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At the placebo stage I went on a journey through my tracks - ambient to techno. Enjoy!

Modular Live Set @Borderland (SWE) Placebo Stage

www.giegling.net
http://www.residentadvisor.net/record-label.aspx?id=3485


Giegling Mix 05 I Traumprinz - this is not...

Tracklist here: http://www.mixesdb.com/w/2015-01-02_-_Floating_Points_%26_Four_Tet_@_Plastic_People_Closing_Party,_London

Over the past 8 years or so we have had, along with Theo Parrish, the honour of playing the monthly residencies at a small basement club in Shoreditch, London with an impeccable sound system. After 20 years of operation, it was time to move on and close the doors on a place that has a lot to answer for in shaping modern club culture. To say this space along with the owner Ade’s singular vision was fundamental in our personal musical formation would be a complete understatement. 
 
On the day of their closing, manager Charlotte asked us if we’d put the system through its paces for the last time that the club would be open to the public. We set about packing the anthems from our respective residencies and on the night once the people were through the doors played 2 records in turn for the rest of the dance. We included tracks of our own and of friends that were made with that place in mind. Records like Daphni - Ye Ye and Four Tet - Pinnacles were made to first be played at Kieran’s nights there, and the Floating Points - Vacuum EP was born out of the CD-R night at the club, and its launch party was the trigger for Sam’s monthly residency.
 
We set this recording up just before the start of the night and unfortunately it distorts in places, but we make no apology for how joyfully noisy people get! The vibe in the room this night was typical of the club on any given night and we hope this recording captures just a fraction of the spirit of a Plastic People night.
 
A massive thank you from us to everyone that has come down to the nights over the years and supported our music there. We are truly humbled to have shared the music we love with people at this place, and your energy in turn has influenced the way we make music on an unfathomable scale. We also thank the bosses Charlotte Kepel and Ade Fakile for inviting us to the club and having faith in us over  these years! All the best for the future!
 
 
See you in the dance
 
Much Love 
 
Sam &amp; Kieran

Floating Points & Four Tet - Final Plastic People 2 1 2015

What?! Another Erik Voorhees podcast?!!!

In this, the sixty seventh episode of The Ether Review, we set out to understand Prism, Shapeshift’s new non-custodial synthetic asset built on the Ethereum network. In reviewing this episode I feel I was unsuccessful in achieving this. However, the peripheral conversation about Erik’s view of the space is extremely enlightening, especially writ large in his positioning of Shapeshift. The Bitcoin scaling debate, the future of digital assets, the financial world’s response — it’s all here. Some of this interview was geared to fit Shapeshift’s messaging, not something you’ll hear on TER very often. None the less, it’s fun to hear such an astute thinker and communicator knock  some soft ball questions out of the park.

etherreview.info
shapeshift.io
https://twitter.com/ErikVoorhees
http://www.weekinethereum.com/
itunes.apple.com/podcast/the-ether-review/id899090462?mt=2
Letstalkbitcoin.com
thebitcoinpodcast.com

The Ether Review #67 — Celebrating Erik Voorhees Week with Erik Voorhees!

Recorded Live at The Building, Windsor, Canada.

Richie Hawtin (Plastikman): Mixmag Live Vol. 20 (1995)

To celebrate 150 episodes of the Monument podcast we are delighted to welcome Bas Mooy. The Rotterdam based artist is a true legend of the scene, and is affiliated with a host of labels and collectives, boasting releases on some of the biggest labels around, including his own Mord imprint. Check out the interview: https://mnmt.no/blog/monument-150-bas-mooy/

MNMT 150: Bas Mooy

Dörrpolitiken (Bergnein version)

Coming up in the music scene of Kansas City and currently residing in Detroit, @uun developed his interest in the fringes of sound as a guitarist in multiple bands before turning his focus to techno in 2012. Both his early work as a band member and his current work as a techno producer share a common exploration of darkness both in mood and in execution. Hard Wax described Uun's sound as a "straight ahead techno juggernaut.", As well as releasing on Mord, Dynamic Reflection and many more, he has his own imprint Titled Ego Death. This is a studio recording mix, it consists of all original material, much of it unreleased.

RA - https://www.residentadvisor.net/dj/uun 
Facebook - https://www.facebook.com/uuntechno/
Instagram - https://www.instagram.com/uunegodeath/

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slam-djs.com 

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