World Counsellor — Untitled (Wild Rose Country, A1)

Jio - TFW - Tape Mix Side A

Taken from keys to the Fields 34:
"Seven Movements"

Fountains for Assisi _ Movement IV: I Have Been Lifted

Head Shrinker

A side from MW006, 'Run Me That Soul' by Brown Irvin

Format: 12" / Digital
Release Date: 13 September 2019
Distribution: Rubadub
Artwork: Shy (uon)

Preorder:
https://www.rubadub.co.uk/records/catalog/product/view/id/10902/s/run-me-that-soul/
+ plenty of other online shops!

https://soundcloud.com/thinkinjinkins

Brown Irvin, 'Locution'

From split tape 'Boiling Sea' with Atonet, released October 25 2019 through Moloton.

Moonilena - Shore Leave

late night weeding w/ midge

buymusic.club/list/samb_rules-2am-tracklist

Tutorial Woods

the flowery backyard

Full LP available at https://blankforms.org/publications/

Customer’s Copy is the debut LP of contorted cosmic jazz and eccentric minimal electronics by Exotic Sin. The duo of Naima Karlsson and Kenichi Iwasa first came together for a performance celebrating the art and music of Karlsson’s grandparents, Moki and Don Cherry, before continuing as an independent unit that still incorporates some of the Cherrys’ instruments as well as their synergetic integration of music with artistic practice.

Preferring the stark contrast of analog/digital, acoustic/electric, and natural/unnatural sounds, Karlsson contributes synthesizers in addition to piano, celesta, and bells, while Iwasa collides anachronistic 90s Yamaha keyboard and guitaret with contrabass recorder, drums, kalimba, and three of Don Cherry’s instruments: one of his trumpets as well as two of his “zen saxophones,” handmade woodwinds appending reed mouthpieces to plastic plumbing parts, also called Don’s kettles after their high-pitched sound. With such timbral juxtapositions, the spirit of Exotic Sin is reminiscent of a number of leftfield jazz-meets-electronics ‘70s duos from Don Cherry’s maverick collaborations with Jon Appleton and Terry Riley to Anthony Braxton’s work with Richard Teitelbaum, İlhan Mimaroğlu and Freddie Hubbard’s Sing Me a Song of Songmy, and Muhal Richard Abrams’ electronic works. On album opener “Dot 2 Dot,” Karlsson’s measured, monastic piano sets an elegiac stage for kettle bends and absurdist electro-percussive filtering courtesy of Iwasa before a flourish of cascading ebonies and ivories together with restorative circular trumpet motifs bring the sidelong piece to a majestic resolution. Named after the character from Ridley Scott’s 1989 film Black Rain, the schizosphere of “Charlie Vincent” interfaces ominous, dystopian synthesizer with permuted organ swells before album closer “Canis Minor” sets gentle sail for a distant bed of lonesome stars.

A visual artist as well as an archivist and coordinator for the Cherry estate, Karlsson continues to learn and study Don’s compositions and approach to piano with her uncles Eagle-Eye and David, who were taught by Don himself, and his use of short piano compositions as loose scaffoldings for improvisation is prevalent across the record’s three otherworldly unfurlings. Improvisor and multidisciplinary artist Kenichi Iwasa is also known for his legendary Krautrock Karaoke night, his contribution to Beatrice Dillon’s 2020 album Workaround, and collaborations with visual artists and musicians from Linder Sterling to members of Can, Neu!, Faust, Cluster, and Wire. Recorded and mixed, with additional alto flute, woodwinds, and contrabass recorder by Robbie Lee.

Exotic Sin: Customer's Copy (excerpts)

TR038 - aircode - 'tunnel vision' [sample]

Re:Conceive is a collection of tracks from artists living in Tiohtiá:ke:, so-called 'montréal', which is raising money for The Native Women's Shelter and The Just Solutions Clinic. It aims to activate solidarity between indigenous peoples, settlers, immigrants and refugees alike. Electronic music is a potent conduit in this process, in reclaiming space where just realities might be cultivated or imagined. With the arrival of the rising global tide of right wing politics in 'québec', and the unaddressed history and continuance of colonialism and structural white supremacy in 'canada' at large, it is high time that we reconceive of our history, our present, and our way forward. 
~ 
All revenue generated by this compilation will be donated 50/50 to The Native Women's Shelter of Montréal and The Just Solutions Clinic. 
~ 
Re:Conceive est une collection de pièces d’artistes habitant Tiohtiá:ke, appelée «montréal». Le but de cette initiative est de lever des fonds pour The Native Women's Shelter of Montreal et l’organisme Clinique des Solutions Justes. 
Ce projet à pour but d’activer la solidarité entre les peuples autochtones, les colonisateurs, les immigrants de même que les réfugiés. La musique électronique est un conduit puissant dans ce processus, en réclamant l’espace où les réalitées équitables pourraient être cultivées ou imaginées. Avec l’arrivée d’une vague globale de politique de droite au «québec» ainsi que l’histoire et la continuation du colonialisme et de la suprématie blanche au «canada» qui n’ont toujours pas été adressés, il est grand temps de reconcevoir ensemble notre histoire, notre présent et notre chemin vers l’avant. 
~ 
Tout revenu généré par cette compilation seront donné 50/50 entre Native Women's Shelter of Montréal et Clinique des Solutions Justes 
~ 
Grosse thanks to Andy Poblete (@anpob) for his evocation of the political situation in 'québec'.
~
Mastered by Cristobal Urbina
https://www.facebook.com/SeeYouMastering

Art by Nick Castonguay
https://www.nickcastonguay.com

Logo design by Kristian Spears
https://tephrael.tumblr.com/

Head Shrinker

Lukid