✦✧ Neon Flowers & Laser Beams ✧✦

Musician, producer, head of Heartbreakers Records

Deep Musical Journeys at your Saloon, Club or Wedding!
What started over 10 years ago as the biggest Underground World-Beat culture in the north part of Israel country side, continued as a cult also in Tel-Aviv's hardcore nightclubs... We love shiny, epic, egniting, fantastic hot tunes from around our nighburhood in the Middle East, and we are all about sharing it

https://linktr.ee/acidarab
acidarab@gmail.com
booking: vincent@wartiste.com

http://www.facebook.com/acidarab

previously, AD (chez moune, 9billards, flèche d'or...) & parties

discography:
"Kid Creole 'Going Places' The August Darnell Years" (Strut/!k7)

documentary --> www.redbull.com/kabuskerim
dj since late 80s mc since 90s#
crews# ses - karakan - cartel... karriem diggins... kabus kerim... 
for Booking -- > Contact: kabuskerim@hotmail.de


Some Dates:
14.03.2014 Les Pauls - Lleida - Spain
28.03.2014 Babylon - Istanbul
04.04.2014 Club Subway - Köln
12.04.2014 Blok - Nürnberg

more Dates will Updated...

http://www.cafe-gibraltar.com/

First and foremost, Café Gibraltar seeks to pay respect to human culture by creating a space for incredible artists who do not win their rightful place in Israel’s public discourse. We recognize that the hegemonic culture works incessantly to silence multiple voices in Israeli society in favor of a single melting pot. Thus, we actively resist this trend on a day-to-day basis by amplifying different opinions, experiences and life stories.More…

At the most basic level, we recognize that our physical and cultural place is in the Middle East. We are at the heart of the cradle of various cultures, living in a society of migrants and the children of migrants from all reaches of the globe. Cafe Gibraltar celebrates the rare diversity that exists here. The distinction between “high culture” and “low culture” does not exist for us. History shows that throughout time, certain cultures that were thought of as inferior and were subject to scorn, became popular in the span of a few generations. We are not interested in waiting 30 years. We prefer to enjoy whatever today’s culture has to offer.

We are an independent website that exists without any external support, but rather out of the love and passion of its writers and editors. Ophir Toubul is the site’s founder and editor in chief.

One of the amazing things about the deeply Jamaican music called Dub is its ability to act as a conduit. From its early days as stripped down versioning of popular Reggae tunes to its indoctrination into late 80 / early 90s UK Soundsystem & Dance Music culture, to its current massive mutation (with the “Step” planted firmly in its behind); Dub has shown itself to be not only a musical art form that stands strongly on its own, but also a vehicle of sorts that can transport and connect disparate musical universes. And it’s at the unique nexus of Dub and Arabic music that the Spy From Cairo sits the most comfortably. 

The Spy From Cairo aka Zeb is the kind of musician that fits perfectly in with the downtown NYC music scene – Italian by birth, Gypsy by heritage, and Brooklynite by residence, he has been closely associated with the Turntables on the Hudson scene for close to 12 years – producing dozens of albums as Zeb, the Spy From Cairo and the Organic Grooves project, as well as remixing for everyone from Baba Maal to Tosca to Billie Holliday to Novalima, steadily garnering a worldwide collective of fans and followers 

The Spy’s new album, “Arabadub” is perhaps his most realized vision of deep Middle Eastern and Jamaican sounds coalescing into something that sounds right and natural – because it was conceived and produced in just that natural way. There are no samples used on the album, and Zeb has programmed everything, as well as playing traditional Middle Eastern stringed instruments called the Oud, Chifteli and the Saz himself. Check the opener “Alladin Dub”, with its echoed out skanks, pulsing bassline, and majestic strings – and the deepness that is “Taksim Square”, complete with swirling, psychedelic accordion. Other highlights include the tense four-to-the-floor stomper “Desert Tears”, the rolling dub of “Sons of Hannibal” with it’s beautiful Middle Eastern vocal chants, the nostalgic “Egyptian Pulse” with its Steppers sound and melancholy vibes, and the dancehall vibes of “Prince Ahmed” – sounding like 3AM Kingston wrapped in a Bedouin Tent!
credits


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