JAW - more on https://handaxe.bandcamp.com/album/jaw
Anna Homler - vocals, toys & devices
Joachim Zoepf - sopranosaxophone, bassclarinet
Wolfgang Schliemann - assorted percussions
Recorded live at the 8th Nozart Festival Cologne by Ansgar Ballhorn, April 3rd, 2004

Every year, the legendary Cologne NOZART Festival in the cellar vault under the Christuskirche commented musically on the end of the second millennium (post christum) and the first decade of the third - with the self-image of consistent anti-opportunism, for which the underground location was to be understood as thoroughly symbolic.

Like its practice, its aim was to bring together different radical improvisers from the contemporary music world as well as a mix of continuity, local anchoring and the presentation of new styles and bands and thus to trace the diverse, fundamentally confusing and yet constant development of improvised music - whether acoustic or electric - to some extent.

The tendency to play in fortefortissimo - for some beyond the pain threshold: Nozart! - has always been countered by a conciliatory commitment to chamber music intimacy, manifested in the small form of sound-oriented, sensitively and richly detailed, freely improvised marvels.
One such gem was the first and so far unique meeting of the US-American vocalist and performer Anna Homler with the well-rehearsed duo of fraternal twins Joachim Zoepf and Wolfgang Schliemann.

Blessed with all the qualities of a 'first meeting', the three took advantage of the opportunity and the free space of the NOZART festival to build a bridge not only across the Atlantic, but also - and above all - between NO and ZART.

The audiophile recording of this event has now been freshly unearthed and is recommended as a first-class feast for the ears.

Zart I

“Sheps makes a vibrant return with a tech house track infused with a lively Latino vibe, delivering an irresistible groove that radiates warmth and energy.”

Top-level backing from leading global names:
Shiba San, Paco Osuna, Don Diablo, Jamie Jones, Andi Durrant, Fuzzy Hair, Tjerk Coers (Armada), and Ron Slomowicz (Billboard).

Going Nowhere (Extended)

Follow LÄRJ:
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LÄRJ X HEXED - BLOCK

“Doin' Time” was a single off of Sublime’s final album. 

It tells the story of an unfaithful woman who makes her lover feel as if he’s doing time in prison. 

This song takes the melody of George Gershwin’s original "Summertime".

The exact sample came from Herbie Mann’s version of the song played at 45 RPM instead of 33.

There is also a repeating sample taken from Malcolm McLaren’s song Buffalo Gals.

There have been multiple hip-hop remixes of this song, featuring Snoop Dogg and The Pharcyde.

I remixed it with a different drum pattern and other instruments.  For the synths I used a Prophet 6.  The result gives off an electro dub house rhythm.

Doin' Time

This is a piano piece I composed, which I called "On A Windy Day In October" to evoke these windy October days, when the leaves are falling and autumn is making itself felt.

I hope you like this music

Support/Follow Me Here:
●BANDCAMP: m1kewave.bandcamp.com
●INSTAGRAM: www.instagram.com/michele_marasco_22/

Listen to this music also on my Youtube:
https://youtu.be/5l4WXwbQLEI?si=vif4XTaLcjXcq1Ke

On A Windy Day In October

calipso

MT OMD M2M RMX [PREVIEW]

TECHNO MESSENGERS [preview]

TECHNO MESSENGERS 2025

Only in Hope

Dirty District, Vol. 2

Do Ya Thang (feat. J Dilla)

Hi everyone, welcome to the M1ke Wave profile, my name is Michele Marasco .

My music mainly focuses on recreating famous soundtracks and electronic music. I hope you like it. And if you want to always stay updated on my songs or albums follow me, thanks.

Follow me also on :
Bandcamp https://m1kewave.bandcamp.com/
Youtube https://www.youtube.com/@M1keWave

On A Windy Day In October

M1ke Wave

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