Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Live recording (excerpt) of 'Wildfires' as performed at the WFS festival on June 5th, 2022 in the New Music Lab at Sonology. 

Stereo reduction from the 192 speakers used during the performance.

Wildfires - (Live WFS, excerpt)

A Lineage Of Knighthood In The Parlance Of Our Times (2016)

Composed 2017, recorded July 2023

Bernhard Plagg - trumpet 1
Stephan Stadtfeld - trumpet 2
Lionel Speciale - horn
Vladimir Vereś - trombone
Fabian Neckermann - tuba

Sound recording in the studio of the Landesmusikakademie Berlin, 2023
Sound engineer: Benjamin Ostarek

Program Note
Tagundnachtgleiche (Equinox) was created on the occasion of a composition competition for brass quintets announced by the publishing house Furore Verlag in 2017.
At the beginning of 2023, I decided to record the piece in a recording studio and to make it available to the public. The trumpeter Bernhard Plagg was kind enough to take on the project. He put together a brass quintet, organised rehearsal dates, etc.
The composition consists of two elements that alternate or interpenetrate each other. On the one hand, composed, notated music, harmonic and rhythmic in the broadest sense. And on the other, improvised music, mainly consisting of differentiated, nuanced noises and representing a kind of random music, like random sounds in nature.

Tagundnachtgleiche for brass quintet

i wanna redo the vocals <3

lyrics :D

sixteen to sixty (x7)

one day I wish I can be that clean
one day I’d like to be that clean

sweet sixteen
stepped in the dirt
sweet sixteen
tits down to earth

one day I wish to be that clean
one day I wish
one I’ll be that clean

sixteen to sixty 
sixteen to sixty 
sixteen to sexy

60 (interlude)

На краю

Песчаные лестницы

No hay nada allá afuera
que me haga querer más.
Aunque las alarmas suenan
no me puedo levantar.
Los segundos son muy largos
y no dejo de pensar.
Este ruido blanco
envuelve todo lo demás

Llanura De Acero

The 3rd movement of the String Quartet No. 18 (2024).

Pawel Strzelecki: 3. Adagio [String Quartet No. 18 (2024)].

engaging random ring modulated tones via the breath and articulation of my shakuhachi.

Ring Mod Dialogue

Nobody with good intonation really likes this version-But HAY--I had a great time trying to take the 1st and 2nd violin "parts" and putting them together on Audacity to make that "old scratchy fiddle SOUND" anyway!
Someday we'lll get a real Nashville fiddle player to help us out with a COUNTRY AS HELL DEMO on both the female and male versions of this song, if I have to ride up to Reba's house on a quarter horse to do it!! I just won't quit!

I Saw the Light Shinin' in the Room" (Male Lyrics) Lynda's version  w two "Fake Fiddle" parts!

Dead In Space

Lynda Faye and Fred Gold, together, formed the Illinois Harmony Connection, at SoundClick, and You Tube. Fred's in Illinois, Lynda in CA, so all of our music duos etc were prepared in CyberSpace, thanks to Audacity! I'm apparently an alto and a soprano-But I attended Pepperdine College on a violin scholarship, and also gave opera a shot, but I gave up on performing it! Allot of my songs are cross-overs, I realize that----Country-Gospel, Classical-Folk, along with a few comical songs. I'm a classical violinist at heart, but taught myself enough guitar with a few great influences advising me here and there (which you can hear on some of my solos!) Ben Benay wanted to teach me some arranging techniques, but I didn't have the tenacity; He said if I didn't study classical guitar, I'd never be able to write more than country folk;Guess he was right, but then the violin influence stepped in- when he heard  my humming of the violin parts, he said, "Lynda, you ARE an arranger ?" ; Paula Drake tried too, for a few years, and she's in her 80's a still goin' strong!  but I kept continuing to plug away at the writing!I had to edit this, sadly, as classmate Fred Gold (Railsback) lost his beloved wife, Ella May, last August. I'm trying to encourage him to keep at that guitar; but I'm sure he's not much in the mood; We dedicated "Ella's Garden", the song we're recorded a few years ago, as Ella's memory -as the video on "I Wanna go Back" was filmed IN Ella's back yard garden, and the song has now taken on special meaning to both of us. Won't be a "replacement for" Fred, but I found both Adriano Fontana's versatility and guitar expertise, and "Ancolies" singing a few of my songs in French for me. Won't be easy to find! I'm seeking to find some competent "versatile" musicians (and composers) who love children and have hopes for music in future generations, and perhaps a strong History Buff, to help with several children's musicals. I welcome other singers to sing my originals---My goal has never been to "be" a great singer; but to connect appropriate singers TO some of my songs: All three genres. My Folky MOR album is "Movin' On" at CDBaby. , I've "been there done that-nite clubs, Holiday Inn lounges from Ca. to Pennsylvania; I refused the Vegas offers! (too much writing to do!)  A songwriter's "Job", like most housewives...is never done, now, is it ?
Pls see the attitude of most of them who are married TO, some of those songwriters, in the "Songwriters' Serenade", or, as I'm always having difficulty finding "concise" titles...." All You Got is Words!" Some of my folky-country is on my album at CDBaby, titled "Movin On"...and I am currently trying to assemble twenty songs for " Friends, Love Songs and Heartaches." Seems viewers liked the " remakes" of the Oldies-I attribute that to Adriano's working his way in and out and around my Acapella tracks, I sent to him; I'm not easy to work with because I have trouble keeping "consistent  rhythms' . Of course Adrian has a word in Italian for that. Maybe HE should solo on a few of my songs and I'll back him on guitar; Course those would then become comedy, yes Adriano ?
Oh, all  I  m e a n t to say was "Thanks for Listening! "

I Saw the Light Shinin' in the Room" (Male Lyrics) Lynda's version w two "Fake Fiddle" parts!

Lynda Faye (The Illinois Harmony Connection)

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