Name: Epiloog by Maarten Vos in Phoria+
Duration: 6 min 24 s
Description: Spotify: https://open.spotify.com/track/0bf5EW1aMSEpvysqe16iUB?si=CD_igLkpTemBuLVyVEKSLw

On a clear day looking toward the sun I see the world as I wish it to be seen.

Phoria+

From 'Display' EP, released via X Novo June 2014 (licensed to Humming Records, out in GSA 04/07/14).

You can buy this track and the EP here - http://smarturl.it/phoriadisplayep

"Display" (Vinyl) available here - http://xnovo.bigcartel.com/product/phoria-display-ep-10-vinyl-xn001

www.phoriamusic.com
https://twitter.com/phoria
www.facebook.com/phoriamusic

Released via X Novo (Digital/Ltd Edition Vinyl):
https://www.facebook.com/XNovoMusic

Artwork by Sophie Giblin:
https://www.facebook.com/SophieGiblinArtist

Lyrics:

I left you all cuddled up
so what did you save them for
I watched them blow away
oh my love's digging in further

now everyone's saving us
so what you breathing for
I watched it flow away
oh my love saved from further

Buy on iTunes

Emanate

Animation produced and directed by Jim Howells (www.jimhowells.com)

https://www.youtube.com/watch?v=wAOdAOaDu9k

From the 'Display' EP, available here - http://smarturl.it/phoriadisplayep

"Display" (Vinyl) available here - http://xnovo.bigcartel.com/product/phoria-display-ep-10-vinyl-xn001


Atomic

from 'Walizka' [CD|LP|DIGITAL]
Denovali Records · den201
available on all formats at [http://denovali.com/johnlemke]

Working across a variety of media John Lemke explores all things sonic through live performance, sound design and his work as a documentary film composer. The Walizka EP is his latest solo release on Denovali Records.

Three items in a suitcase, a clarinet, a looper and a microphone - is how it all started. 

A free improvisation with friend & collaborator Łukasz Bernacki (on clarinet) sparked John’s desire to bring his compositional and production approach back down to the most basic elements. Creating simple, yet distinctive rhythms only through tapping contact microphones run into noisy guitar amps became the base for the EP’s three tracks, consequently inspiring its live, lo-fi feel. Written and recorded between John’s native Berlin and his adopted home of Glasgow, Walizka (Polish for ‘suitcase’) somehow absorbs the defining atmospheres of both cities in its core.

Previously released digitally as a teaser for John’s debut album, the Walizka EP actually presents newer material, progressing the electro-acoustic nature of ‘People Do’ towards more dub drenched territories. Refining John’s blend of prepared piano and field recordings with hand crafted beats and swampy bass lines, this deeply moody and danceable release bends genres with refreshing ease.

The EP is furthermore enhanced by a second half of remixes by fellow Denovali artists Piano Interrupted, SaffronKeira and Petrels and the ever elusive Everyday Dust. Far from conventional remixes, these pieces fall more in the category of re-imaginations, complementing the EP’s first, more rhythm anchored half with a coherent ambient counterpart.

Written, performed, recorded & produced by John Lemke in 2013
Mastered by Alex Gámez at Störung Studio
Artwork by Łukasz Bernacki

Walizka

John Lemke - Walizka (Piano Interrupted Remix)

Lyrics:

This garden is overgrown but that does not stop
A stone would never grace the guards a lot
Still loved, still rolling a bad eye in all this salt
But that did not stop her sun get her down

You were my first time
You are why I'm staying up
You are why it's undone
This song gave it

I'll savour the light for us and that is so hard
It's only ever mess decipher us
Still loved still further
Hope in her hand you're
But that did not stop her sun get her down

You were my first time
You are why I'm staying up
You are why it's undone
This song gave it

You were my first time
You are why I'm staying up
You are why it's undone
This song gave it
I saved us a night in the sun


From  'Display' EP, released via X Novo June 2014 (licensed to Humming Records, out in GSA 04/07/14).

You can buy the EP here - http://smarturl.it/phoriadisplayep

"Display" (Vinyl) available here - http://xnovo.bigcartel.com/product/phoria-display-ep-10-vinyl-xn001

www.phoriamusic.com
twitter.com/phoria
www.facebook.com/phoriamusic

Released via X Novo (Digital/Ltd Edition Vinyl):
www.facebook.com/XNovoMusic

Artwork by Sophie Giblin:
www.facebook.com/SophieGiblinArtist

Undone

From  'Display' EP, released via X Novo June 2014 (licensed to Humming Records, out in GSA 04/07/14).

You can buy the EP here - http://smarturl.it/phoriadisplayep

"Display" (Vinyl) available here - http://xnovo.bigcartel.com/product/phoria-display-ep-10-vinyl-xn001


www.phoriamusic.com
twitter.com/phoria
www.facebook.com/phoriamusic

Released via X Novo (Digital/Ltd Edition Vinyl):
www.facebook.com/XNovoMusic

Artwork by Sophie Giblin:
www.facebook.com/SophieGiblinArtist



Efforttobreathe

Spotify: https://open.spotify.com/track/0bf5EW1aMSEpvysqe16iUB?si=CD_igLkpTemBuLVyVEKSLw

Epiloog

Tribute to amazing Nils Frahm's "Tristana"..

