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COMPOSITORAS ⊙◉○◌◍◎●| Womencomposers | Lista de reproducción realizada por Melissa Vargas

Novedades: Clásica

macarena rosmanich le Roy

Dr Cat Moir (University of Sydney)in conversation with Dr Sebastian Truskolaski (King's College London) about his new book, Adorno and the Ban on Images (Bloomsbury, 2021). Part of King's College London's Comparative Literature Department's research seminar series, 3 March 2021.

Adorno and the ban on Images

This piece has been composed as part of the ACTOR Project (https://www.actorproject.org)
live recording on May 4th 2021 by :
Jeanne Côté, Violin
Martin Daigle, Percussion
Eric Bourgeois, Trombone
Matias Perinetti-Paniagua, Bass Clarinet
Charles-Eric Fontaine, Conducting
Recording : Yangwanqing Zhou, Ying-Ying Zhang & Martha DeFrancisco
Thank you to : Ryan Cass (Trombone) and Elia Foster (Bass Clarinet)for their creative input

...for narrow is the door... (03/2020)

2016

Extract from Les Constellations - Une Théorie, devised opera on a libretto by Antoine Thiollier, conceived in collaboration with the theatre company L'Éventuel Hérisson Bleu, produced by Miroirs Étendus and co-produced by Lille Opera.

Performed by Marianne Croux (soprano), Josephine Stephenson (electric guitar), Fiona Monbet (violin), Antoine Cambruzzi (clarinet), Romain Louveau (piano), Marion Bordessoulles (voiceover)


Watch the live video teaser of this extract: https://vimeo.com/191270350

Les Constellations - Une Théorie: Je voudrais dormir

Senderos

Macarena Rosmanich
Un signo en tu sombra (2018)

Pablo Coello, sopran saxophone.
Live recording. Concierto Corrossion Resistance. 
Centro Cultural o Vello Cárcere, Lugo, Spain.

Un signo en tu sombra (2018) for sopran saxophone

Live Recording, 18 de Abril 2018. Conservatorio UNAL, Bogotá.

Hara Alonso: Piano cotidiano / Carmen Morales Moreno

Obra comisionada por la Cátedra Arturo Márquez 2017 UNAM
OJUEM
Dir. Massimo Quarta 
Sala Nezahualcóyotl
Marzo 2018
(Live take)

Cleptinae

MOKITA 

Creative Sources 2018

Cecilia Quinteros - cello
Christoph Gallio - saxos
Alex Elgier - piano
Marcelo von Schultz - batería

Grabado el 12 de mayo del 2017 en Estudio Libres, Bs As
Grabado y mezclado por Sam Nacht. Masterizado por Will-Y Strehler 
Diseño gráfico por Anne Hoffman. Foto de portada por Claudio Moser. Toda la música por Mokita. Producción ejecutiva por Ernesto Rodriguez.

MOKITA

Prosopis Ferox (MOKITA)

Av Quinta Madera

Well i'm here again with this great cover and yes i all... XD

Sweden - Minecraft (Orchestral Cover)

MACARENA ROSMANICH
un grito (2019)

for 5 instruments 
(fl., cl., pno., vln., vc.)

Saskia Worf, flute
Aristides Porto, clarinet
Theresa Jensen, violin
Larissa Nagel, cello
Ke Xu, piano 
Ni Fan, conductor

Live Recording. 21.06.2019
Palazzo Ricci 
Montepulciano, Italy.

un grito (2019) for five instruments

Performed by Ensemble intercontemporain
Conducted by Matthias Pintscher
Recorded live on June 14th 2019 at Cité de la Musique, Paris

Le lieu et la formule (2019) for large ensemble

Premiered at outHEAR Festival in Larissa, Greece on December 14th, 2019 by members of Klangforum Wien and PPCM. 

Felix Martl, bass clarinet
Mikael Rudolfsson, trombone
Leo Morello, cello
Joonas Ahonen, piano
Dimitrios Polisoidis, conductor

recorded by Dimitri Papageorgiou

[pictured: John Divola]

Sunol (2019) for bass clarinet, trombone, cello, and piano

Macarena Rosmanich, a Chilean composer based in Germany, is one of the most active international voices of a growing scene of Latin American female composers. Although her career has developed mainly in Europe, her eagerness to motivate future female composers in her country of origin, makes her have permanent contact with the contemporary Chilean scene. 
The concept of intertextuality is at the center of her work. Each piece is linked to other pieces, through elements that are then developed in a new context, generating a universe that interacts and evolves internally. This universe is not isolated, but also discusses or is inspired by narrative literature, poetry, art, as well as social and political events.  All this works as an engine that triggers a flow of sound relationships that give rise to her work. 
"The close relationship between compositional work and literature, has led me to conceive spaces that complement each other and merge into a unity through music. My approach seeks to provide the poetic form with a new temporal dimension, a sort of collaboration between sound and word that transcends conventional boundaries. In essence, my purpose is to blur the boundaries of pre-existing form and structure in a work, rearranging them in such a way as to configure a new work, thus redefining the essence of the original. This process not only involves a stylistic transformation, but also seeks to open up new routes of interpretation, allowing the musical composition to dialogue in a unique way with the poetry and, in turn, establish a richer and more dynamic connection with time."
Her work ranges from chamber and vocal music to works for orchestra and musical theatre. She has worked with numerous international soloists, orchestras and ensembles, such as Musikfabrik, Kommas, Via Nova, Mosaik, Recherche, Multilatérale, United Instruments of Lucilin, KNM Berlin, Vertixe Sonora, L'ART POUR L'ART, Reflexion K, Broken Frames Syndicate, among others. 
Her works have been performed in Latin America, Germany, France, Italy, England, Spain and Luxembourg. 
She studied at the University of Chile where she graduated with distinction and continued her postgraduate studies with composer José María Sánchez Verdú at the Robert Schumann Musikhochschule in Düsseldorf and later a master's degree in composition at the University of Freiburg with Johannes Schöllhorn.
Macarena Rosmanich lives and works in Cologne, Germany.

https://rosmanich.com/

Contact: macarosmanich@gmail.com

un grito (2019) for five instruments

Macarena Rosmanich Le Roy