Observe the waves on this one, gradually getting more intense. The waves look like a submarine!  Gotta appreciate its drama

Участники группы Электрическая Собака составили компиляцию записей со своих лайв-выступлений. Год назад музыканты осознанно отказались от совместных репетиций, поэтому всё их взаимодействие происходит во время сетов. Именно оно задокументировано в миксе – электроакустические завихрения, рассыпающиеся и тонущие ритмы, щекотание ушей электронным звуком.


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The Elektricheskaya Sobaka band members have compiled recordings from their live performances. A year ago, the musicians deliberately refused to rehearse together, so all their interaction takes place during live sets. It was documented in the mix – electroacoustic swirls, crumbling and sinking rhythms, tickling the ears with electronic sound.

023 – Elektricheskaya Sobaka

Good friends from Décalé. Records are back with another awesome reissue, this time with "Le Disque De l'Art Gué", a 10-track compilation, highlighting the avant-garde and dreamlike work of Swiss Artist Fizzè. In between medieval ballad, acoustic industrial and psychedelic world music, the reissue includes original tracks from "Kulu Hatha Mamnua" and "Manoeuvres d'Automne" albums released in 1987, along with unreleased materials and remixes by Fizzè.

Out on March 17 in vinyl and digital:
https://decalerecords.bandcamp.com/album/fizz-le-disque-de-lart-gu

Le Disque de l'Art Gué

℘ཞɛɱıɛཞɛ ≈ Fizzè - Kayannica [Décalé. Records]

Alive or moulder, I’ll appear 
Compelled to Inhale  
Core circle of livability 

Mantle of skin - scars & wings  
Words, worth the world 
Fractals on tongue - soft & edgy  

Body, as imaginary 
Might split in two 
Far enough to touch you 
Into eternity.

Echoes of invisible phantoms and the suitable fluidity - the idea of being trapped in one form, outmatched by circumstances. Bordering on angles that are rarely disturbed -  that it is permeable. Drastic transmogrify, vigor of reflexes, unafraid of being deceived by the appearances of what exudes around.   

'Transmogrify' is a newfound approach of Anasisana. Putting ecstatic volubility into new patterns - ingrown and intense ties, tempting to pond over and bridge the shreds.

Transmogrify

Anasisana - Butterflies

Colonia Dignidad was the settlement of a German evangelical sect.

After being prosecuted for child abuse in Germany, the group fled to Chile in 1961. Like similar religious sects, it was characterized by the outward appearance of a unified, godly community with well-tempered cultural activities and social welfare, but inwardly and in its environment by oppression, sexual abuse, and exploitation. In the 1970s, it unquestioningly inserted itself into Pinochet's regime of terror, aiding in the imprisonment and torture of political prisoners, weapons production, etc. Since the end of the 1980s, there has been a legal reappraisal of the C.D.'s crimes in Chile.

Its successor organization makes a living from tourism.

The C.D. project uses, on the one hand, a series of documentary recordings of contemporary witnesses, and on the other, a set of melodic improvisations (MIDI files), improvised in the spirit of the impressions of terror, tension, claustrophobia and fear associated with the Colonia. CD 2 (Knochenstückchen) directly reflects this atmosphere. CD 1 (Reue?) on the other hand, is characterized by the contradictory breadth of the statements found after the dissolution of the sect: Denial of atrocities to glorification of the C.D. by leaders who returned to Germany against the professed traumas of formerly abused inmates and exploited community workers.

For this purpose, the eyewitness recordings were sound-modified to a considerable extent. The MIDI files were played back with a variety of virtual instruments (piano, guitar, sax, turntable, lung machine, barrel organ, synths, etc.) in a multitude of modifications (speed, pitches, loops, harmonic and tonal variations), so that the 11 pieces from CD 1 and the 16 pieces from CD 2 each represent a closely interwoven overall composition.

Ralf Wehowsky is one of the most respected practitioners of radical music of our day. He was the founding member of the seminal German group P16.D4 and ran the legendary experimental label Selektion whose ground-breaking releases influenced many working in today's experimental music scene. Previous releases have seen him collaborate with such well known and diverse artists such as Merzbow, Andrew Chalk, Jim O'Rourke, Achim Wollscheid, Lionel Marchetti, Kevin Drumm, Kouhei Matsunaga and Bruce Russell. 

