Thank You so much; LYNDA'S WRITING ROCK, YES ?  Thanks Ancolies & Adriano Fontana for "listening " to my rhetoris!" True story here !

Hollywood Diva -French by Ancolies, arrangement Adriano Fontana
(French--then English, below)

Tu as toujours pensé devenir quelqu’un
Posséder un super destin
Tu es partie en chantant et dansant
Dans le soleil levant

Regarde tu n’es qu’un point sur le boul’ vard
La blague à 200.000 dollars
Perdu dans la masse, total à la ramasse
Ça t’as réussi ton crash

Personne n’a dit que ce serait facile
Personne ne t’a dit d’y croire
Personne n’a dit que l’amour serait en ville
Tu n’as pas voulu le voir
Personne n’a dit que ce serait facile
Te convaincre, impossible
Tes rêves plein la tête et en jouant des coudes
Tu es partie pour Hollywood

Paraît que maintenant t’es à New-York city
Ou encore à Tokyo place
La gloire et la fortune au nez t’ont bien ri
Tu tiens la porte au palace

C’est quelque chose te voir ramer comme un sushi
Toi qui rêvais steak et homard
Je n’ veux plus te voir, encore moins être à ta place
Tout c’ qu’on fait c’est rire de toi

Personne n’a dit que ce serait facile
Mais toi tu as voulu y croire
Personne n’a dit que l’amour serait en ville
Tu n’as pas voulu le voir
On t’a prévenu pourtant fais pas l’imbécile
Te convaincre, impossible
T’as fait ta diva et en jouant des coudes
Tu es partie pour Hollywood

Alors salut toi la grande diva!


NOBODY SAID IT WAS GONNA BE EASY
NOBODY SAID IT'D BE FAST
NOBODY SAID THAT THE LOVE THAT SHE GAVE YOU...WAS ALWAYS GOING TO LAST.
NOBODY SAID IT WAS GONNA BE EASY,
BUT SHE BELIEVED THAT IT COULD
SO WITH HER NOSE IN THE AIR AND HER FEET ON THE GROUND,
SHE WENT OFF TO H- O- L-L-Y WOOD!

VERSE ONE:

I GUESS YOU THOUGHT YOU COULD BE "SOME-ONE"
YOUR SEN SA TIO NAL SELF
YOU GOT TO BE UP THERE SCREAMING
YOU MAKE A FOOL OF YOURSELF.

VERSE TWO:

HEARD YOU WERE TOURING TO NEW YOUR CITY,
A TOUR OF TOKYO, TOO ?
ALL THAT FAME AND FORTUNE
FLOATIN' ON A FUTON
SURELY WILL BE GOOD FOR YOU !

BET YOU THINK YOU'RE SOMETHIN!
LIVIN ON THAT SUSHI, AND ALL THAT TOFU TOO!
ALL THAT STEAK AND LOBSTER, FLOATIN ON A FUTON,
WHEN YOU COME CRASHING' THROUGH!


NOW YOU'RE JUST A SIGN ON SUNSET,
A- MILLION-- DOLLAR== FACE, IT'S TRUE...
NOW YOU'RE IN THE RACE, BUT I DON'T LIKE YOUR PACE,
I'M NOT WAITING FOR Y O U !

CHORUS

NOBODY SAID IT WAS GONNA BE EASY
NOBODY SAID IT'D BE FAST
NOBODY SAID THAT THE LOVE THAT SHE GAVE YOU...WAS ALWAYS GOING TO LAST.
NOBODY SAID IT WAS GONNA BE EASY,---BUT SHE BELIEVED THAT IT COULD
SO WITH HER NOSE IN THE AIR AND HER FEET ON THE GROUND,
SHE WENT OFF TO H- O- L-L-Y WOOD!

(BYE BYE MISS DIVA ) Spoken I'd thought, let me check MY French!

Copyrighted  2021 By LyndaFaye, Gilles de Roquefeuil & Adriano Fontana.

