ladies & and gentlemen, i am happy to enjoy your experience with this masterpiece

First Harvest

Spotify

Drifting Consciousness

Inspired by the winter in the nordics. Grab a cup of tea, lean back, relax.

Grain Cube Ambient

Tambour - Chapitre I | mr002

Listen/Buy/Download:
Bandcamp : https://modernarecords.bandcamp.com/album/chapitre-i
Spotify : https://open.spotify.com/album/1T9ZEbw8xXTWjBz5z0440N
iTunes : https://itunes.apple.com/au/album/chapitre-i-ep/id1050834587
BUY / 12" VINYL : https://modernarecords.bandcamp.com/album/chapitres-vinyl-edition

.: Esquisses oubliées en trois mouvements :.
Composed and produced by Simon P. Castonguay
Piano - Simon P. Castonguay
Violon I - Rose Frappier
Violon II - Audrée Leduc
Alto - Mélanie Venditti
Recorded by Benoît Parent
Mixed by Benoît Parent
Mastering by Pierre Duchesne
Cello - Anaïs Constantin

Tambour - Esquisses oubliées en trois mouvements

Taken from Vitaly Beskrovny's album "Imperfect", released on january 11th 2016

Vitaly Beskrovny – Trust

The second song from 'Mono' - Simeon Walker's new full length album - 'Turn' invites and welcomes listeners to hunker down and hibernate away from the stresses and strains of the world.

With stunning artwork by Gregory Euclide, the album is now available to pre-order both digitally (on all major streaming services) and on limited edition vinyl and CD.

Head to www.simeonwalker.co.uk/shop for more information

Mono

Pre-order

Turn

I wrote Warming Playing in November 2011. At that time, we used to talk every day on the phone, about the flood in Genova, about our future, about your cancer.
In these busy days of new projects, works and ideas, you are stocking in my head more than usual.
I understood then it was time to write it again. 
Full video at:

Warming Playing (2018 Edit)

OST for 'The White Tear Planet', an installation by Massimiliano Siccardi, Ginevra Napoleoni e Valerio Antonio Ciminelli.

Pavilion Concept: RCR Arquitectes

0'00" A hidden sea
2'33" The temple
4'45" Muraba

The White Tear Planet (Trittico in quattro tempi)

Anne Lovett’s stunning new release for 1631 is a departure from her beautiful previous solo piano album Beyond (and below). Without loosing any of the startling beauty of the preceding album, in The Eleventh Hour, Anne Lovett revels in a new sonic world. Joined by the London Contemporary Orchestra , UK’s most innovative and respected ensemble routinely heard alongside such luminaries as Radiohead or Johnny Greenwood, and later in duo with phenomenal cellist and composer Oliver Coates, Anne Lovett also introduces subtle electronics interwoven carefully alongside layered melodic piano lines.

The main narrative for the album was conceived shortly after a new addition was brought in to Anne’s studio, a plantation chair which sat opposite her Grotrian-Steinweg grand piano. It led to intense hours of rethinking around the instrument itself and more generally about the seismic shifts that were taking place in society. The album is an attempt to reconcile the flaws of time. 

Best described by the Japanese concept of Kintsugi or “broken beauty”, The Eleventh Hour is a heartbreakingly beautiful contribution to the modern “indie” classical genre. The thirteen tracks all meticulously crafted and ringing out with a dark luminosity, like an elegy to our troubled times. 

It will appeal to fans of Dustin O’Halloran, Nils Frahm, Max Richter, Philipp Glass, Jóhann Jóhannson who will find many reasons to love this album .

www.1631recordings.bandcamp.com/album/the-eleventh-hour

The Eleventh Hour

Anne Lovett - The Eleventh Hour

Piano solo piece from my new EP "Chrysalide", released on March 29th 2019, with Memory Recordings.
© 2019 Dominique Charpentier. All rights reserved
© 2019 Memory Recordings. All rights reserved
Artwork by Anna Salzmann: www.annasalzmann.com/

Chrysalide

"Terre" - Piano Day 2019 (from my Chrysalide EP, out now)

Luke is a composer and pianist from Melbourne, Australia. His inaugural solo album, ‘Sun, Cloud’, was nominated for the 2013 Australian Music Prize. His latest solo album, ‘All of Us’, drops March 11 2022.

“Absolutely heavenly... I can hotly recommend.” – Mary Anne Hobbs, BBC Radio 6

“Totally sublime.” – Headphone Commute

“Two & One again stands out among the year’s modern composition releases.” – A Closer Listen

Australia/NZ bookings / roob@lukehoward.com
EU/UK bookings / kai.lehmann@cabinartists.com
Licensing / kathy@secretlygroup.com
All other enquiries / hello@lukehoward.com

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First Harvest

lukehoward

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