LUX MALA

New and Dark Wave Every Day

Children of The Night

Spooky, heavy, or just downright aggro Darksynth that I cannot get enough of.

Dents your soul

Some Vague Desire

White Gate

Title-track from the upcoming NIGHT SINS 'To London or the Lake' LP (AV!026), out worldwide December 10, 2013 on AVANT! Records


NIGHT SINS - To London or the Lake

Male Tears - Trauma Club
maletears.bandcamp.com

Belladonna

In many ways music and my music family are my closest family. To my music fam, thank you for the love, support, encouragement, and quality time we've shared over the last 12ish years. If we've ever collabed, ever performed a show together, ever shared works-in-progress in a DM, ever had a long drive to a show for little to no pay; thank you and I love you. You my M.U.T.A.Z... 🤘🏿🖤💜🤍

HQ DOWNLOAD

Are You Happy?

It's a thin line between love languages and a trauma response.

4batz - act ii - date @ 8 (LuxPro Remix)

Twin Tribes - Temperance

they looked so happy.wonder what happened?

beabadoobee - perfect pair (luxpro remix)

Dancin' on My Own Grave

No ones made a slowed version on here yet so why not (all rights to this song go to twin tribes and I’m uploading this for promotional purposes)

Twin Tribes - Monolith (slowed)

MTTM's "The Flow" blends 80s New Wave ambiance with introspective lyrics, weaving a tale of solitude and belonging in an echoing world of memories.

Through melancholic lyrics, "The Flow" paints a picture of empty spaces and forgotten moments. The protagonist drifts through deserted streets and vacant houses, questioning their place in the world. Lines like "No one lives behind these doors" and "These houses are empty, an empty space" evoke a deep sense of solitude, while the recurring question, "Do I know the flow?" hints at a search for direction in a world left behind.

The cover art, featuring an abstract human form intertwined with itself, sets the stage for a journey that blurs the lines between presence, absence and memory.

With its ambient layers and introspective sound, "The Flow" captures the feeling of fading into time, submerged in truth, lies, waves, and skies. It’s a melancholic anthem for those who feel lost in the currents, searching for a sense of belonging in the emptiness.

The Flow

If love can’t outlast the grave, then what’s the point of it all? Blood Red Roses offers a tale of love as both a blessing and a curse, a lover’s spell that binds and breaks. The lyrics speak of the painful grip of desire, where passion cuts deep, and the roses bloom with both beauty and brutality. It’s a song of torment, of being bound to a love that wounds as much as it seduces. The heart, though shattered, is drawn ever closer to the sweet destruction. Blood Red Roses weaves a rich tapestry of religious themes and metaphors, invoking the crucifixion—the ultimate act of sacrifice—and the unwavering faith in resurrection. In the realm of gothic literature, parallels are drawn between the holy communion and the dark covenant of iconic vampires like Nosferatu, Dracula, and Vourdalak. Legends recount how those who witnessed such haunting spectacles etched their tales into history, whispering of eternal life.
In this context, roses—deep crimson and tinged with blood—become powerful symbols of a love forged in sacrifice. The inspiration for writing Blood Red Roses emerged from a serene moment of introspection, its haunting hook taking shape during a meditative moment when frontman Pete Mills drifted beyond time into a spiritual plane. The themes explored in the track also delve into a toxic love that spirals into depravity yet clings desperately to the flicker of hope for rebirth and redemption—all things part and parcel regarding religious fervor and pacts sealed in blood.

The video for the song, inspired by Denis Villeneuve’s Dune adaptation—particularly the infrared scenes of Feyd-Rautha (Austin Butler) in the arena—was shot by Ellen Hawk. It showcases Mills’ multi-instrumental talents and mirrors the song’s intensity, capturing the complex emotions at the heart of Blood Red Roses.

Released at the spawn of Autumn as the world shifts into the cold of winter, Blood Red Roses keeps those, who dare to love, warm throughout the storm.

Blood Red Roses

This song talks about being in a catacumb, dead, beign a naked skull surrounded by more bones without life. It's a recordatory of what we will become.

CATACUMBA

“Metamorphosis” is the second studio album by Lux Mala (solo project of the Argentine composer and producer Nathalie Astrada, currently living in Spain).
It consists of twelve (12) songs which reflect different circumstances, emotions and thoughts that have been fluctuating over two years of introspection and compositional experimentation, after having published her first album “Lux Mala” in November 2022.

Although the album is basically a collection of songs quite different from each other in terms of ambiance, sound and genres, what unites these songs is the need for change, pain, effort, chaos and acceptance that each of us must go through every time we have to mutate into something better than what we are now, emphasizing how to combat fear in order to progress and accept the Metamorphosis.