Design - Maja Larsson

RLW - (Knochenstückchen) excerpt

Artist: https://soundcloud.com/miaux
Track: The Old Pavilion Near The Lake
Label: https://soundcloud.com/viernulvierrecords
Format: 12" Vinyl, Digital LP
Release date: 03/05/24
YouTube: https://youtu.be/HU6I1c3pARQ

https://www.instagram.com/miaux
https://www.instagram.com/viernulvier.gent

Miaux presents new LP ‘NEVER COMING BACK’ on VIERNULVIER Records.
The Belgian composer’s upcoming LP is inspired by the new film score she wrote for 60's cult film ‘CARNIVAL OF SOULS’.
Antwerp-based composer and synth virtuoso Miaux presents her new album, 'Never Coming Back’ on VIERNULVIER Records. The record is rooted in the recent film score she composed for the surreal and haunted cult movie 'Carnival of Souls' (1962).
Directed by American filmmaker Herk Harvey, this enigmatic ghost film influenced contemporary directors like David Lynch, George A. Romero, and Lucrecia Martel.
Miaux meticulously crafted the score in her home studio, relying solely on her two hands and a single synthesizer during the spring and summer of 2022. The inaugural performance of this renewed score with film, unfolded at Videodroom / Film Fest Gent 2022 in Ghent, Belgium. The compositions were subsequently unraveled, rewritten into full-fledged songs, and assembled into a new record entitled 'Never coming back ’, bearing Miaux’s unmistakable signature. The album is scheduled for release on May 3 and will be available on vinyl LP and all digital platforms.
Miaux will perform the album live at Roadburn Festival (NL), offering a pure interpretation of the new songs. Additionally, there are shows planned at STUK (Leuven) and Palmarium (Ghent), where she will perform the film score alongside the film.

PREMIERE | Miaux - The Old Pavilion Near The Lake [VIERNULVIER] 2024

CYBERSPYDER AKA BASED JESUS - CYBERNETIC TRAP

Lobotomy

buy on bandcamp https://amnfx.bandcamp.com/album/modern-life

out on @fireringlabel

Modern Life

Buy If You Like

Åmnfx – Modern Life

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booking: carin@outer-agency.com

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Buy on TAJR BANDCAMP

»KAMILHAN; il y a péril en la demeure« is the conclusion of a 5-part cycle of works by artist Grischa Lichtenberger which was initiated with the album »LA DEMEURE; il y a péril en la demeure« in 2015 and continued with the triple EP release »Spielraum, Allgegenwart, Strahlung« in 2016.
In addition to the concept of „demeure“, ones residence as a symbol for the joy and artistic possibilities one can find in isolation, Lichtenberger places a further emphasis on the expression of the voice, represented by the word „Kamilhan“. „Kamilhan“ is a non-existent word, an expression that Ernst Bloch once mentioned in an anecdote about his childhood. Fascinated by its sound but without knowing its meaning, it remained vivid in his memory in its purely „material“ form.
Lichtenberger also refers to this childish perception of language. Words that we do not know, but repeat in our thoughts until they become insignificant. Lyrics in a foreign language that we do not understand and still sing along and imitate. With computer-generated voices, Lichtenberger tries to reproduce these experiences. In his tracks we hear syllables and phrases that are similar to words and that seem familiar to us, but whose meaning remains a secret.
As on the previous album, the tracks on »KAMILHAN« are constantly torn apart and reassembled. Borrowings from hip-hop and even pop are unmistakable, desired, and yet delusive. Rhythms that are repeatedly broken in order to re-organize themselves into new temporal patterns. Melodies that are pierced by precisely these intricate rhythms. Voices that lack any empathy due to their artificiality.
Lichtenberger himself describes these tracks as „crooked ballads“, which, by deliberately following classic pop song structures, try to sell us the absurd as the normal, and in turn smuggle some hope of recognition into the absurd.
»KAMILHAN; il y a péril en la demeure« will be released on May 08, 2020 on CD and as a limited double vinyl edition including a handmade and signed silkscreen print.

KAMILHAN; il y a péril en la demeure

Grischa Lichtenberger »s4e« taken from »KAMILHAN; il y a péril en la demeure«

OUT NOW: https://wherethetimegoes.bandcamp.com/album/frog-of-earth

What’s it like to be a frog? - a question posed by philosophizers and scienticians alike for nigh on millenia without any definitive progress or resolution to the issue. The sad truth is that Man, in his usual self absorbed way, has only ever attempted to apply his own logical tricks and turns of phrase to describe the totally nonhuman sensual experience of the frog. In his arrogance, Man has failed to even realise the futility of his venture, of superimposing himself onto its self. The frog’s rich experience is its own, and now for possibly the first time in human history Man may, if he allows himself to, glimpse the essence of the frog. But not through word, or through self referential descriptions and calculations; but through self-absolving experience - through the Frog of Earth.

Frog of Earth is the debut album by the Frog of Earth, and is available now to purchase via bandcamp in single disc 12" vinyl LP, and in all digital formats.

Worldwide distribution handled by Rubadub.

Artwork by Mel & Dean.

Frog of Earth

Buy the Album

Frog of Earth - Settle For Less (Frog of Earth 12" LP OUT NOW)

MGMT | av[@]mrkefirmgmt.com
PROMO |  machinewomanhq[@]gmail.com 

⚡ "it's nice to be important but it's more important to be nice" - Scooter ⚡

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