I sat around in publishing offices with these guys complaining how their girlfriends were doing anything to get their pretty faces onto a billboard!  Thought I'd write this "for them!" for Stan the Man at Irwin Pincas' office, for Bob Le-Fever, for allot of them! I envision "this character " packing up his van and looking up at his girlfriend's picture on the bill board...for the very last time!Working on the English version- The singers keep getting sore throats screaming it out!

Hollywood Diva" in French..."Tu as toujours pensé devenir quelqu’un " Singer "Ancolies" By LyndaFaye

Johanna Vargas, soprano
Ensemble Linea
Carolina Santiago Martinez, piano
Keiko Murakami, flute contrebasse
Louis Siracusa, double bass
Jean-Philippe Würtz, conductor

IV. Gradual Abruptness
ooo –– ooo –– oo –– o 
gradual abruptness 
french 		(mr., rhythm acuto intros.) 
ital 		(riposante musica, ritmo meno acuto, adattabile)   
                 o                   –– 
non avete da mostrarmi un’altra macchina? (repeat rhythm) 

[…]

(– oooooooo – )

[…]

tu pensi:   
 –  o o  –  o o o  – o o o  –  o 
ha una macchina ancora da mostrarmi? 

Un poco di buon ordine feroce
Aspettare in tempo

	Évidemment

		si tu ne peux
Poétiser
	il te faudra
Cohabiter
Rime e accenti allineati
Évidemment 
Si tu ne peux
		analyser
Il te faudra
		coaliser
Io vado di solito a letto alle undici
o – o o – o o – oo – oo
La poésie du succès 
Le succès du sexu

Bisogna sfruttare i buoni momenti
o – oo – oo – oo – o
– o oo – o ooooo –

Autumn is a season of which I am very fond [about]

Regarde
Au moins
Ce qui est
Écrit
Sur le bout
De ta langue chérie
In nous faudra
Que tu y vas
(synthèse-douleur)
tu parles en prose  

V. Allons, plongeons
Allons, plongeons dans le réel (il le faut)
l’Esthétique Jaune dans son lit de Mort 
l’Esthétique Jeune dans son Lit Subtil
ou bien  
Nous sommes 
[dans son lit de la mort subtile
dans le lit de son jeune mort
dans la mort du lit du son
dans le son subtil de la jeune mort] 
 
(dans la gaze de la réalité). 
Nous passons dans la gaze du réel. 
Arrive l’enfer. L’impératif 
de la[…]
[…]réalité
(nous sommes en communication).

4. Gradual Abruptness 5. Allons, plongeon

Live recording (excerpt) of 'Wildfires' as performed at the WFS festival on June 5th, 2022 in the New Music Lab at Sonology. 

Stereo reduction from the 192 speakers used during the performance.

Wildfires - (Live WFS, excerpt)

A Lineage Of Knighthood In The Parlance Of Our Times (2016)

Composed 2017, recorded July 2023

Bernhard Plagg - trumpet 1
Stephan Stadtfeld - trumpet 2
Lionel Speciale - horn
Vladimir Vereś - trombone
Fabian Neckermann - tuba

Sound recording in the studio of the Landesmusikakademie Berlin, 2023
Sound engineer: Benjamin Ostarek

Program Note
Tagundnachtgleiche (Equinox) was created on the occasion of a composition competition for brass quintets announced by the publishing house Furore Verlag in 2017.
At the beginning of 2023, I decided to record the piece in a recording studio and to make it available to the public. The trumpeter Bernhard Plagg was kind enough to take on the project. He put together a brass quintet, organised rehearsal dates, etc.
The composition consists of two elements that alternate or interpenetrate each other. On the one hand, composed, notated music, harmonic and rhythmic in the broadest sense. And on the other, improvised music, mainly consisting of differentiated, nuanced noises and representing a kind of random music, like random sounds in nature.