Mixed and mastered by Pablo Abatte (Chile).
Cover art designed by Valle Gren (Sweden).

In "Apocalypse", Tim Wenske (Germany) added drums.
In "Ambivalencia" all music but the saxophone, was produce by Nöwan (Spain).
In "Dead Man's Lullaby, Valle Gren (Sweden) wrote the lyrics.
In "Metamorphosis" Lena Bataeva (Russia) added cello.

06 CATACUMBA

07 AMBIVALENCIA feat Nöwan

01 DEADLY NIGHTSHADE

08 ME TENGO QUE ESCAPAR

02 APOCALYPSE

03 SERPIENTE

11 VAMOS A LA LUZ

“H.A.L.T. II: The Reunion”

The H.A.L.T. remix album series is an endeavor I began to champion radical self-care. Radical self-care, which was popularized by intersectional feminist Audre Lorde, is a proactive and intentional approach to well-being that prioritizes one's own needs and well-being, even when it requires challenging societal expectations or making unpopular choices.

The acronym H.A.L.T. centers in the idea that we must always watch our levels and check-in with ourselves in order to make sure we don’t get too Hungry, get too Angry, get too Lonely, or get too Tired. It’s widely used in addiction recovery but it’s a method that has been instrumental in my personal struggles as a Veteran with complex PTSD. Without a radical level of self-care it’s easy for me to spiral into flare-ups, which is a state of being most people only fear and don’t understand.

Tracklisting:
1) @therealfaithevans - Soon As I Get Home (LuxPro remix)
2) @a.m__ad - Moving Forward (LuxPro Remix)
3) @eelstheband - I Need Some Sleep (LuxPro Remix)
4) thisnotbusinessasusual
5) @_.mahjai - Riot (LuxPro Remix)
6) @samanthathebomb - You Shine (LuxPro Re5mix)
7) niggasgettiredofthuggin’bro
8) @terrypresume - Loner (LuxPro Remix)
9) @therealfaithevans - Soon As I Get Home (LuxPro Remix | ext club)

I call this edition “The Reunion” because either way, there will be a reunion be it on this physical plane or the next. I’m just happy that no matter what, I’ll be with the homies making music again.

Take care of yourself.

When we’re together again, I’ll be together again.

LuxPro loves you, fam.

8) Terry Presume - Loner (LuxPro Remix)

3) Eels - I Need Some Sleep (LuxPro Remix)

Track 2 from my new EP "The Violence Suppressor EP"

Population Control Unit: MK-12

From Resonance, released June 20, 2024
All music is mixed, mastered and composed by Marc P., Lluís S. and David S.
Artwork by Lluís S. and Miriam G.
Released by Darkways
copyright Darkways 2024 

I like the night (and the night likes me)

End credits for British horror short "I lived here". Premiere at the Empire in Leicester Square October 29.

Robert Parker - I lived here (End Credits)

"Nocturn" CDs and Vinyl available through @nrwrecords and @NewRetroWave at: newretrowave.bandcamp.com/album/nocturn

Nocturn

System Error

CyberWar

● Bandcamp: http://bit.ly/jst-last-blood-bc
● iTunes: http://apple.co/2iMufhc
● Spotify: http://spoti.fi/2zOMi9K

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Gör FLsh is back with the second and last single from his upcoming sophomore album “For The Kvlt”. Following in the footsteps of his debut self-titled LP, which earned him the title of the heaviest and most brutal Electronic music producer, “Last Blood” takes the Canadian artist’s trademark sound of songs like “Sludgecity” or “Road Burns” even further by emphasizing the heaviness and Doom Metal influences. The 8 minute long original is followed by two Dark Synthwave remixes from Occams Laser and Volkor X, who once again prove they are right at home with tapping into their Metal side of the 80’s and creating something as dark and heavy as their remixes of Gör FLsh’s “Last Blood”.

● Follow Gör FLsh:

Soundcloud: https://soundcloud.com/gorflsh
Facebook: https://www.facebook.com/gorflsh
Bandcamp: https://gorflsh.bandcamp.com
Spotify: http://bit.ly/gor-flsh-spotify
Twitter: https://twitter.com/GORFLSH

● Follow Occams Laser:

Bandcamp: https://occamslaser.bandcamp.com
Soundcloud: https://soundcloud.com/occams-laser
Facebook: https://www.facebook.com/occamslaserband
Twitter: https://twitter.com/occams_laser_

● Follow JST Records:

Website: http://www.jstrecords.com
Bandcamp: https://jstrecords.bandcamp.com
Spotify: https://play.spotify.com/user/jstrecords
Facebook: https://www.facebook.com/JetSetTrashRecords
YouTube: http://www.youtube.com/JetSetTrashRecords
Twitter: https://twitter.com/JSTrecords