@ntonsat: Thank you very much! Happy you like it!

veramente ma veramente tanto bella, complimenti, ottimo lavoro!

i sintetizzatori lasciano senza fiato! La chitarra è molto originale imo con le sue note lunghe e minime. Ottimo materiale

all good what i hear here, but this is special fantastic!

Feel the depth with fantastic music ✨🎶

tone gen 14032021

Sirenes

Solo Kurzweil Fantasy.  Created in Real-Time in my home studio.

Yearr of Music: August 22, 2025

Soundtrack is a part of the soundtrack that collects music written and composed by composers to accompany particular moments in the film. The soundtrack enhances the emotion of the film by creating a sound atmosphere for each scene. The musical score constitutes much more than a mere emotional accessory; on the contrary, music is capable of radically altering the viewer's empathy for the characters in the scene, the emotions attributed to them, the evaluation of the scenic environment, and the anticipation of the plot

Maleficent sings

Ambient jam recorded 17/08/2025 w/ Isaac Robertson and Leo Turton.

Glare

Apparently, he got himself a satsuma for a Head.
So they say.

A Satsuma For A Head

Cosmic Swirly Thang

HYPERWUMP - Betamax Killed the Videostar

Performed & Recorded by Matteo Mariano in 2004. http://macrogramma.com
Original cover art by Pietro Puccio (2019). http://www.pietropuccio.it

All that I did not understand, Story of an afternoon and Under Antonio Ceriani / Tutto quello che non ho capito, Storia di un pomeriggio e Sotto Antonio Ceriani

These three songs are constructed in a very similar way, practically recording short guitar patterns and creating loops by re-editing them and processing them with the same outboard. They were also the easiest tracks of the selection to restore as they were kept on multi-track format. All three tracks are directly inspired by Pietro Puccio's paintings. Between the distressing expectation of Under Antonio Ceriani and the lazy and lukewarm pace of the Story of an afternoon, my favorite has always been All that I did not understand, with that mass of unknown emerging from the depths of the canvas and swallowing all the forms and colors.
***

Questi tre brani sono costruiti in modo molto simile, in pratica registrando dei brevi pattern di chitarra e creando loop rimaneggiandoli e passandoli dagli stessi macchinari. Sono stati anche i più facili della raccolta da restaurare in quanto tenuti in multi-traccia. Tutti e tre i brani sono ispirati direttamente da dei quadri di Pietro Puccio. Tra l'attesa desolante di Sotto Antonio Ceriani e il pigro e tiepido incedere di Storia di un pomeriggio, il mio preferito è sempre stato Tutto quello che non ho capito, con quella massa di ignoto che emergeva dal fondo della tela e ingoiava le forme e i colori.

from macrogramma volume 2, released September 5, 2019
Performed & Recorded by Matteo Mariano in 2004

macrogramma volume 2

Storia Di Un Pomeriggio

sometimes i think i'm making sounds just to distract myself from something other thing.

weeds tangled up

SEIZURES - Morning Star

Tensile residue

Sound Designer & Composer. Creates instrumental music and soundtracks for film/videos and for art exhibitions.

Storia Di Un Pomeriggio

Macrogramma

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