alors oui l ambiance est bonne par contre on entend pas bien .more level tout the Master bro.

This song is slow and steady.  I like the melody and the calm vibe.

Very good with a dark Ambient vibe draws you in

What a mood& atmosphere, wonderful, i enjoyed it very much!!

LOve the feele of The Sisters Of Mercy - Emma

Bubbles

This year was again challenging for all of us and with baby steps I think the pandemic will end shortly. One of the saddest things that happened lately was the fact that on Mother's Day I couldn't be close to my mom and grandmother and couldn't offer them flowers as I usually do. This track was made with my mom, grandmother and aunt (yes big family) in my mind. So this is for you darlings and thank you for everything.

Chill frequency (prod.Pri’sizhen)

V1 
My eyes are glazing now 
Our heat subsides and how
Did it get to this
Our eternal bliss 
The everlasting kiss was the 
parting of the sea 
It just washed all over me 
Washed all over me 
And I’m drowning in the tears
Of all the unfulfilled ideas 
I wish I was dreaming now 
Please just tell me how 

Chorus 
I can sense a change in you
Forget the past, let’s start a new 

V2 
My eyes are washed away 
The unpleasantries and pain 
How did it get to this 
Our eternal bliss 

I keep battling for you until You
feel the things i do 
I just want to find a way 
Want to find a way 
And I’ll fight against the tide 
To have you by my side 
I wish I was dreaming now
Please just tell me how 

V3 
My heart is racing now and
I love the hear the sound 
How did it get to this 
Our eternal bliss 

I’m bathing in the laughter
Of a happy ever after 
And I wanna pause this day
Wanna pause this day 
With you by my side
We can sail thru the skies 
Now that we found a way 
We will never change

Eternal Bliss

Trap da Mortadela

Trap da Mortadela - 85 BPM - Alternative Rock

featured on "Hellbent On Never Seeing The Sun" via Sun Terrace Records (2015)
https://sunterracerecords.bandcamp.com/album/hellbent-on-never-seeing-the-sun-str-009

A Different Flavor of Pain

Looney Tunes
Duration: 16'
For More Information: https://robertpaterson.com/looney-tunes
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=1428
Perusal Score: https://issuu.com/robertpaterson/docs/looney_tunes_-_fs_bound_perusal

Instrumentation: flute (doubling piccolo), alto saxophone (doubling baritone sax), violin, cello, electric guitar, electric bass guitar (not acoustic contrabass), percussion (drumset, bongos, xylophone, amplified Udu drum and misc. small instruments) and piano (doubling synthesizer). All players doubling misc. small percussion instruments, bird whistles and sound effects.

PROGRAM NOTES (SHORT VERSION FOR PROGRAMS)
(Long version: http://robertpaterson.com/looney-tunes)
In Looney Tunes, each movement uses a specific well-known cartoon character as a musical influence and point of departure. The first movement, Taz, is inspired by the Tasmanian Devil character and plays upon all of Taz’s traits with loud, dissonant outbursts, gyrating transitions, quiet, reflective sections and a few references to his attraction to music. The second movement, Foghorn Leghorn, is inspired by this character’s loud, vocal disposition. The ‘Foghorn’ part of his name makes me think of real foghorns, and a foghorn-like interval begins this low-sounding, baritone sax-heavy movement. The third movement, Tweety Bird, provides contrast with a somewhat high tessitura and includes prominent parts for piccolo, violin, xylophone and alto sax. Although the entire movement only abstractly references the animated Tweety, I try to make all of the high instruments sound bird-like from beginning to end. Two of my favorite cartoon characters of all time are the Road Runner and Wile E. Coyote, so it seemed appropriate to end the work with a fastRoad Runner movement. I have always been fascinated by the seemingly infinite array of ACME inventions the Coyote uses to try and capture the Road Runner, and the last movement reflects this and incorporates a number of exotic, gizmo-like sounds and instruments.

Guerilla New Music

Looney Tunes - IV. Road Runner

This a live Jazz Ballad cover version by Annelise Molloy of the song "Get Lucky".  The pianist is Michael Molloy. The original is by French house music duo Daft Punk and featured vocals by Pharrell Williams and was co-written by the duo, Williams, and Nile Rodgers.

Get Lucky - Cover

In September 1986 my mothers birthday was very special.
She would have a gift for us. At this day she got my brother and that makes her birthday even more special that we can imagine.
What a luck for all of us. " FamilienBande"

Birthday In September

BASS BASS

#THEMAJOR  REMIX DJRMG #TRAP #HIPHOP #RAP #LATIN #DANCE #LATIN #AFRICANDANCEMIX 

#THEMAJOR   (REMIX) DJ RMG MÉXICO

(Dark-Ambient/Post-Punk/Experimental-Rock)

https:/lustalgia.bandcamp.com/follow_me

A Different Flavor of Pain

LUSTALGIA

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