1 - Protae
2 - Fagus
3 - Ekaterin
4 - Molniya
5 - Emision
 
It is always our pleasure to have new talents in the house, and we’ve been following Notzing’s development since long ago. His approach to techno is absolutely personal and complex, hard and intrincated, mental and physical.
 
Protae is the first missile in this box full of weapons, a super busy techno exercise with compacted drums, drilling synth lines and random metallic hits breaking the monotony. The effect on the floor is devastating and has been tested extensively in dancefloors worldwide by label owner Oscar Mulero in the past months.  7 minutes of pure dancefloor mayhem.
 
Fagus continues with the sickness, with hysterical synth washe repeating an hypnotic chant, adding layers of sound as the groove goes by. Repetition is here the key to proper trance, not exactly with pleasant tones but by aggression.
 
Ekaterin is gummy and elastic with formant synth sounds chewing frequencies and changing constantly in shape. Another mental mantra with a physical drive.
 
Molniya slows down the pace and dives into profound sound scapes full of unnatural underwater sounds and washes providing a feeling of scuba diving.
 
To end this sonic odyssey, Emision goes completely beatless, growing from the profound sub bass frequencies to crispy and crunchy surface noises, creating the soundtrack of floating in outer space with no gravity. Please beware of the super intense bass tones when playing on a big sound system.
The perfect combination of experimentation and punchiness, keep an eye on this guy, is gonna make some proper noise in the coming years.

Preview: Notzing - Liminal EP - WU86

Towards the Center of Time and Surrounded by Spirits

Eeica

Oefenmeesters: Creznight [BCR25/05/24]

The Full EP is now available on our Bandcamp.
Support us and go download your copy :)

A veteran of improvised live sets, Nntblst has extracted from his sessions “After me, the deluge”, the first EP of Machine Ouverte. We are proud to present this raw hypnotic techno release with a very personal universe.

Following the artistic direction of the label, the EP was composed and recorded live, the edit is only there to polish and make the set shine. Composed on a small modular case, Nntblst shows us a perfect mastery of his instrument.

The EP is composed of 5 tracks that form a coherent and flawless whole. We navigate through gritty and enchanting atmospheres, contrasted by a thumping intensity throughout the listening.

01 - When I am dead - 7'53
02 - The deluge may come - 5'55
03 - For ought I care - 6'17
04 - Ruin - 7'05
05 - Dead and gone - 6'35

“When I am dead” welcomes us with its kick wrapped in a groovy reverb, held by a tense and excited rhythm. The spirit of the EP is already there, hidden behind a few notes of synth with a scraped texture, as haunting as desired.

“The deluge May Come” is supported by a solid rolling bass that warns us of the upcoming tension. A “straight to the point” track, full of “ear candies” that we savor with delight.

With its broken techno beat, “For Ought I Care”, is a beautiful tour de force: a tension that keeps increasing, where each part of the track makes us climb one more step, in the middle of its obsessive synth line, to end in a slow and magnificent deconstruction (or destruction?) of its texture.

With “Ruin”, we descend back into a mental and throbbing atmosphere. Its background rhythm runs like a compulsive horse and keeps us on tenterhooks. A striking track with as its climax an absolutely mind-blowing suspended break, led by a beautiful distorted feedback that gives goosebumps.

“Dead and Gone”, a condensed version of the EP’s spirit and energy, is a dancefloor killer. Driven by a roll of distorted toms in a slight delay, quickly joined by the off-beat ride, the track unfolds at the whim of totally hypnotic synth line. Nntblst shows us once again his keen sense of the break with a transposition that makes the head spin to start again in full force. We love it. This last track brilliantly concludes the journey we have been embarked on.

“After me, the deluge” is undoubtedly a mature, rich and striking EP that we can’t wait to hear in the darkness of the dance-floors.

Mastering by Paul Mac / Hardgroove Mastering
Artwork by Béatrice Lortet

After me, the deluge

Nntblst - After Me, The Deluge EP SNIPPETS

Hoy queremos presentarles al siguiente artista invitado para participar de nuestra serie de podcasts. 

Soul Abduction es el alter ego de  Santiago Pastrano.  Nacido en Buenos Aires a finales de los 80 fue influenciado musicalmente por sonidos pop noventeros que se escuchaban en su hogar, ademas de absorber bastante groove latino por haber vivido su infancia en Venezuela.

Como dj tiene sus comienzos en el año 2009. Hoy en día esta incursionando en la producción, se mueve por sonidos como Detroit, dub techno, hypnotic, tribal, manteniendo un groove siempre intenso. 

Su estilo le permitió tener actuaciones en distintos clubs y ciclos del país, como lo son Cocoliche, Under club, Vincent,   Ucrania Techno, Raíces, Dynamic, Detekted, Dforest, etc

Es uno de los integrantes de la dupla SX2 que integra junto a Simon ST.  Tanto con la dupla y como solista, se ha presentado con distintos artista nacionales e internacionales como Tripeo, Etapp Kyle, Under black helmet, Merino, Lucas Mari, Mekas, Sol Ortega, Seph, Mariano DC, Xhei, Gonzalo MD, Mental Resonance, E110101, Pulse one, Pulso, Vladw, Volpe, Zisko, Michel Lauriola, YYYY, Julixo, DYING, Barakat, Dani Vega, JXXXO, Lucas Sosa.

