Maxa is a community of friends united by threads of creativity, spirituality and the desire to do good and evolve. 

We create experiences and spaces that nurture deep human connections and help bring awareness of the gifts of service we all have to offer. 

Our beloved art-car and symbolic representation of our pilgrimage is an ode to the great blue deer, glowing like a beacon of strength, compassion, and inspiration as it dances through the desert. 

It is our guide, our compass, our shaman, lighting our way as we dance together to the rhythm of our hearts.

𓂀
To send music :  
music@deerjade.com :)

MGMT : 
Cristiana@alegriaagency.com

Worldwide Bookings:
deerjade@caa.com

Endorsment & Fashion:
anne.nelson@unitedtalent.com 

PR: lydia@lydialawspr.com

Deer Jade's groovy melodic music will take you on a mystical journey through time and space as a portal to the depths of your soul, blurring the lines between our planet earth, the cosmos and ourselves... Dancing till we are one again with the vibration of unconditional love... Enter the NOW and awaken to your divinity ✨

WW Bookings/PR:   Peter Slayton    p@slaytoncreative.com
Promos: stephan@fatfreemusic.com

Newman (I Love) is the embodiment of everything that has happened up to this point: A life full of experiences, various human relationships, successes and failures, and most of all, a life led by emotions.

As a result his sound is a mirror of his journey: It is emotive, complex, layered, introspective and mature.

Lost Miracle, All Day I Dream, Tale & Tone, TRYBESof, Anjunabeats

Lil' chris is a product of the influential 80s.  The early exposure of B-boys, street battles, freestyle, and hip-hop culture cultivated the dancer within and the daily obsession to record live radio DJ sets on cassette tapes.  

Borrowing two turntables, a mixer, and two crates of vinyl, helped to hone her mixing skills while in college. The rising popularity of the underground electronic music scene forever changed the journey that she took alongside her best friend, Christine.  A collaborative female DJ duo, known as Joint Sessions was born. 

"Chris & Chris" played alongside iconic names such as Donald Glaude, Joey Mazzola, Ellen Ferrato, and Dave Coleman & Sen-sei as well as guest spots on LIVE 105 Subsonic show.  They maintained frequent rotations at some of SFs most notable clubs/bars - 1015 Folsom, Kelly's Mission Rock, The End Up, Butter, Wish bar, Snowdrift, 111 Minna, and Mighty - as well as invitations to SFs Black & White Ball, Beats for Boobs Fundraiser, and local renowned campouts such as Strategik and FnF.

In the year 2010, lil' chris co-founded a local DJ collective, STiRTy, known for creating a dynamic atmosphere on the dancefloor, with a sub-genre focus on house, progressive, breaks, and techno blends.  Resident DJs include Trev, O'Henry, Raydeus, CaseyDC, Rizen, and new talents Alcazar and The Getdown. STiRTy collaborated with a strong community of friends and hosted an annual summer campout for 13+ years, known as BoomBoomWoods (BBW). 

Lil' chris exemplifies a unique style in her passion for connection with a diverse audience.  It is this groove theory that makes her infectious and unstoppable.

Mystr Hatchet started as a DJ casually playing undergrounds, house parties and indie clubs in San Francisco in 2007. Over the years, he has developed a vibe that adapts well to the mood and keeps you in the groove. His affinity for upbeat, deep and funky house melts into eclectic soulful mixes that saturate the dance floor with energy and bounce. He brings a unique sound to house music, drawing on influences from hip-hop, funk, soul and disco. Some call it Bounce, he calls it Horsetrot. 

Mystr Hatchet is a resident DJ and coproducer of the Dusty Rhino, an immersive art car originally built for Burning Man that brings music, art and fire into a huge mobile party. You can find him rocking parties in San Francisco, Los Angeles, New York and across the globe in Southeast Asia and Europe.

Over the years, Mystr Hatchet has had the pleasure to play alongside some amazing artists including: DJ Dan, Tycho, Worthy, Justin Martin, Will Clarke, Skrillex, UMEK, Lee Reynolds, Mikey Lion, Stanton Warriors, Simon Shackleton,  Deekline, Mafia Kiss, The Scumfrog,  Goldfish, Afrika Boombaata, Lee Coombs, DJ Icon, Tek Freaks, David Starfire, Desert Dwellers and more.

For booking, please contact directly through Soundcloud.

Jonathan Will is a resident DJ, podcast boss, and impresario for San Francisco’s legendary house crew Pink Mammoth, as well as an up-and-coming producer for Loöq Records. 

He loves to make people FEAL on the dance floors by taking them through a journey inward of beauty and emotion, as well as provoking momentous booty-shaking extroversion. His style is eclectic, expressive and dance floor-centric. His sets convey a full range of house music including full-body notes of tech, deep house; seductive aromas of electro-pop, underground jazz and intrigue; and including a well balanced, lingering finish of funk and lure.

