For vocal trio (Juice) and recorder quintet (Consortium5). This is the 9th movement of 12. Composed by Luke Styles, text Jacob Sam-La Rose

A Stratagem for Light - IX

Marc Yeats is an internationally renowned composer and visual artist whose compositions have been performed by the most noted of orchestras and ensembles across the globe. These include UK companies such as The London Sinfonietta and The Scottish Chamber Orchestra, the BBC Philharmonic and the Halle Orchestra and Chorus. Further afield, Marc’s work has also been performed by the Tokyo City Philharmonic, the Atlanta based, Chamber Cartel, and many others. His compositions have gained great acclaim through many radio broadcasts for the BBC and also been broadcast in many other countries including the US, Germany and New Zealand.

Marc’s relationship with the BBC is both strong and enduring, starting with a BBC Scotland performance by the Edinburgh String Quartet more than 20 years ago. His first orchestral work – I See Blue – conducted by Martyn Brabbins, received much acclaim when first performed around the same time. This led to specific BBC commissions, including a piano concerto to open Piano 2000 in Manchester, with Kathryn Stott as soloist, and a solo harpsichord piece ‘Rhema’, performed by Mahan Esfahani and broadcast in 2010 by BBC Radio 3 from the Clothworkers’ Centenary Concert Hall in Leeds.

Selection as one of just 10 to attend the legendary Hoy Summer School in 1994 brought Marc into contact with the late Sir Peter Maxwell Davies. At the completion of the course, Max was keen to support and promote Marc’s work, and conducted his first commission with the Scottish Chamber Orchestra at the St. Magnus Festival in 1997. He and Marc continued to share ideas, and Max took a great interest in Marc’s visual art and compositional work with mobile technologies and a range of asynchronous structural approaches to composition.

Marc is excited to have recently been appointed composer-in-residence to Yeovil District and Dorchester County Hospitals, a position he has also held with other UK and US organisations. Work such as My Blood Is As Red As Yours’ (an orchestral and choral piece commissioned by the Halle to celebrate World Aids Day in 2008 and performed at the Bridgewater Hall) and recent work, such as ‘shapeshifter’ and ‘the observation quartets’ continues to enhance his reputation as a leading contemporary composer.

camerongraham1@gmail.com
↖ here for instrumental / chamber / concert

here for performance, intermedia and other work ⬇︎
www.camerongrahammusic.com


releases on Phantom Limb Label
https://camerongraham1.bandcamp.com/

VIDEOS_
thirty-three confessions: 
https://youtu.be/48YF0sdDYXQ
The Noise and Hardware Caravan Club 1.0:
https://youtu.be/FHoBDCDcWYA
the thing about shoegaze:
https://youtu.be/DwYVTUT-LXo
Symphony of Red Bubbles
https://www.youtube.com/watch?v=kvJ36aQb6GY
abide within plenitude:
https://vimeo.com/380260341

https://opensea.io/Cameron_Graham

Hi! I'm a 35-year-old writer living in Chicago who dabbles in classical music. I've been writing music since I was 18, amassing a good amount of chamber works and a few orchestral pieces, too, though I now primarily focus on arranging pieces for woodwinds. I'm particularly fond of video game music and have spent much of my free time creating suites for classic 90s JRPGs. I've been fortunate to have my music performed worldwide, and I'm always looking to connect and collaborate with other musicians to help bring a new life into neo-classical music.

Luke Styles is a British (and Australian) composer based in London. He recently completed 3yrs as the Glyndebourne Young Composer in Residence and from Feb-Dec 2015 was composer in residence at the Foundling Museum. At Glyndebourne, Luke composed two chamber operas and two youth operas, which were performed on the famous Glyndebourne main stage, by the London Philharmonic Orchestra under the baton of conductors such as Vladimir Jurowski. Alongside his operatic work Luke has found time to write new works for the London Sinfonietta, the 2014 Commonwealth Games and members of the Orchestra of the Age of Enlightenment.


Luke began his composition training with a Bachelor of Music (composition) degree at the Royal Academy of Music London (graduating with honours in 2005, in 2015 Luke was made an Associate of the Royal Academy of Music). Following this Luke went on to postgraduate studies with Wolfgang Rihm at the Hochschule für Musik Karlsruhe, Germany, with George Benjamin at King’s College London and with Detlev Müller-Siemens at the Universität für Musik und darstellende Kunst Vienna.


Throughout his career Luke has been heavily involved in creating collaborative and multi-disciplinary works. These have included works for dancers and circus performers, in the form of Handspun, commissioned by the Royal Opera House Covent Garden and subsequently produced in Oslo, Helsinki, Prague, Stockholm, London and Panama City. Luke has composed silent-film scores for the British Film Institute and works for musicians and actors for Kings Place and the Werkraum Festival in Germany.


Luke has collaborated with many of the worlds top soloists such as horn player David Pyatt and violinist  Matthew Truscott. His music has featured at festivals including the Wien Modern, Aldeburgh Festival, Glyndebourne Festival and the Darmstadt International Festival for New Music. Major performance venues where Luke’s music has been heard include the Sydney Opera House, Glyndebourne, the Queen Elizabeth Hall, Finnish Music Center and the Vienna Concert Hall.


Luke has been the recipient of numerous awards and commissions including, a carol for the Financial Times, the Wolfgang-Rihm Scholarship from the Privatbrauerei Hoepfner 2008, an Association for Cultural Exchange Study Tours Scholarship with George Benjamin (08/09), DAAD scholarship for 06/07, PRS New Works commission, RVW Trust commission, Britten-Pears Foundation commission Prize Winner ‘Remasterpiece’ Competition 2006, Sonic Arts Network Expo 2005 commission, Young Australian Composer of the Asian Composers League (2003), Associate composer of the Australian Music Centre, Mosco Carner Composition Award winner (2001-2003), Lena P Green Award (2004), Pullen Memorial Prize (2005), Moscow International Schnittke composition competition 2nd place winner (2002), 24th International Competition of Electro acoustic Music Russolo finalist (Italy 2002) and Australasian Performing Rights Association Professional Development Award winner.


Luke has been awarded scholarships to take part in various courses throughout Europe and Asia where he has worked with composers such as Brian Ferneyhough, Harrison Birtwistle, Marco Stroppa and Gunnar Eriksson. Luke was also part of the 2010/2011 Jerwood Opera Writing Programme at Aldeburgh Music. Luke is Artistic Director of Ensemble Amorpha.

Sam is a composer and orchestrator based in London, UK, specialising in contemporary orchestral writing.

As a composer, he has worked on a number of award-winning films and animations. He has also written music for theatre, podcasts and art installations.

As orchestrator, Sam has had the privilege of working on a number of high-profile projects, both in film and television, working with composers Jóhann Jóhannsson, Lorne Balfe, Michael Price and Maurizio Malagnini. He is also resident composer for the award-winning production company ‘Rusty Quill’, and conductor of the Portobello Orchestra, London.

I'll follow you back when SC lifts the follower limit (!)
Loving listening to everyone's music on here :-))))))))))

I play guitar, flute, bansuri and analog synthesizers.
Email: rybakinstudio@gmail.com

Vitaliy Rybakin is an experimental composer and sound artist, known for his immersive, ambient soundscapes and explorations of minimalism. His work often focuses on themes of memory, perception, and the passage of time, creating deeply atmospheric pieces that invite listeners into contemplative states. Rybakin’s compositions blend field recordings, electronic textures, and subtle acoustic elements, reflecting his interest in the intersections between nature, technology, and human experience.