Demo track from 2007, made with the purpose of being used for a band. The track was never finished or performed. Despite good intentions I got carried away and overdid the overdubs (a tendency I struggle to get rid of even now). I made an effort to leave everything as unaltered as possible from the 2007 mix. The only thing I was forced to add was the bass part; before there was a horrible midi placeholder and it was missing in many parts. I tried to play it the way I would have played it in 2007 and it still remains a bit naive since I am not a bass player.
The drums were made from a sample CD found at a friend's house, I don't know where they came from. It probably also has loops in it from the library of the old Apple Soundtrack Pro...

Skomorokh

Skomorokh (DEMO - Circa 2007)

An upcoming music producer/artist originally from Bangor, Wales but lived in Manchester England for the majority of my life. I am looking to mix tracks for free as practice and i am always open to collaborations.

This is a Morris/Broome project and follows on from Mono-ha and Mono-Lux collections. We explore sonic ideas from ambient soundscapes to re-imagined song formats using the expanded field of sound and narrative creation. 
Enjoy the experience and thank you for listening...

@mono-ha-music
@user-441178099
@user-298027276

I was trained in tradition, yet I stepped beyond its walls. Sound is my language, not to decorate but to liberate. Composer, performer, and listener — one fire, three sparks, inseparable.

I write and compose to uncover what is hidden: the truth buried beneath power, the dignity of the ordinary, the current of awareness that flows through all.

I belong to no authority, only to sound, to truth, to the silence from which all begins. My work is not mastery, but remembrance — a manifesto in every note, every word, every breath.

I am a composer of the 21st century: a studio artist. The studio is my forge, my battlefield, my sanctuary. Machines hum like choirs, circuits burn like torches, cables twist like roots in the earth. Tradition breaks open in this fire — the score turns to light, the instrument becomes the world itself.

To be a studio artist is to seize sound at its rawest, to sculpt electricity and breath as one, to summon the invisible power that belongs to all. Here music is not bound by walls, not enslaved by profit, not tamed by form. It is free, untouchable, unending — a living flame for the century that is ours.

I live in a forest.This is the music that comes to me over the tree tops.

I am an amateur musician.
I make music with "Magix Music Maker", because I can play the piano very little.
The singer in my tracks is not a human being. She is a synthesizer software named "Vocaloid Yukari".

https://progettosonoro.bandcamp.com/follow_me
progettosonoro è Marco Mascia, accumulatore seriale (e parallelo) di strumenti musicali e oggetti sonori e (non)musicista. Dal 2007 fa parte (con Manuel Lain) del duo Le Pecorecaramellate che ha all'attivo un Cd (Una botte e via! edito da Sesto Esercizio Records) e ha partecipato (Cagliari, 10 Ottobre 2015, Nuovo Panificio) al Multiversal EXP-OFF. 
Il 1 Maggio 2016, sempre al al Nuovo Panificio, ha partecipato, con la Roaring Pianolas Orchestra, alla perfomance live "pianoltre"

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

Skomorokh (DEMO - Circa 2007)

Macrogramma