MACARENA ROSMANICH
un grito (2019)

for 5 instruments 
(fl., cl., pno., vln., vc.)

Saskia Worf, flute
Aristides Porto, clarinet
Theresa Jensen, violin
Larissa Nagel, cello
Ke Xu, piano 
Ni Fan, conductor

Live Recording. 21.06.2019
Palazzo Ricci 
Montepulciano, Italy.

un grito (2019) for five instruments

無影灯

無影灯の閉じた光が差した
夢を見る　夢が夢を見させる

無影灯の閉じた光が差した
夢を見る　夢で夢を見ている

故に朝は　故に途切れた朝だ
故に朝は　故に途切れた朝だ

無影灯の閉じた光が差した
故に朝は　夢が俺を見ていた

scialytic lamp

Paul Amlehn - Compositional system, catalyst texts and vocals for music creation, title, production
Julia Kent - Cello, electronics, engineering
Salvador Dali - Collage: Melpomene

Melpomene

https://soundcloud.com/tengos-trail/sealed-off

Sealed Off - Tengo's Trail - Sunday Jam-Collab

(((The Seamless Pattern)))      LIFE^ DEATH

lady of fire original

beats, lyrics and vocals - T. Jackland

We Define We

Sonopoetry by 
https://soundcloud.com/ilaria_boffa
Music produced & mixed
by P è n i n ș o l a r
https://soundcloud.com/p-e-n-i-n-s-o-l-a-r
Visual : Rika Ryzhykova
Пчёлы:
https://youtu.be/m7cu-NdCdMg

On the threshold, liminality in seclusion. You and I
all species and all objects occupy a sound bandwidth
on a spectrogram, a voice to feel heard.
Ongoing eco-squatting and evacuation under human pressure.
Are we bypassing reciprocity, trivialising wander and mystery?
Decency has a traceable nomenclature, a legacy.

I sense your cavitation
drought, self-imposed.
Then conserve, archive.
Never forget how
insignificant we are
and yet decisive.
Unlearn and de-familiarise.
I won’t set my own frequency
below 500 hertz.

Written by 
https://soundcloud.com/ilaria_boffa

Purchase on Bandcamp

Ilaria Boffa P è n i n ș o l a r - 500Hertz

FORCE OF NATURE

Old Story

That easy thing

from triple album: TOmEgaReakTor (11/2020)
follow link 2 listen full...
https://neurologickthunder.bandcamp.com/album/to-mega-reaktor-book-a-entropy

Multiveris Ov Fortune

8hippi

Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

un grito (2019) for five instruments

Macarena Rosmanich Le Roy