Oldies ('90 - '00 - '10)

"Perché Dormiamo?" First DEMO version. Composed in the evening between the 5th and the 6th o January (probaly). The Piano sound was probably a Quicktime MIDI system sound. 

The title of the track came to me in the summer of 2006 at the Natural History Museum in London, looking at  a shrine with the reproduction of a small dinosaur portrayed in the act of sleeping.

The question that arose kept running through my head like a melancholy riddle throughout my stay in London.  "Why do we sleep? Why do we sleep? Why do we sleep? Why do we sleep? ..."

I finished the piece in January 2020, but still couldn't get an answer.

Perché Dormiamo? (DEMO 2007)

Demo track from 2007, made with the purpose of being used for a band. The track was never finished or performed. Despite good intentions I got carried away and overdid the overdubs (a tendency I struggle to get rid of even now). I made an effort to leave everything as unaltered as possible from the 2007 mix. The only thing I was forced to add was the bass part; before there was a horrible midi placeholder and it was missing in many parts. I tried to play it the way I would have played it in 2007 and it still remains a bit naive since I am not a bass player.
The drums were made from a sample CD found at a friend's house, I don't know where they came from. It probably also has loops in it from the library of the old Apple Soundtrack Pro...

Skomorokh

Skomorokh (DEMO - Circa 2007)

Piece composed in 2002 for the trailer of the documentary 'My Three Peaks' ('Le mie Tre Cime') by Andreas Pichler. Direction: Andreas Pichler | Animation: Nunzio Cicero, Gigi Tarantola, Tatiana and Riccardo Arena. 
Part of the piece was later used in the final cut of the documentary. This track marks my very first experience with a sampler! I used Halion software (maybe version 2) and some sample CDs for Akai lent to me by a friend.
I put it here as it was, just cleaned up a couple of clicks, also because although I kept the score I no longer have either the sounds samples or the software to open the original project...

Tre Cime (Trailer Soundtrack - 2002)

- Picture -
Artist Picture. Unknown (Sorry)
Art Cover Editor. Shyntwirl
Colorist. Shyntwirl
Lightning. Shyntwirl

- Music -
Produccer. Shyntwirl
Composer. Shyntwirl
Programmer. Shyntwirl
Keyboard. Shyntwirl
Synthesizers. Shyntwirl
Equalizers. Shyntwirl
Background. Shyntwirl
Nature Sounds. Shyntwirl
Piano. Shyntwirl
Bells. Shyntwirl
Bass. Shyntwirl
Ring. Shyntwirl
Reverb & Echo. Shyntwirl
Transitions. Shyntwirl

Ambient / Atmosphere / Nature / Relaxation / Background / Reverb & Echo

PROD. Shyntwirl

Shyntwirl - Photosynthesis (PROD. Shyntwirl)

2025-05-20

something is ringing here

This episode features music made by Naviar's community inspired by Marc Sheridan’s poem “a splash of colour / cherry tree petals / drifting silently falling”   

Tracklist:   

Addisonic - Splash Of Colour  https://soundcloud.com/addisonic/splash-of-colour
tetkik ve tedavi - a silent splash  https://soundcloud.com/tetkik_ve_tedavi/a-silent-splash-naviarhaiku585
zenbytes - a splash of color  https://soundcloud.com/zenbytes/a-splash-of-color
Night Note - a splash of colour  https://soundcloud.com/mmastalka/a-splash-of-colour-naviarhaiku-585
Daniele Marx - Cherry tree petals  https://soundcloud.com/user-537291530/silently-falling-wav
Jimmy Lem - Flapping Coagulabilities  https://soundcloud.com/blisterpop/flapping-coagulabilities-naviarhaiku585
Anne Versailles - Falling petals https://soundcloud.com/user-576728462/falling-petals    

Credits:   

music intro: “This ruined house” by Tuonela  
voice intro: Ian Joyce  
cover image: Micah Hallahan   

Naviar Broadcast is a radio programme curated by Naviar, broadcasted on Resonance Extra every Wednesday at 7pm UK time. Thirty minutes of experimental music made in response to a weekly assigned haiku poem.  

To have your music featured on the show, you'll have to participate in the Haiku music challenge: https://www.naviarrecords.com/about/naviar-haiku  
Support the show: https://www.naviarrecords.com/support-us/

Naviar Broadcast #362 - A splash of colour – Wednesday 2nd April 2025

Die drei Gymnopédies sind Klavierstücke des französischen Komponisten Erik Satie. Sie entstanden um 1888 und zählen zu seinen bekanntesten Werken.
Im Mai 2023 hab ich das Bild gemalt, welches ich als Track Art verwendet habe und finde es passt wunderbar.