También se encuentra a cargo del ciclo Ucrania techno, el cual se lleva a cabo en el sur de la Provincia de Buenos Aires, y ha ayudado mucho en el crecimiento de la escena under del techno en zona sur.



Gracias @soulabduction por la colaboración 🫶🏼

Y como siempre, gracias a todxs por el apoyo que dan a nuestro colectivo. 

Ørnament ⚜️

-

Today we want to introduce you to the next artist in charge of participating in our series.

Soul Abduction is the alter ego of Santiago Pastrano.  Born in Buenos Aires in the late 80s, he was musically influenced by 90s pop sounds that were heard in his home, in addition to absorbing a lot of Latin groove from having lived his childhood in Venezuela.

As a dj he began with him in 2009, he was characterized by his minimalist mixes and always leaning towards a more techno aesthetic.  Today he is dabbling in production, moving around sounds like Detroit, dub techno and Birmingham.

His style allowed him to have performances in different clubs and cycles in the country, such as Cocoliche, Under club, Vincent, Ukraine Techno, Raíces, Dynamic, Assault, Detekted, Dforest, etc.

He is one of the members of the SX2 duo that he integrates with Simon ST.  Both with the duo and as a soloist, he has performed with different national and international artists such as Tripeo, Etapp Kyle, Under black helmet, Merino, Lucas Mari, Mekas, Sol Ortega, Seph, Qik, Mariano DC, Xhei, Gonzalo MD, Mental Resonance, E110101, Pulse one, Farceb, Volpe, Michel Lauriola, YYYY, Julixo, DYING, Barakat, Dani Vega.

He is also in charge of the Ukraine techno cycle, which takes place in the south of the Province of Buenos Aires, and has helped a lot in the growth of the underground techno scene in the south of Buenos Aires.

Thanks @soulabduction for the collaboration 🫶🏼

And once again, thanks to everyone for the constant support!

Ørnament ⚜️

Ørnament Podcast 024 - Soul Abduction

022 // Duts

Tincker for STILTECOUPÉ @ DE FIK GARDEN DJ Contest

Born in Palermo in 1996, adner’s passion for Electronic Music began in 2010, making his first steps as a Dj when he was 14. 

Influenced by Techno, EBM and experimental music, and by artists such as Regis, Dasha Rush, Rrose and Kobosil’s early works, his sound is a journey through the depth of music where the past meets the future, exploring a large palette of genres both in his productions and in his Dj sets. 

In 2023 adner started “Question of Perception”, his own series of releases on Bandcamp, which is a selection of dancefloor oriented tracks that show the harshest side of his musical production. 


- Music by @giorgio-adner
- 3D sculpture by @4c_disgrazia
- Graphic layout by @margheiannilli

CREA MIX SERIES 02 | adner

Shut Up

2025-12-07_

Support the label, buy it here: https://vaultrecords.bandcamp.com/album/52hz-whale


Artists: Ket Robinson & Gannein
Title: 52Hz Whale
Label: Vault Records
Catalogue: VSX007
Format: Digital Only
Genre: Electronic
Style: #Techno
Release date: Dec 18, 2025
Mastered by Audiosculpture
Artwork by ankhsious

Follow #Gannein here:
https://soundcloud.com/gannein 
https://www.instagram.com/gannein.techno/ 

Follow #KetRobinson here:
https://soundcloud.com/ketrobinson 
https://www.instagram.com/ket_robinson/  
Follow #VaultRecords here: @vault-sessions-collective www.instagram.com/vault_sessions/ www.facebook.com/Vault.Sessions.Amsterdam

Gannein and Ket Robinson unleash a high‑octane techno saga that twists kaleidoscopic synth‑scapes, surgical drum programming, and pulse driven grooves into a single, relentless surge. The record oscillates between razor thin, hypnotic minimalism and riotous, wall‑of‑sound maximalism, distilling the very apex of their collaborative chemistry. It crowns a year‑long dialogue, marking the pinnacle of their joint output before each turns the spotlight inward on their own solo visions.

Tracklist:
1. 52Hz Whale
2. Chaotic Behavior
3. Strong Knees
4. Coin Toss

PREMIERE: Gannein & Ket Robinson - 52Hz Whale [VSX007]

Hardware & modular live techno label.

Full Nntblst EP available on our bandcamp

Machine Ouverte is a small, independent diy label dedicated to unearthing and sharing the crème de la crème of underground live performers.
Support independent music and our label by downloading the EP on Bandcamp.

Thanks for your support !

---

Machine Ouverte is a label focused on the production and distribution of releases that are primarily played and recorded live. Capturing freshness and spontaneity, showcasing the “rough” side, and bringing out surprises, the label aims to highlight the unique moment of live performance as a key element in music practice and creation.

Machine Ouverte aims to place this performative aspect, improvisation, and direct experimentation at the heart of the creative process. The majority of composition and writing are concentrated in the preparation and execution phase of the live performance. Editing becomes secondary and only serves to prepare the tracks for release. While production often leaves ample room for editing, perfecting, and transforming a piece, Machine Ouverte emphasizes the raw energy of the live performance. The live performance contains surprises and happy accidents. The label values these imperfections and aims to preserve the specificities of the performance during production.

With a techno resonance, the releases freely explore a wide range of electronic music genres.