Nils Frahm - Tristana (Daigo Hanada Rework)

Recorded for Gonzalo Bénard for his art video 'Distichous - Mind vs. Consciousness'

Vimeo Link: https://vimeo.com/134122061
Youtube Link: https://yout.be/IrPex57oeE0

G's Website: www.gbenard.com

Beautiful Storm in the Ocean

Hammond B3 meets Native American flutein Am.

Escaping Dawn

Fund/preorder here: https://www.indiegogo.com/projects/alex-kozobolis-weightless#/

Weightless is an EP of intricate original piano compositions by UK artist Alex Kozobolis. With a series of solo releases over the past few years and collaborations with artists such as Lee Chapman, Harry Edwards, and Anna Rose Carter, Weightless represents Alex's unique approach to composition and melody. 

His touch on the piano is light and fluid; moving between dense sustained runs, which evaporate as soon as they are heard, to spaciously plotted notes. Weightless is the sound of weight itself lifting, of the earthly effect of gravity removed and allowing the listener to be suspended within mid-air, uninterrupted by pressures and restrains of the physical world. Coursing with energy, and running to take flight.

Each of the four tracks have been remixed by Siavash Amini, Tom Adams, Trnspt and Hedia, with very different, but cohesive results, expanding the tone of the EP into new areas.  

Weightless will be available on limited clear vinyl, digipack CD and digital editions.

Tracklist 

Side A
1. Unravel
2. Closure
3. And Find Yourself
4. Weightless

Side B
1. Weightless (Tom Adams Remix)
2. And Find Yourself (Siavash Amini Remix)
3. Closure (Hedia Remix)
4. Unravel (Transept Remix)

Closure by Alex Kozobolis

Taken from my latest album "(For Now We See) Through A Glass Dimly", ‘Elegy (ii)’ features the elegantly dexterous vocals of Joanna Swan (Ilya) and the incisive strings of Christoph Berg (Field Rotation).
The album, as described by Hidden Shoal:
The 10 tracks that comprise "(For Now We See) Through A Glass Dimly" have an emotional potency and compositional dexterity that surpasses the acclaimed body of work that precedes them, drawing you into their evocative world and demanding engagement. The album includes contributions from Christoph Berg (Field Rotation), composer Stefano Guzzetti, James Banbury (The Auteurs), Joanna Swan (Ilya) and writer Paul Morley. Mixed by Stefano Guzzetti and Paul Humphreys (OMD), and mastered by Rafael Anton Irisarri (The Sight Below), the album’s depth of sound is awe-inspiring.
For more releases by Antonymes: https://antonymes.bandcamp.com/
This music is available for licensing. Email Cam at Hidden Shoal for more details: cam[@]hiddenshoal.com | www.hiddenshoal.com/licensing

Antonymes on Spotify: http://spoti.fi/2cAJxyL

Elegy (ii)

Taken from the album "Communication", released by Preserved Sound, November 21, 2016. Purchase, download, stream the full album:

Communication

Change

Change – Max Ananyev

Federico Albanese - THE BLUE HOUR

'The Blue Hour', released on LP, CD, Download via Berlin Classics Neue Meister on 15 January, 2016

Buy on Itunes - itunes.apple.com/us/album/the-blu…our/id1053970394

Berlin based, ‘piano poet’ Federico Albanese took inspiration from the brief transitional state between day and night, writing a collection of chamber-music miniatures that withdraw, explore, yet assert their laconic melodies all the more decisively. The emotions to which Albanese has given expression in his thirteen compositions have been articulated with well-considered gestures.

Equally well-considered is the choice of instruments that Federico Albanese deploys on ‘The Blue Hour’. Piano and synthesizers are joined by a cello, magnified by over-dubbing and sound effects that culminate into a little chamber orchestra, which swells the acoustics while checking the dominance of a clear solo voice. Albanese esteems the Gesamtklang, the overall sound image, with its mixture of compositional precision and dreamlike fluidity. For this reason, the pieces are recorded from start to finish on analogue equipment, further enhancing the warmth of their sound. In ‘Céline’ we hear a discreet beat, scarcely perceptible, a gentle pulse that lends structure without jeopardizing the charm of ‘The Blue Hour’.

“There is a particular moment when opposites are very close, almost touching one another. When there is still light but not quite darkness. A world in between, where all things are uncertain, vague, floating into shade. We can follow or observe, unsure where this would lead - into darkness or light; into the shadow of memories and dreams. A reflection of our desires and hopes, ready to be seen or unseen. It can be a sudden glimpse, with ideas turning into shapes, not yet complete. You can see things, but are unsure what they are. It is an unrevealed choice. A place to recover and heal, lulled by the security of the warm shadow of an ancient tree upon a hill" – Federico Albanese

Epiloog

Maarten Vos

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