nature actually speaking to us, and what can we know? 

Canon and imitation are central to the piece, both as formal constructive devices, and, more abstractly and poetically, as metaphors for one entity following or searching for another. The work’s harmonic structure oscillates between two centers: G-sharp minor and A major. This semitone relationship intentionally references the related tonal structure of Mahler’s Fifth Symphony—a piece that has a very special place in my heart. The final song in The Cold Pane, “Again,” uses the harmonic series and the acoustic principle of sum tones as a sonic metaphor for the rebirth and return to light evoked in the song’s text. 

This piece’s unusual instrumentation grew out of two desires: first, to create an ensemble in which all the performers could stand; and second, to reference, but not explicitly duplicate, the instrumentation of the bluegrass band—a sound world and singing style that has been a major source of inspiration for me. Previous works of mine have drawn inspiration from certain folk singing traditions from Kentucky—particularly, Appalachian ballad singing and Old Regular Baptist hymnody. The influence of these traditions is less prevalent here, though the folk-wisdom quality of the words for Berry’s “The Cold Pane” did briefly invite a hymn-like sound world into the piece. In any case, this piece continues my investigation into the people, places, and cultural practices of my home state." —Shawn Jaeger

Shawn Jaeger - The Cold Pane - Talea Ensemble

buy the EP!

"JOIN MY MILITIA" ( NAS GAVE ME A PERM )--------- PRODUCED BY @ARCA1000000

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Wow, this was one for the books… 
I am speechless, and not just because I've lost my voice again :D I’m pretty dead but so grateful for what happened last Sunday, Monday, Tuesday at Kater...
This is definitely my winter highlight every year and you all made it so special. 
Thank you to my beloved Kater family for giving me a cozy home, for believing in my music choices and for trusting me when I try to push the party longer… 
Thank you to my lovely friends who in some cases were not afraid to fly more than 12 hours to join me for my fiesta.
Thank you to all my crazy talented musician friends for being a part of it and for giving their very very best…I think everyone was a little shaky and nervous before their set because of YOU - the best crowd in the whole world! 
And because he is a f***ing legend - Sven Dohse! You rock! 
Ten hours of your special groove… pfff, I’m so glad I made it until the very end, I just couldn’t get enough <3
Here is my recording... with love!

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