“Multiplicidad y relación” (multiplicity and relation) faces presents several ways of relating musical elements by changing their length, with the consequences that these changes have for the perception. Each movement has a different pattern that governs these length changes. The patterns governing these changes are the actual idea of the piece.
The key aspect of my language at the time of writing “multiplicidad y relación” lied in this frantic contrast of various musical ideas forming a new one. 

multiplicidad y relación · ensemble recherche

Born in Palma/Illes Balears on 11 May 1977; Mateu Malondra Flaquer is a composer, guitarist, researcher, programmer, curator and cultural manager who lives between the Balearic Islands and the United Kingdom.

He has had the fortune of working with musicians such as Arditti String Quartet, Vertixe Sonora, Bcn216, dissonArt, Ensemble Exposé, Insomnio, Mdi Ensemble, Plural Ensemble, Riot Ensemble, Vocalensemble NOVA, UMS’nJIP, Neus Estarellas, Mark Knoop, Takao Hyakutome, Tatsuki Narita, Jan Gerdes, Pilar Fontalba and conductors such as Gerry Cornelius, Beat Furrer, Yasuaki Itakura, Taco Kooistra, Fabián Panisello, Ulrich Pöhl, Roger Redgate, Robert HP Platz, J.M.Sánchez Verdú and Michel Tabachnik.

His music has been performed in such forums as Cairo Contemporary Music Days, Donaueschinger Musiktage-Next Generation, Forum Wallis, Gaudeamus Muziekweek, IMD-47-Internationale Ferienkurse für neuen Musik-OS, Festival Mixtur, Nact der Neuen Musik, NUNC2!, Unerhörte Musik, Sintése, Musikprotokoll-ORF and in such halls as L’Auditori-Barcelona, BKA-Theater Berlin, Concertgebouw Brugge, MISE-EN Place, Muziekcentrum First Philips, Studio Noru, Tokyo Opera City Recital Hall and Spectrum, among others.

Malondra started his composition studies with David Padros and Christian de Jong in Barcelona. In 2004 he moved to Maastricht where he did a BAMus and MMus in composition at ZUYD-Maastricht Conservatory, under Robert HP Platz. He also holds a BAMus in classical guitar performing from Den Haag Royal Conservatoire, under Enno Voorhorst. Malondra developed a PhD research at Kingston University-London, under the guidance of Paul Archbold and Oded Ben-Tal. Prof.Philip Grange and Prof.Roger Redgate awarded him the PhD in 2021. Masterclasses with Richard Barrett, Daniel D'Adamo, Brian Ferneyhough, Beat Furrer and Wolfgang Rihm.

Associate professor at Conservatori Superior de les Illes Balears between 2016 and 2021–Mixed media I-II and electroacoustic composition.

Between 2019 and 2022 he has been the Cultural Director and Chief Executive Officer of the Institut d'Estudis Baleàrics, PC of the Illes Balears public sector. 
Mateu Malondra has been the founder, artistic director and coordinator (2013-2019) of the ME_MMIX Festival, co-founder of the non-profit association Placa Base and the ensemble Placa Base Collective.

Recordings: Takao Hyakutome's solo debut CD, at label Chanpd’Action. Tomeu Moll solo debut CD. Vokalensemble NOVA/Musikprotokoll CD-ORF. Netherlands National Radio-4, Concertzender.nl and Relevant Tones-USA broadcasted his music.

Malondra’s music has been performed in Egypt, Europe, Iceland, Japan, México, the UK and the USA.

Recipient of a commission funded by Ernst von Siemens Musikstiftung.

www.dezernat5.de
https://www.youtube.com/watch?v=Ie3PzgNXw0o
tototod.bandcamp.com/album/apeiron
https://martinhoogeboom.bandcamp.com/album/crackle-sniff-hiss
https://thomassander1.bandcamp.com/

thomas.sander.schwerin@gmail.com

composer
modular synths and electric guitar performer
cultural manager

Caveat: I explicitly prohibit the use of any material I post for purposes of torture, brainwashing, hypnosis, bedazzlement or any other nefarious activity. This prohibition applies to all governments, corporations, institutions, agencies and individuals. 

“The avant garde is dead. That is its triumph. Let it lie.” - Chris Cutler in “Not As We Choose: Music, Memory and Technology”. (Highly recommended!)