The three Gymnopédies are piano pieces by the French composer Erik Satie. They were written around 1888 and are among his best-known works.
I painted the track-art picture in May 2023 and I think it goes very well with the work by Satie.

Les trois Gymnopédies sont des pièces pour piano du compositeur français Erik Satie. Elles ont été composées vers 1888 et comptent parmi ses œuvres les plus connues.
J'ai peint cette image de track-art en mai 2023 et je pense qu'elle s'accorde très bien avec l'œuvre de Satie.

Gymnopédies (1 - 2 - 3) - The Giant

Variation mit einem Bösendorfer.
Die drei Gymnopédies sind Klavierstücke des französischen Komponisten Erik Satie. Sie entstanden um 1888 und zählen zu seinen bekanntesten Werken.
2023 hab ich das Bild gemalt, welches ich als Track Art verwendet habe und finde es passt hier ganz wunderbar zu den Kompositionen

Variation with a Boesendorfer.
The three Gymnopédies are piano pieces by the French composer Erik Satie. They were written around 1888 and are among his best-known works.
I painted the track-art picture in 2023 and I think it goes very well with the work by Satie.

Variation avec un Bösendorfer.
Les trois Gymnopédies sont des pièces pour piano du compositeur français Erik Satie. Elles ont été composées vers 1888 et comptent parmi ses œuvres les plus connues.
J'ai peint cette image de track-art en 2023 et je pense qu'elle s'accorde très bien avec l'œuvre de Satie.

Gymnopédies

Gymnopédies (1 - 2 - 3) - Bösendorfer

Granular Synthese is theee thingggg !!!!! Game changing million percent

The Fairy Song

PREMIERE : Vidění - Whispers Beneath The Waves [AM002]

Music by Rosario Piscosquito aka Vidění
Mastering by Brice Deloose at Incidence Studio
https://www.incidence.studio/
Artwork by ambient matter
Distribution by Triple Vision


Vidění
https://soundcloud.com/videni

ambient matter
https://soundcloud.com/ambient-matter
https://substack.com/@ambientmatter
https://ambientmatter.bandcamp.com

PREMIERE : Vidění - Whispers Beneath The Waves [AM002]

A very inspiring, emotional track about a journey trough this weird experience we call life. If you like the song and would like to listen to our new full EP "Cool blue cat" - https://crossthetape.bandcamp.com/album/cool-blue-cat

OH MICHAEL

LF58 is the collaborative consciousness of techno maestro Neel and sonic explorer Filippo Scorcucchi. Initially beginning the project with a blissful release on Auxiliary, the duo has since gone on to release three legendary albums on Astral Industries. The modular synth masters are revered for their ability to sculpt sound into expansive, architectural forms, building entire worlds from celestial drones and intricate textures.

This mix is music for the deep cosmos of the mind; an ambient transmission designed to dissolve time and space. Patient and deep, the set serves as a soundtrack for drifting through the quiet solitude of space, floating in a sonic vessel built by two masters of atmosphere.

Follow:

https://www.instagram.com/lf58music/
https://soundcloud.com/user-441961898
https://www.facebook.com/LF58music

https://www.instagram.com/filipposcorcucchi/

https://soundcloud.com/neel
https://www.facebook.com/neeldj
https://www.instagram.com/neelrome/

Photo - Jason Leung



Monument Waves 006 : LF58

Sine Motion (2025)

Music by Matteo Mariano
Artwork by Riccardo Arena http://www.riccardoarena.org

The sounds align on their own to form a combination that comes to life and evolves. Then it flies away.

Cheope

Cheope (2005 - Abridged ver.)

Performed & Recorded by Matteo Mariano (2007) http://macrogramma.com
Original cover art by Dario Panzeri (2020) http://dariopanzeri.org

Music inspired by the concept of electromagnetic catapult (mass driver), developed by Gerard K. O'Neill. We are in 2020 and space seems much further than it seemed in the 70s. 

Thanks to Dario Panzeri for the invaluable visual contribution.

-----

Musica ispirata al concetto di catapulta elettromagnetica (mass driver), sviluppata da Gerard K. O'Neill. Siamo nel 2020 e lo spazio sembra molto più distante rispetto a quanto poteva sembrare negli anni '70. 

Grazie a Dario Panzeri per l'inestimabile contributo visivo.

Mass Driver

Mass Driver (2007)

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

Cheope (2005 - Abridged ver.)

Macrogramma

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