Name: Ring Mod Dialogue by bartonmusic
Duration: 2 min 22 s
Description: engaging random ring modulated tones via the breath and articulation of my shakuhachi.

Getting Takemitsu vibes ('The Woman Of The Snow' soundtrack track 'Yuki'). Great with the ring mod!

Music by Daniel Gómez & Val Akey.
All guitars (leads, rhythms, bass) played by Daniel Gómez. @danielgoram
Drums and keyboards programming / mixing and mastering by Val Akey. @valakey
Release date: 23 March 2021

The Call Of The Priests

Guitar improvisation with field recording.
From the CD 'A Quiet Place'. 
Bandcamp: https://martinhoogeboom.bandcamp.com/album/a-quiet-place
Mastered by Marlon Wolterink.

These improvisations are influenced by the landscape near the river Eem. This empty landscape has everything to do with swamps reclaimed in the Middle Ages, the expansion of the Zuiderzee and the many floods that occurred here until 1932. At high tide, the water flowed over the dikes and sometimes they broke. The inflowing water then sanded a vortex hole, which is called a "waai". These ‘waaien' are now small lakes behind the dikes. It is an old and empty landscape where the light bounces off their surface and clouds moving over slowly.

A Quiet Place

WAAI

A Beautiful Mind

https://youtu.be/0puKZAdlqVg
https://soundcloud.com/231219/mmxxiiviiviilngwck

MMXXIIIVIXIIICCSSBL

Hallverb

Dear Winter

engaging random ring modulated tones via the breath and articulation of my shakuhachi.

Ring Mod Dialogue

My continuing experiments with frequency shifted/ring modulated shakuhachi controlling my Buchla 200 Electronic Music Instrument. Video of similar experiments here: https://youtu.be/9MDbqCx72gk?si=lpfZvokXuTHAIsPp

Analog Breathing

Uasicerodua

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

Electronic Music Box

composer, performer, lecturer and analog synthesist who is endlessly fascinated by and exploring sound...

Ring Mod Dialogue

bartonmusic

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Mathias D. Clain

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