“… there is increasingly less call to exercise an already too rare generosity of aesthetic hospitality.” - Chris Cutler

" Music is one of the great Mysteries. It gives life. It is not a career, nor a business, nor a craft. It is a gift... and a great responsibility. Because one can never know where the creative spark comes from or why it exists, it must be treasured as a Mystery. For the most part I believe creativity chooses you, not the other way around." - John Zorn (excerpt from the liner notes to 'Magick')

“Listen as if you were being told a secret” - Federico Fellini

“Experimental and electronic music was once not-so-benignly tolerated at the margins of western art music, but it has over the last decade or so moved toward a central position as something of the soundtrack of our digital culture. Where it once was merely tolerated it is now more engaged and doesn’t have to apologize to anyone”.  - Douglas Kahn 

"Through technology, voices are amplified and silence is broken. Spaces are shared." – Laurie Anderson

"I frequently hear music in the heart of noise." - George Gershwin

"'Tis an ill wind that blows no minds." - 
Malaclypse the Younger in 'Principia Discordia'

“Let us cross a great modern capital with our ears more alert than our eyes and we will get enjoyment from distinguishing the eddying of water, air and gas in metal pipes, the grumbling noises that breathe and pulse with indisputable animility, the palpitation of waves, the coming and going of pistons, the howl of mechanical saws, the jolting of the tram on its rails, the cracking of whips, the flapping of curtains and flags. We enjoy creating mental orchestrations of crashing down of metal shop blinds, slamming doors, the hubbub and shuffle of crowds, the variety of din from the stations, railways, iron foundries, spinning mills, printing works, electric power stations and underground railways.” — Luigi Russolo in 'The Art of Noises' (L'arte dei Rumori)

Urban Dictionary (https://www.urbandictionary.com/define.php?term=Mesmo)
(New Norberian English)

1. lit. in a state of mesmerism, hypnotism; in a trance
2. in a state of bewilderment or confusion, daydreaming; 'out of it'
3. mind bogglingly awesome, spellbinding, captivating

(1) "He swung that watch in front of her face and she got all mesmo"
(2) "When the teacher called me to the board I had just woken up and was still pretty mesmo"
(3) "The new N64 cartridge is totally mesmo, bro”

Banner: The Hearing Trumpet_Leonora Carrington (detail)

Julia Price (1993)

FLUTIST  COMPOSER COMPUTER MUSIC

https://www.youtube.com/user/DRORELIMELECH120V

https://www.facebook.com/dror.elimelech.338/


ACOUSTIC AND   ELECTRO-ACOUSTIC  COMPOSER .
STUDIED  COMPOSITION WITH  SERGIU  NATRA .
ELECTRONIC AND  ELECTROACOUSTIC  MUSIC  WITH YIZHAK  SADAI .
PIANO  --  WITH  PNINA  SALZMAN  , BART  BERMAN  , AVI  SCHONFELD .
CONTEMPORARY CLASSIC  COMPOSER , ACOUSTIC ,
ELECTRONIC AND  ELECTROACOUSTIC   MUSIC , 
EXPERIMENTAL  MUSIC . SOUND  ARTIST .
IMPROVISATION AND INTUITIVE MUSIC .
PIANIST .
ACCORDION AND  RECORDER  PLAYER .
FOUNDED  AND  CURATED    2  SERIES  OF  CONTEMPORARY  CLASSIC  MUSIC   IN TEL AVIV  ,  ISRAEL  -- 
 " NIGHT  HAPPENING -  FORUM FOR EXPERIMENTAL MUSIC "    1986  -  2007
" OTHER  ISRAELI  MUSIC "      1985   -  1987
MANY COLLABORATIONS  WITH  POETS , ACTORS , DANCERS ,  PAINTERS ,
 VIDEO ARTISTS , PERFORMANCE  ARTISTS .
MORE THAN  120  PREMIERS  OF  NEW  CONTEMPORARY  CLASSIC MUSIC - 
ACOUSTIC , ELECTROACOUSTIC , MULTI-MEDIA  --  WERE  PRESENTED
IN  HIS  SERIES DURING  23  YEARS OF ACTIVITY .
HIS  MUSIC WAS  PERFORMED  IN  EUROPE , CANADA , USA .
WON  VARIOUS GRANTS AND PRIZES .

multiplicidad y relación · ensemble recherche

luis codera puzo