Tagundnachtgleiche for brass quintet

i wanna redo the vocals <3

lyrics :D

sixteen to sixty (x7)

one day I wish I can be that clean
one day I’d like to be that clean

sweet sixteen
stepped in the dirt
sweet sixteen
tits down to earth

one day I wish to be that clean
one day I wish
one I’ll be that clean

sixteen to sixty 
sixteen to sixty 
sixteen to sexy

60 (interlude)

На краю

Песчаные лестницы

No hay nada allá afuera
que me haga querer más.
Aunque las alarmas suenan
no me puedo levantar.
Los segundos son muy largos
y no dejo de pensar.
Este ruido blanco
envuelve todo lo demás

Llanura De Acero

The 3rd movement of the String Quartet No. 18 (2024).

Pawel Strzelecki: 3. Adagio [String Quartet No. 18 (2024)].

engaging random ring modulated tones via the breath and articulation of my shakuhachi.

Ring Mod Dialogue

Dead In Space

Lynda Faye and Fred Gold, together, formed the Illinois Harmony Connection, at SoundClick, and You Tube. Fred's in Illinois, Lynda in CA, so all of our music duos etc were prepared in CyberSpace, thanks to Audacity! I'm apparently an alto and a soprano-But I attended Pepperdine College on a violin scholarship, and also gave opera a shot, but I gave up on performing it! Allot of my songs are cross-overs, I realize that----Country-Gospel, Classical-Folk, along with a few comical songs. I'm a classical violinist at heart, but taught myself enough guitar with a few great influences advising me here and there (which you can hear on some of my solos!) Ben Benay wanted to teach me some arranging techniques, but I didn't have the tenacity; He said if I didn't study classical guitar, I'd never be able to write more than country folk;Guess he was right, but then the violin influence stepped in- when he heard  my humming of the violin parts, he said, "Lynda, you ARE an arranger ?" ; Paula Drake tried too, for a few years, and she's in her 80's a still goin' strong!  but I kept continuing to plug away at the writing!I had to edit this, sadly, as classmate Fred Gold (Railsback) lost his beloved wife, Ella May, last August. I'm trying to encourage him to keep at that guitar; but I'm sure he's not much in the mood; We dedicated "Ella's Garden", the song we're recorded a few years ago, as Ella's memory -as the video on "I Wanna go Back" was filmed IN Ella's back yard garden, and the song has now taken on special meaning to both of us. Won't be a "replacement for" Fred, but I found both Adriano Fontana's versatility and guitar expertise, and "Ancolies" singing a few of my songs in French for me. Won't be easy to find! I'm seeking to find some competent "versatile" musicians (and composers) who love children and have hopes for music in future generations, and perhaps a strong History Buff, to help with several children's musicals. I welcome other singers to sing my originals---My goal has never been to "be" a great singer; but to connect appropriate singers TO some of my songs: All three genres. My Folky MOR album is "Movin' On" at CDBaby. , I've "been there done that-nite clubs, Holiday Inn lounges from Ca. to Pennsylvania; I refused the Vegas offers! (too much writing to do!)  A songwriter's "Job", like most housewives...is never done, now, is it ?
Pls see the attitude of most of them who are married TO, some of those songwriters, in the "Songwriters' Serenade", or, as I'm always having difficulty finding "concise" titles...." All You Got is Words!" Some of my folky-country is on my album at CDBaby, titled "Movin On"...and I am currently trying to assemble twenty songs for " Friends, Love Songs and Heartaches." Seems viewers liked the " remakes" of the Oldies-I attribute that to Adriano's working his way in and out and around my Acapella tracks, I sent to him; I'm not easy to work with because I have trouble keeping "consistent  rhythms' . Of course Adrian has a word in Italian for that. Maybe HE should solo on a few of my songs and I'll back him on guitar; Course those would then become comedy, yes Adriano ?
Oh, all  I  m e a n t to say was "Thanks for Listening! "

Hollywood Diva" in French..."Tu as toujours pensé devenir quelqu’un " Singer "Ancolies" By LyndaFaye

Lynda Faye (The Illinois Harmony Connection)

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Lynda Faye (The Illinois Harmony Connection)

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