He has played alongside the likes of Lee Burridge, Miguel Migs, Jimpster, Soul Clap, Justin Martin, DJ T, Worthy, Marques Wyatt, Fred Everything, Spirit Catcher, Audiofly (Luca Saporito), M.A.N.D.Y. (Philip Jung) and The Martinez Brothers. He is also one half of the production duo "Thick as Thieves" with his production partner Ray Kang (Yoshitoshi). 

He has performed at almost every notable club, festival and underground in the SF- Bay area including: Monarch, Mighty, The ENDUP, Supperclub, Triple Crown, Ruby Sky, Wish, Temple, Anu, Public Works, The Phoenix Hotel, Monroe, How Weird, Lovefest, Superhero St Fair, Decompression, Body & Soul, Robot Heart; and around the world in Miami (WMC), Minneapolis, Denver, Los Angeles, Amsterdam (NL), Hiroshima (Japan); and the much loved, annual Pink Mammoth parties at BRC, Burning Man.

Currently, he has been busy in the studios with production. In 2012 he did a remix for AND()'s “Akuma H23” on Looq records. The release was well received and even peaked to #35 in its category on Beatport. Then he followed with a strong, lush summer deep house remix of Momu's “ComingUp” which got re-released on Loöq's Best 12 of 2012. He latest remix of Momu’s “Rising” which debued on Pink Mammoth's Sunrise set on Robot Heart is already getting much DJ support and praise. 


You can also follow me on the Space Cowboy page..http://soundcloud.com/spacecowboys/sets/tamo-in-the-mix

Footprintsound.com NUGZ or Brian Cox, one of the first DJs to perform on a Boeing 747, began his career in music when he acquired a Fisher Price turntable at the age of 5. He started making “pause button” mix tapes from songs on the radio at the age of 10, and got on a set of Technics 1200 MK2 turntables a few years later. He now has over 24 years experience in the booth playing for millions of party people. Blodip says he’s the best he’s ever heard. His stellar sets are amazing, incredible mind blowing magic for your ear holes. His parties are a shitton of fun. His ability to not get distracted is beyond human. NUGZ is about toeing the line between light and dark, positive and negative, existence and non existence. Think yin and yang on two platters and this DJ is the bridge. He takes you on a journey, continuously comes correct with phenomenal sets and uncanny consistency. A true disc jockey in every sense of the word.
While living in Boulder, CO in the 90s, NUGZ gained two distinct achievements. He acquired residencies at Soma in Boulder (voted as one of the top ten clubs in America by BPM and several other dance music publications ), and the number one club in Colorado at the time, Vinyl (formerly 1082 Broadway in Denver). He consistently played with profound success at both of these clubs until they closed, along with numerous others in the Denver /Boulder area while still at a very early point in his career.
NUGZ moved to San Francisco in 2004, and when he isn’t traveling the world, or building art for Burning Man (DJ'd for last 16 yrs), he can be heard performing in prominent SF nightspots such as The Great Northern, Public Works, Mezzanine, Yoshi’s, and the legendary 1015 Folsom. Corporate clients include Adobe, Dianese, Wells Fargo, Facebook, and AOL. He made his mark creating late night underground soirees at a special little space know as “123”, with his production company Footprint Sound. These are still regarded by true nightlife professionals as some of the best parties in SF. He continues to produce weekly and monthly events all around the bay, and during these late nights and early mornings he shares the booth with the likes of The Stanton Warriors, Donald Glaude, Modeselektor, Tycho, Martin Buttrich, Deekline, Audiofly (a performance in his loft, 123 was their first SF show) to name a few.
He is able to blend drastically different beats from all sorts of genres, tell a story, and create a sound/vibe that are truly his own. A risk taker who owns it, works in heavy, moving, melodic basslines, with unexpected builds and drops, sometimes dirty sometimes bouncy, seamless transitions from house to slowed down breaks and back again.  Incorporating custom re-edits and remixes, the more bangin’ selections under cover of darkness revolve around House and UK Nu Skool Break Beat sounds, that range from deep, melodic, sexy, to dark, dirty, nasty, funky, grindy, techy, electro. In day light hours, you might find him spinning trip hop, down tempo, mid tempo and classic hip hop, along with sexy deep house and funk all over the bay area at places like bars, lounges, back yards, yachts, pools, rooftops, houseboat rooftops, small islands, basements, lofts/ warehouses, art galleries, Breakfast of Champions, Bay to Breakers, The SF Marathon, campouts, sidewalks, planetariums, Decompression, SF Pride Parade, the Golden State Warriors championship parade in Oakland, or Golden Gate Park. He is currently the sound engineer and resident DJ for the Dusty Rhino burning man mobile art piece where he is also a founding member.

Never the same set twice -- always mixed live
Youtube: @itsdangerfoley
Bookings: foley@dangerfoleymusic.com • IG: dangerfoleymusic • Web: www.dangerfoleymusic.com

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