pinkies up! ❀ 彡 london based

⋆ ☆ 𝐦𝐠𝐦𝐭 tony.garvey@redlightmanagement.com
⋆ ★ 𝐛𝐨𝐨𝐤 𝙣𝙖 lroblesi@teamwass.com
⋆ ☆ 𝐛𝐨𝐨𝐤 𝙪𝙠/𝙚𝙪𝙧𝙤𝙥𝙚 michelle@makinoagency.com

Anton Tumas moves quietly but leaves deep footprints. DJ, sound designer, event architect, and founder of Subtract Music, he has spent more than a decade stripping away gimmicks and focusing on what actually matters: music, systems, and the people in front of them.

He’s played everywhere from LA warehouses to Moontribe, Burning Man, Lightning in a Bottle, Further Future, and Woogie Weekend, sharing the booth with Hernán Cattáneo, DJ Tennis, Danny Howells, and many more. His sets live in the overlap between deep house, techno, and hypnotic electronica, guided by a simple filter: forward‑thinking, emotionally honest, and built to last.

As a promoter, Anton prefers results over hype. Subtract On The Pier turned a Long Beach snack shack into an eleven‑season institution, hosting everyone from Doc Martin and Lee Burridge to Patrice Bäumel and Mathew Jonson. As producer of Love Long Beach Festival, he helps draw over 10,000 people to the waterfront each year, using high‑end sound and surgical curation to make large events feel intimate and human.

Subtract, the label, follows the same philosophy: release slowly, and only when the music demands it. That approach has built a catalog that spans emerging voices and veterans like John Digweed, Stimming, and Matthew Dekay, and it has carried Anton’s own productions to imprints such as All Day I Dream, Sudbeat, Balance, Endless, Sol Selectas, and Subtract itself, including collaborations with Hernán Cattáneo, Dave DK, and Jamie Stevens.

Underneath all of this is one ongoing project: subtract everything inessential until only the real remains—whether that’s a record, a sound system, an event, or a moment on the dance floor. The landscape keeps evolving, and so does he, but the direction stays the same: less noise, more truth, and better bass.

Shop SPACE ISLAND Merch & Vinyl: https://linktr.ee/broodsmusic

The fourth full-length from BROODS, Space Island is an exploration of grief and all its many dimensions. In keeping with the New Zealand-bred duo’s unfettered imagination—an element they’ve brought to multiple platinum-and gold-certified records so far—the album’s 10 tracks exist in a surprisingly radiant sonic realm, its aesthetic equally inspired by ’60s sci-fi B-movies and the balmy exotica of composers like Les Baxter.The most high-concept output yet from BROODS—a ten-time New Zealand Music Award-winning act who’ve amassed over a billion streams to date, collaborated with the likes of Lorde and Tove Lo, toured with HAIM and Taylor Swift, and taken the stage at major festivals such asCoachella and Lollapalooza—Space Island came to life during a period of serious upheaval for lead vocalist Georgia Nott. Having married at the age of 21, she went through a difficult divorce soon after the release of BROODS’ previous album Don’t Feed the Pop Monster(a 2019 effort that led to appearances on“Late Night with Seth Meyers” and“The Late Late Show with James Corden”). As Georgia turned to songwriting as a means of processing her grief, she and her brother/bandmate Caleb Nott discovered an unlikely but wholly fitting vessel for that emotional outpouring: the album’s gorgeous constellation of otherworldly beats, swooning guitar tones, and effervescent synth lines. As a result, Space Island introduces a dazzling new intensity into BROODS’ atmospheric indie-pop while providing a powerful conduit for catharsis. 

MANAGEMENT:
Slush Management - Neal O'Connor / Sam Luria

BOOKINGS:
THE AMERICAS - mhayes@apa-agency.com
AUSTRALIA / ASIA - swald@wmeentertainment.com
NEW ZEALAND - reuben@banishedmusic.com

luvly is following